Gorillaz: Reject False Icons (2019)
2019 · Music, Documentary
$475.5K worldwide · 47% of the chart's total
Gorillaz: Reject False Icons (2019) is the highest-grossing documentary movie released in December 2019, with $475.5K worldwide, ahead of Cunningham (2019) at $367.8K and The Disappearance of My Mother (2019) at $83.9K. 7 documentary films released in December 2019 report a worldwide gross, $1M in all, 78% of it from the US & Canada. That is down 84% on November 2019, whose releases took $6.2M. By language, English leads with $862K across 3 documentary releases.
Gorillaz: Reject False Icons (2019)
2019 · Music, Documentary
$475.5K worldwide · 47% of the chart's total
Gorillaz: Reject False Icons (2019) leads with $475.5K, 47% of the total. The top 5 together took $997.6K, 98% of what all 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 2
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in December 2019.
Dec 13, 2019 US and Canada: $265.1K Rest of the world: $102.7K Worldwide: $367.8K
Dec 6, 2019 US and Canada: $25K Rest of the world: $59K Worldwide: $83.9K
Dec 6, 2019 US and Canada: $42.3K Rest of the world: $9.4K Worldwide: $51.7K
Dec 13, 2019 US and Canada: – Rest of the world: – Worldwide: $18.8K
Dec 12, 2019 US and Canada: – Rest of the world: – Worldwide: $14.3K
Dec 13, 2019 US and Canada: $4.1K Rest of the world: Worldwide: $4.1K Of the top 7, Chinese Portrait (2019) earned the biggest share at home (100% in the US & Canada), while The Disappearance of My Mother (2019) made 70% of its gross abroad. Across all 7 films, $790.2K (78%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Films released in week 51 (Dec 15–21) took $475.5K, led by Gorillaz: Reject False Icons (2019). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, December 2013 earned the most: $139.6M from 8 films, led by Walking with Dinosaurs (2013). December 2019 took $1M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| December 2010 5 films | 5 | $210.8K | – | Bhutto (2010) $100.2K |
| December 2011 10 films · +9009% | 10 | $19.2M | +9009% | Pina (2011) $18.7M |
| December 2012 11 films · −91% | 11 | $1.7M | −91% | Tale of a Forest (2012) $724.2K |
| December 2013 8 films · +8243% | 8 | $139.6M | +8243% | Walking with Dinosaurs (2013) $126.5M |
| December 2014 7 films · −99% | 7 | $2M | −99% | Streif: One Hell of a Ride (2014) $1.8M |
| December 2015 8 films · +171% | 8 | $5.3M | +171% | Where to Invade Next (2015) $4.7M |
| December 2016 15 films · +88% | 15 | $10M | +88% | I Am Not Your Negro (2016) $8.3M |
| December 2017 8 films · +31% | 8 | $13.2M | +31% | Killing for Love (2017) $8.3M |
| December 2018 9 films · +92% | 9 | $25.2M | +92% | They Shall Not Grow Old (2018) $21.7M |
| December 2019 7 films · −96% | 7 | $1M | −96% | Gorillaz: Reject False Icons (2019) $475.5K |
The months of 2019 with their totals: August leads with $30.3M, led by Bring the Soul: The Movie (2019).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Gorillaz: Reject False Icons (2019) leads with $475.5K worldwide, $453.7K of it in the US & Canada. Next come Cunningham (2019) at $367.8K and The Disappearance of My Mother (2019) at $83.9K.
7 documentary films released in December 2019 report a worldwide gross, $1M in all, or $145.2K per film on average. November 2019 releases took $6.2M.
None. The biggest, Gorillaz: Reject False Icons (2019), earned $475.5K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in December 2019. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.