#1 of 6 The AI Doc: Or How I Became an Apocaloptimist (2026)
2026 · Documentary
$1.3M worldwide · 68% of the chart's total
The AI Doc: Or How I Became an Apocaloptimist (2026) is the highest-grossing documentary movie released in March 2026, with $1.3M worldwide, ahead of Marc by Sofia (2026) at $328.1K and Pompei: Below the Clouds (2026) at $231.3K. 6 documentary films released in March 2026 report a worldwide gross, $1.9M in all, 90% of it from the US & Canada. By language, English leads with $1.6M across 5 documentary releases.
#1 of 6 The AI Doc: Or How I Became an Apocaloptimist (2026)
2026 · Documentary
$1.3M worldwide · 68% of the chart's total
The AI Doc: Or How I Became an Apocaloptimist (2026) leads with $1.3M, 68% of the total. The top 5 together took $1.9M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2026.
Mar 27, 2026 US and Canada: $283.3K Rest of the world: $44.8K Worldwide: $328.1K
Mar 6, 2026 US and Canada: $99.7K Rest of the world: $131.7K Worldwide: $231.3K
Mar 6, 2026 US and Canada: – Rest of the world: – Worldwide: $3.2K
Mar 10, 2026 US and Canada: – Rest of the world: – Worldwide: $939 Of the top 6, The AI Doc: Or How I Became an Apocaloptimist (2026) earned the biggest share at home (100% in the US & Canada), while Pompei: Below the Clouds (2026) made 57% of its gross abroad. Across all 6 films, $1.7M (90%) came from the US & Canada. 2 films of the top 6 report no US & Canada figure.
Films released in week 13 (Mar 22–28) took $1.6M, led by The AI Doc: Or How I Became an Apocaloptimist (2026). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2019 earned the most: $20.6M from 19 films, led by Apollo 11 (2019). March 2026 took $1.9M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 2017 22 films | 22 | $2.8M | – | Uncertain (2017) $733.6K |
| March 2018 21 films · +120% | 21 | $6.2M | +120% | March of the Penguins 2: The Next Step (2018) $2.3M |
| March 2019 19 films · +230% | 19 | $20.6M | +230% | Apollo 11 (2019) $15.3M |
| March 2020 11 films · −93% | 11 | $1.5M | −93% | Mishima: The Last Debate (2020) $1.2M |
| March 2021 8 films · +253% | 8 | $5.3M | +253% | Tina (2021) $2.6M |
| March 2022 15 films · −15% | 15 | $4.5M | −15% | How to Survive a Pandemic (2022) $1.8M |
| March 2023 20 films · −43% | 20 | $2.6M | −43% | Louis Tomlinson: All of Those Voices (2023) $1.7M |
| March 2024 22 films · +243% | 22 | $8.8M | +243% | The Tuba Thieves (2024) $3.5M |
| March 2025 10 films · −58% | 10 | $3.7M | −58% | October 8 (2025) $1.4M |
| March 2026 6 films · −49% | 6 | $1.9M | −49% | The AI Doc: Or How I Became an Apocaloptimist (2026) $1.3M |
The months of 2026 with their totals: October leads with $57.6M, led by You Can See Everything (2026).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The AI Doc: Or How I Became an Apocaloptimist (2026) leads with $1.3M worldwide, $1.3M of it in the US & Canada. Next come Marc by Sofia (2026) at $328.1K and Pompei: Below the Clouds (2026) at $231.3K.
6 documentary films released in March 2026 report a worldwide gross, $1.9M in all, or $309.5K per film on average.
None. The biggest, The AI Doc: Or How I Became an Apocaloptimist (2026), earned $1.3M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2026. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.