#1 of 5 Deep in the Heart: A Texas Wildlife Story (2022)
2022 · Documentary
$480.2K worldwide · 37% of the chart's total
Deep in the Heart: A Texas Wildlife Story (2022) is the highest-grossing documentary movie released in week 20 of 2022 (May 8–14), with $480.2K worldwide, ahead of This Much I Know to Be True (2022) at $434.3K and Jazz Fest: A New Orleans Story (2022) at $179K. 5 documentary films released that week report a worldwide gross, $1.3M in all, 53% of it from the US & Canada. By language, English leads with $1.1M across 4 documentary releases.
#1 of 5 Deep in the Heart: A Texas Wildlife Story (2022)
2022 · Documentary
$480.2K worldwide · 37% of the chart's total
Deep in the Heart: A Texas Wildlife Story (2022) leads with $480.2K, 37% of the total. The top 5 together took $1.3M, almost all of what the 5 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 20 of 2022 (May 8–14).
May 11, 2022 US and Canada: – Rest of the world: – Worldwide: $434.3K
May 13, 2022 US and Canada: $179K Rest of the world: Worldwide: $179K
May 14, 2022 US and Canada: – Rest of the world: – Worldwide: $175.7K
May 11, 2022 US and Canada: $18.4K Rest of the world: Worldwide: $18.4K Of the top 5, Deep in the Heart: A Texas Wildlife Story (2022) earned the biggest share at home (100% in the US & Canada), while Our Father (2022) made 0% of its gross abroad. Across all 5 films, $677.6K (53%) came from the US & Canada. 2 films of the top 5 report no US & Canada figure.
Week 20 releases took $1.3M. The biggest of these 9 weeks is week 14 (Mar 27–Apr 2) with $1.8M, led by How to Survive a Pandemic (2022).
Of these 10 years, Week 20, 2018 earned the most: $8.8M from 7 films, led by Pope Francis - A Man of His Word (2018). Week 20, 2022 took $1.3M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 20, 2013 May 12–18 5 films | 5 | $211.8K | – | Becoming Traviata (2013) $102K |
| Week 20, 2014 May 11–17 2 films · −59% | 2 | $87.3K | −59% | Ai Weiwei: The Fake Case (2014) $45.3K |
| Week 20, 2015 May 10–16 1 film · −53% | 1 | $41.2K | −53% | Steve McQueen: The Man & Le Mans (2015) $41.2K |
| Week 20, 2016 May 8–14 2 films · +4154% | 2 | $1.8M | +4154% | Rammstein: Paris (2016) $1.6M |
| Week 20, 2017 May 14–20 4 films · −71% | 4 | $500.9K | −71% | Fight for Space (2017) $337.8K |
| Week 20, 2018 May 13–19 7 films · +1664% | 7 | $8.8M | +1664% | Pope Francis - A Man of His Word (2018) $8.6M |
| Week 20, 2019 May 12–18 7 films · −95% | 7 | $461.8K | −95% | Walking on Water (2019) $178.1K |
| Week 20, 2020 May 10–16 1 film · −80% | 1 | $91.3K | −80% | Graves Without a Name (2020) $91.3K |
| Week 20, 2021 May 9–15 3 films · +13% | 3 | $102.7K | +13% | The United Way (2021) $97.1K |
| Week 20, 2022 May 8–14 5 films · +1153% | 5 | $1.3M | +1153% | Deep in the Heart: A Texas Wildlife Story (2022) $480.2K |
51 weeks of 2022 with reported grosses; the biggest is week 6 (Jan 30–Feb 5) with $80.6M, led by Jackass Forever (2022).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 5 films as the chart.
Deep in the Heart: A Texas Wildlife Story (2022) leads with $480.2K worldwide, $480.2K of it in the US & Canada. Next come This Much I Know to Be True (2022) at $434.3K and Jazz Fest: A New Orleans Story (2022) at $179K.
5 documentary films released in week 20 of 2022 (May 8–14) report a worldwide gross, $1.3M in all, or $257.5K per film on average.
None. The biggest, Deep in the Heart: A Texas Wildlife Story (2022), earned $480.2K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 20 of 2022 (May 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.