While incarcerated at Arkham Asylum and awaiting trial, Arthur Fleck struggles with his identity as the Joker. A surprising connection and a burgeoning musical ability offer a glimmer of hope, but the darkness within him proves difficult to overcome.
Does Joker: Folie à Deux have end credit scenes?
No!
Joker: Folie à Deux does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of Joker: Folie à Deux, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
Catherine Keener
Maryanne Stewart
Zazie Beetz
Sophie Dumond
Joaquin Phoenix
Arthur Fleck
Leigh Gill
Gary Puddles
Lady Gaga
Lee Quinzel
Brendan Gleeson
Jackie Sullivan
Steve Coogan
Paddy Meyers
Mac Brandt
Arkham Guard
Harry Lawtey
Harvey Dent
Bill Smitrovich
Judge Herman Rothwax
Jacob Lofland
Ricky Meline
Ken Leung
Dr. Victor Liu
Gregg Daniel
Music Teacher
Sharon Washington
Debra Kane
Tim Dillon
Arkham Guard
George Carroll
Arkham Guard
Alfred Rubin Thompson
Ernie Bullock
Connor Storrie
Young Inmate
John Lacy
Arkham Guard
Wayne Dehart
E Ward Inmate
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See how Joker: Folie à Deux is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where Joker: Folie à Deux stands among top-rated movies in its genre.
Joker: Folie à Deux emerges as a visually ambitious but narratively uneven sequel. Critics and viewers alike highlight lengthy musical detours that disrupt momentum and thin character focus despite moments of expressive acting. While occasional set pieces and performances offer sparks of engagement, the film’s pacing and thematic breadth fail to coalesce. Overall, this follow-up delivers mixed signals that leave its promise of a fresh perspective only partly realized.
The Movie Echo Score Breakdown for Joker: Folie à Deux
Art & Craft
In terms of direction and visual craft, Folie à Deux shows both flair and inconsistency. Some sequences benefit from bold production design and atmospheric editing choices, yet extended musical scenes strain the film’s formal coherence. The cinematography occasionally captures Gothic richness but lacks a unifying stylistic rhythm. As a result, the visual approach feels uneven, producing moments of strong imagery amid structural detours.
Character & Emotion
When it comes to acting and character depth, the leads offer committed performances that occasionally resonate. Joaquin Phoenix and Lady Gaga convey emotional intensity, lending vitality to their exchanges even as writing constraints curb their arcs. Supporting roles and scripting shortcomings limit exploration of inner conflict, leaving depictions of madness and chemistry only partly fleshed out. Overall, character work delivers sparks of nuance within a broader framework that seldom sustains its promise.
Story & Flow
In terms of plot coherence and pacing, the sequel struggles to maintain narrative momentum. Lengthy musical interludes are often cited as distracting detours that neither advance the central arc nor heighten suspense. Attempts at thematic expansion yield uneven results, with thin character focus failing to counterbalance an overlong structure. The net effect is a story that feels stalled and underdeveloped, undermining engagement from start to finish.
Sensory Experience
When assessing the sensory experience, the film alternates between arresting audio-visual moments and flat passages. Musical numbers showcase polished sound design and occasional cinematic flair, yet they rarely achieve memorability or emotional depth. Production design and visual styling evoke Gotham’s gritty roots, while certain musical transitions feel unanchored. Consequently, sensory elements register as competent but sporadically indulgent, fostering mixed viewer responses regarding immersion and cohesion.
Rewatch Factor
Regarding rewatch potential, Folie à Deux offers limited incentive for repeat viewings. Occasional standout moments—such as punchy performance beats or striking visuals—provide fleeting appeal, but the irregular pacing and fragmented storytelling dampen overall replay value. Musical set pieces and character interplay lack sufficient depth to reward a second pass, leaving it unlikely to gain lasting resonance beyond initial curiosity.
45
Metascore
4.3
User Score
31%
TOMATOMETER
31%
User Score
5.2 /10
IMDb Rating
2.4
From 653 fan ratings
4.08/5
From 12 fan ratings
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Where is Arthur Fleck being held at the beginning of the film?
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In a striking animated sequence, the Joker finds himself replaced by his own shadow during a singing number for a television show, only to be left behind on stage as three policemen arrive and brutally assault him.
Now in custody at Arkham State Hospital, Arthur Fleck is awaiting trial for crimes he committed two years earlier. His lawyer, Maryanne Stewart, is preparing to argue that Arthur suffers from dissociative identity disorder, attributing his violent actions to the dark persona of the Joker. At a music therapy session in the hospital’s B ward, Arthur encounters Harleen “Lee” Quinzel, played by Lady Gaga. Lee shares her tragic backstory, revealing her abusive childhood and how she was admitted after a devastating incident involving her parents’ home. Intriguingly, she also expresses admiration for Arthur’s Joker persona and his notorious deeds.
As they watch a screening of The Band Wagon, chaos ensues when Lee ignites a fire, leading to their capture while attempting to escape. This results in Arthur being placed in solitary confinement. Lee, visiting him, shares her plans to be released in order to distance herself from his influence but promises to support him during his trial, culminating in a brief intimate encounter. During an interview with television host Paddy Meyers, Arthur serenades Lee through the screen, deepening her infatuation with him.
On the trial’s day, Assistant District Attorney Harvey Dent presents witnesses who invalidate Arthur’s insanity claims. In a surprising twist, Maryanne unveils Lee’s true identity as a psychiatry student from the Upper West Side whose father is very much alive. She had voluntarily committed to Arkham and had never burned down her childhood home. Confronted by Arthur, Lee admits her fabrications were efforts to bond with him but drops the bombshell that she is pregnant and has moved into his former apartment building, wishing to forge a life together.
The trial takes a dramatic turn as Arthur dismisses Maryanne, opting to represent himself. After hearing testimonies from Gary Puddles Leigh Gill and Sophie Dumond Zazie Beetz, Arthur is noticeably shaken and offers no defense. Instead, during his speech, he ridicules the Arkham guards and hints at the abuse he has suffered. Sent back to Arkham, he endures a horrific assault by head guard Jackie Sullivan and others, culminating in the death of his friend Ricky Jacob Lofland.
In a heart-wrenching closing statement in court, Arthur resolutely renounces his Joker identity, taking accountability for his actions. This revelation angers Lee, prompting her to leave his side. The ensuing verdict finds Arthur guilty of first-degree murder, and as the foreman announces the verdict, a car bomb detonates outside the courthouse, causing mass casualties and leaving Dent severely scarred.
In the ensuing chaos, Arthur’s followers facilitate his escape. Wandering through Gotham City, he finds Lee outside his former residence, but she turns him away for renouncing the Joker. As Arthur is recaptured by the police, he faces betrayal from a young inmate who approaches him with a joke before brutally stabbing him. As Arthur succumbs to his injuries, the assailant laughs maniacally, carving a haunting smile on his own face, adding a sinister twist to Arthur’s tragic story.
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