#1 of 5 2025 · Action, Biography
$21.1M worldwide · 84% of the chart's total
The Smashing Machine (2025) is the highest-grossing drama movie released in week 40 of 2025 (Sep 28–Oct 4), with $21.1M worldwide, ahead of Tell Me What You Want (2025) at $2.3M and Anemone (2025) at $1.6M. 5 drama films released that week report a worldwide gross, $25.1M in all, 50% of it from the US & Canada. That is down 89% on Week 39, 2025, whose releases took $226.2M. By language, English leads with $22.9M across 4 drama releases.
#1 of 5 2025 · Action, Biography
$21.1M worldwide · 84% of the chart's total
The Smashing Machine (2025) leads with $21.1M, 84% of the total. The top 5 together took $25.1M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 40 of 2025 (Sep 28–Oct 4).
Oct 3, 2025 US and Canada: $11.4M Rest of the world: $9.7M Worldwide: $21.1M
Sep 30, 2025 US and Canada: – Rest of the world: – Worldwide: $2.3M
Oct 3, 2025 US and Canada: $1.2M Rest of the world: $473.9K Worldwide: $1.6M
Oct 3, 2025 US and Canada: $8K Rest of the world: $60.4K Worldwide: $68.4K
Oct 3, 2025 US and Canada: – Rest of the world: – Worldwide: $24.3K Of the top 5, Anemone (2025) earned the biggest share at home (71% in the US & Canada), while The Ice Tower (2025) made 88% of its gross abroad. Across all 5 films, $12.6M (50%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 40 releases took $25.1M. The biggest of these 9 weeks is week 38 (Sep 14–20) with $306.7M, led by 731 (2025).
Of these 10 years, Week 40, 2019 earned the most: $1.7B from 40 films, led by Joker (2019). Week 40, 2025 took $25.1M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 40, 2016 Sep 25–Oct 1 15 films | 15 | $549M | – | Miss Peregrine's Home for Peculiar Children (2016) $296.5M |
| Week 40, 2017 Oct 1–7 17 films · −33% | 17 | $366.6M | −33% | Blade Runner 2049 (2017) $277.9M |
| Week 40, 2018 Sep 30–Oct 6 36 films · +50% | 36 | $549.8M | +50% | A Star Is Born (2018) $436.4M |
| Week 40, 2019 Sep 29–Oct 5 40 films · +218% | 40 | $1.7B | +218% | Joker (2019) $1.1B |
| Week 40, 2020 Sep 27–Oct 3 17 films · −98% | 17 | $35.4M | −98% | Pawn (2020) $14.2M |
| Week 40, 2021 Sep 26–Oct 2 15 films · +2591% | 15 | $953.2M | +2591% | The Battle at Lake Changjin (2021) $902.5M |
| Week 40, 2022 Sep 25–Oct 1 15 films · −97% | 15 | $31M | −97% | Ponniyin Selvan: Part I (2022) $21.9M |
| Week 40, 2023 Oct 1–7 34 films · −69% | 34 | $9.6M | −69% | Kyrie (2023) $1.5M |
| Week 40, 2024 Sep 29–Oct 5 21 films · +2362% | 21 | $237.2M | +2362% | Joker: Folie à Deux (2024) $207.5M |
| Week 40, 2025 Sep 28–Oct 4 5 films · −89% | 5 | $25.1M | −89% | The Smashing Machine (2025) $21.1M |
53 weeks of 2025 with reported grosses; the biggest is week 7 (Feb 9–15) with $2.4B, led by Ne Zha 2 (2025).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
The Smashing Machine (2025) leads with $21.1M worldwide, $11.4M of it in the US & Canada. Next come Tell Me What You Want (2025) at $2.3M and Anemone (2025) at $1.6M.
5 drama films released in week 40 of 2025 (Sep 28–Oct 4) report a worldwide gross, $25.1M in all, or $5M per film on average. Week 39, 2025 releases took $226.2M.
None. The biggest, The Smashing Machine (2025), earned $21.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 40 of 2025 (Sep 28–Oct 4). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.