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Documentary box office · Week 41 · Oct 8–14, 2006

Documentary Box Office, Week 41 of 2006: Documentary Releases of Oct 8–14

Annie Leibovitz: Life Through a Lens (2006) is the highest-grossing documentary movie released in week 41 of 2006 (Oct 8–14), with $439.1K worldwide, ahead of Deliver Us from Evil (2006) at $327.2K and So Much So Fast (2006) at $21.5K. 4 documentary films released that week report a worldwide gross, $790.4K in all, 29% of it from the US & Canada.

week 41 releases with a gross
4
combined worldwide
$790.4K
Annie Leibovitz: Life Through a Lens (2006), the #1
$439.1K
earned in the US & Canada
29%
Top 4

What Were the Biggest Documentary Hits of Week 41 of 2006?

Annie Leibovitz: Life Through a Lens (2006) leads with $439.1K, 56% of the total. The top 4 together took $790.4K, almost all of what the 4 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.

  1. Annie Leibovitz: Life Through a Lens (2006) movie poster Number 1
    $439.1K Annie Leibovitz: Life Through a Lens (2006)
    No US & Canada figure reported
  2. Deliver Us from Evil (2006) movie poster Number 2
    $327.2K Deliver Us from Evil (2006)
    $201.3K US & Canada · 62% $125.9K elsewhere · 38%
  3. So Much So Fast (2006) movie poster Number 3
    $21.5K So Much So Fast (2006)
    $21.5K US & Canada · 100% elsewhere · 0%
  4. Out of Place: Memories of Edward Said (2006) movie poster Number 4
    $2.5K Out of Place: Memories of Edward Said (2006)
    $2.5K US & Canada · 100% elsewhere · 0%

US & Canada (domestic) Rest of the world

The chart

Every Documentary Release of Week 41 of 2006, Ranked by Worldwide Gross

Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 41 of 2006 (Oct 8–14).

  1. 1 Annie Leibovitz: Life Through a Lens (2006) movie poster
    Annie Leibovitz: Life Through a Lens (2006) Oct 12, 2006 · English · Documentary $439.1K worldwide
    Oct 12, 2006 US and Canada: – Rest of the world: – Worldwide: $439.1K
  2. 2 Deliver Us from Evil (2006) movie poster
    Deliver Us from Evil (2006) Oct 13, 2006 · English · Crime, Documentary $327.2K worldwide
    Oct 13, 2006 US and Canada: $201.3K Rest of the world: $125.9K Worldwide: $327.2K
  3. 3 So Much So Fast (2006) movie poster
    So Much So Fast (2006) Oct 11, 2006 · English · Documentary $21.5K worldwide
    Oct 11, 2006 US and Canada: $21.5K Rest of the world: Worldwide: $21.5K
  4. 4 Out of Place: Memories of Edward Said (2006) movie poster
    Out of Place: Memories of Edward Said (2006) Oct 11, 2006 · English · Documentary $2.5K worldwide
    Oct 11, 2006 US and Canada: $2.5K Rest of the world: Worldwide: $2.5K
US & Canada vs the world

Where Did the Money Come From in Week 41 of 2006?

Of the top 4, So Much So Fast (2006) earned the biggest share at home (100% in the US & Canada), while Deliver Us from Evil (2006) made 38% of its gross abroad. Across all 4 films, $225.3K (29%) came from the US & Canada. 1 film of the top 4 reports no US & Canada figure.

  1. 1 Annie Leibovitz: Life Through a Lens (2006) $439.1K
    No US & Canada figure reported
  2. 2 Deliver Us from Evil (2006) $327.2K
    $201.3K US & Canada · 62% $125.9K elsewhere · 38%
  3. 3 So Much So Fast (2006) $21.5K
    $21.5K US & Canada · 100% elsewhere · 0%
  4. 4 Out of Place: Memories of Edward Said (2006) $2.5K
    $2.5K US & Canada · 100% elsewhere · 0%
Earlier years

How Does Week 41 of 2006 Compare With Earlier Years?

Of these 10 years, Week 41, 2002 earned the most: $60.8M from 4 films, led by Bowling for Columbine (2002). Week 41, 2006 took $790.4K.

Week Films Worldwide Change Biggest film
Week 41, 1997 Oct 5–11 No films 0 – – –
Week 41, 1998 Oct 4–10 No films 0 – – –
Week 41, 1999 Oct 3–9 No films 0 – – –
Week 41, 2000 Oct 1–7 1 film 1 $84.7K – Live Nude Girls Unite! (2000) $84.7K
Week 41, 2001 Oct 7–13 3 films · +1412% 3 $1.3M +1412% The Human Body (2001) $1M
Week 41, 2002 Oct 6–12 4 films · +4646% 4 $60.8M +4646% Bowling for Columbine (2002) $58M
Week 41, 2003 Oct 5–11 2 films · −100% 2 $285.2K −100% Bus 174 (2003) $222.5K
Week 41, 2004 Oct 3–9 1 film · +124% 1 $638.5K +124% Tarnation (2004) $638.5K
Week 41, 2005 Oct 2–8 No films 0 – – –
Week 41, 2006 Oct 8–14 4 films 4 $790.4K – Annie Leibovitz: Life Through a Lens (2006) $439.1K
FAQ

Documentary Box Office Week 41 of 2006: Questions & Answers

The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 4 films as the chart.

What is the highest-grossing documentary movie in week 41 of 2006 (Oct 8–14)?

Annie Leibovitz: Life Through a Lens (2006) leads with $439.1K worldwide. Next come Deliver Us from Evil (2006) at $327.2K and So Much So Fast (2006) at $21.5K.

How much did documentary movies released in week 41 of 2006 (Oct 8–14) earn?

4 documentary films released in week 41 of 2006 (Oct 8–14) report a worldwide gross, $790.4K in all, or $197.6K per film on average.

How many documentary movies released in week 41 of 2006 (Oct 8–14) made $1 billion?

None. The biggest, Annie Leibovitz: Life Through a Lens (2006), earned $439.1K.

How much of the Week 41, 2006 Documentary box office came from the US and Canada?

$225.3K of the $790.4K total, or 29%, was earned in the US & Canada (the domestic market); the rest came from other countries. 1 film of the 4 report no domestic figure.

How is the week 41, 2006 documentary box office chart ranked and where do the numbers come from?

Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 41 of 2006 (Oct 8–14). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.

How often is the week 41, 2006 documentary box office chart updated?

Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.