#1 of 7 2014 · Action, Sci-Fi
$103M worldwide · 45% of the chart's total
Transcendence (2014) is the highest-grossing drama movie released in week 16 of 2014 (Apr 13–19), with $103M worldwide, ahead of Heaven Is for Real (2014) at $102M and 2 States (2014) at $22.4M. 7 drama films released that week report a worldwide gross, $227.9M in all, 51% of it from the US & Canada. 2 films crossed $100 million; none reached $1 billion. That is up 191% on Week 15, 2014, whose releases took $78.3M. By language, English leads with $205.5M across 5 drama releases.
#1 of 7 2014 · Action, Sci-Fi
$103M worldwide · 45% of the chart's total
Transcendence (2014) leads with $103M, 45% of the total. The top 5 together took $227.9M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 16 of 2014 (Apr 13–19).
Apr 17, 2014 US and Canada: $23M Rest of the world: $80M Worldwide: $103M
Apr 16, 2014 US and Canada: $91.4M Rest of the world: $10.5M Worldwide: $102M
Apr 18, 2014 US and Canada: $2.2M Rest of the world: $20.1M Worldwide: $22.4M
Apr 18, 2014 US and Canada: – Rest of the world: – Worldwide: $491.2K
Apr 18, 2014 US and Canada: – Rest of the world: – Worldwide: $19.3K
Apr 18, 2014 US and Canada: $5.6K Rest of the world: Worldwide: $5.6K
Apr 19, 2014 US and Canada: $2.5K Rest of the world: Worldwide: $2.5K Of the top 7, Kid Cannabis (2014) earned the biggest share at home (100% in the US & Canada), while 2 States (2014) made 90% of its gross abroad. Across all 7 films, $116.7M (51%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Week 16 releases took $227.9M. The biggest of these 9 weeks is week 10 (Mar 2–8) with $567.6M, led by 300: Rise of an Empire (2014).
Of these 10 years, Week 16, 2009 earned the most: $237.8M from 9 films, led by 17 Again (2009). Week 16, 2014 took $227.9M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 16, 2005 Apr 10–16 8 films | 8 | $116.5M | – | The Amityville Horror (2005) $107.5M |
| Week 16, 2006 Apr 16–22 8 films · −3% | 8 | $112.9M | −3% | Silent Hill (2006) $100.6M |
| Week 16, 2007 Apr 15–21 13 films · +31% | 13 | $147.8M | +31% | Fracture (2007) $92M |
| Week 16, 2008 Apr 13–19 8 films · +4% | 8 | $153.8M | +4% | Forgetting Sarah Marshall (2008) $105.8M |
| Week 16, 2009 Apr 12–18 9 films · +55% | 9 | $237.8M | +55% | 17 Again (2009) $136.3M |
| Week 16, 2010 Apr 11–17 13 films · −75% | 13 | $60.6M | −75% | The Secret in Their Eyes (2010) $35.1M |
| Week 16, 2011 Apr 10–16 11 films · +2% | 11 | $61.5M | +2% | The Conspirator (2011) $15.6M |
| Week 16, 2012 Apr 15–21 8 films · +92% | 8 | $118.2M | +92% | The Lucky One (2012) $99.4M |
| Week 16, 2013 Apr 14–20 14 films · −43% | 14 | $67.7M | −43% | Detective Conan: Private Eye in the Distant Sea (2013) $36.3M |
| Week 16, 2014 Apr 13–19 7 films · +237% | 7 | $227.9M | +237% | Transcendence (2014) $103M |
53 weeks of 2014 with reported grosses; the biggest is week 52 (Dec 21–27) with $857.7M, led by American Sniper (2014).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Transcendence (2014) leads with $103M worldwide, $23M of it in the US & Canada. Next come Heaven Is for Real (2014) at $102M and 2 States (2014) at $22.4M.
7 drama films released in week 16 of 2014 (Apr 13–19) report a worldwide gross, $227.9M in all, or $32.6M per film on average. Week 15, 2014 releases took $78.3M.
None. 2 films crossed $100 million, led by Transcendence (2014) with $103M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 16 of 2014 (Apr 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.