#1 of 7 1998 · Drama, Romance
$186.9M worldwide · 99% of the chart's total
The Horse Whisperer (1998) is the highest-grossing drama movie released in week 20 of 1998 (May 10–16), with $186.9M worldwide, ahead of Head On (1998) at $708.4K and Clockwatchers (1998) at $537.9K. 7 drama films released that week report a worldwide gross, $188.5M in all, 41% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. By language, English leads with $188.5M across 5 drama releases.
#1 of 7 1998 · Drama, Romance
$186.9M worldwide · 99% of the chart's total
The Horse Whisperer (1998) leads with $186.9M, 99% of the total. The top 5 together took $188.5M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 1998 (May 10–16).
May 15, 1998 US and Canada: $75.4M Rest of the world: $111.5M Worldwide: $186.9M
May 16, 1998 US and Canada: $379.4K Rest of the world: $329K Worldwide: $708.4K
May 15, 1998 US and Canada: $537.9K Rest of the world: Worldwide: $537.9K
May 15, 1998 US and Canada: $355K Rest of the world: Worldwide: $355K
May 13, 1998 US and Canada: $15.2K Rest of the world: Worldwide: $15.2K
May 14, 1998 US and Canada: $14.7K Rest of the world: Worldwide: $14.7K
May 16, 1998 US and Canada: – Rest of the world: – Worldwide: $2.5K Of the top 7, Clockwatchers (1998) earned the biggest share at home (100% in the US & Canada), while The Horse Whisperer (1998) made 60% of its gross abroad. Across all 7 films, $76.7M (41%) came from the US & Canada. 1 film of the top 7 reports no US & Canada figure.
Week 20 releases took $188.5M. The biggest of these 9 weeks is week 19 (May 3–9) with $349.5M, led by Deep Impact (1998).
Of these 10 years, Week 20, 1998 earned the most: $188.5M from 7 films, led by The Horse Whisperer (1998).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 1989 May 14–20 3 films | 3 | $2.4M | – | Jesus of Montreal (1989) $1.6M |
| Week 20, 1990 May 13–19 No films | 0 | – | – | – |
| Week 20, 1991 May 12–18 5 films | 5 | $11.7M | – | Stone Cold (1991) $9.2M |
| Week 20, 1992 May 10–16 2 films · −84% | 2 | $1.9M | −84% | The Waterdance (1992) $1.7M |
| Week 20, 1993 May 9–15 3 films · +595% | 3 | $13M | +595% | Lost in Yonkers (1993) $9.3M |
| Week 20, 1994 May 8–14 5 films · +72% | 5 | $22.3M | +72% | Crooklyn (1994) $13.6M |
| Week 20, 1995 May 14–20 4 films · +102% | 4 | $45M | +102% | Forget Paris (1995) $33.2M |
| Week 20, 1996 May 12–18 3 films · −76% | 3 | $10.8M | −76% | Kolya (1996) $5.8M |
| Week 20, 1997 May 11–17 4 films · +23% | 4 | $13.3M | +23% | Night Falls on Manhattan (1997) $9.9M |
| Week 20, 1998 May 10–16 7 films · +1322% | 7 | $188.5M | +1322% | The Horse Whisperer (1998) $186.9M |
49 weeks of 1998 with reported grosses; the biggest is week 30 (Jul 19–25) with $483.4M, led by Saving Private Ryan (1998).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
The Horse Whisperer (1998) leads with $186.9M worldwide, $75.4M of it in the US & Canada. Next come Head On (1998) at $708.4K and Clockwatchers (1998) at $537.9K.
7 drama films released in week 20 of 1998 (May 10–16) report a worldwide gross, $188.5M in all, or $26.9M per film on average.
None. 1 film crossed $100 million, led by The Horse Whisperer (1998) with $186.9M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 1998 (May 10–16). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.