#1 of 9 1996 · History, Sport
$2.8M worldwide · 47% of the chart's total
When We Were Kings (1996) is the highest-grossing documentary movie released in 1996, with $2.8M worldwide, ahead of Microcosmos (1996) at $1.4M and Looking for Richard (1996) at $1.4M. 9 documentary films released in 1996 report a worldwide gross, $5.9M in all, 100% of it from the US & Canada. That is down 58% on 1995, whose releases took $13.9M. By language, English leads with $4.5M across 8 documentary releases.
#1 of 9 1996 · History, Sport
$2.8M worldwide · 47% of the chart's total
When We Were Kings (1996) leads with $2.8M, 47% of the total. The top 5 together took $5.8M, 99% of what all 9 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in 1996.
Oct 25, 1996 US and Canada: $2.8M Rest of the world: Worldwide: $2.8M
Oct 9, 1996 US and Canada: $1.4M Rest of the world: Worldwide: $1.4M
Oct 11, 1996 US and Canada: $1.4M Rest of the world: Worldwide: $1.4M
Jun 19, 1996 US and Canada: $134.5K Rest of the world: Worldwide: $134.5K
Sep 27, 1996 US and Canada: $50.6K Rest of the world: Worldwide: $50.6K
Oct 11, 1996 US and Canada: $42.1K Rest of the world: Worldwide: $42.1K
Oct 1, 1996 US and Canada: – Rest of the world: – Worldwide: $29.1K
Aug 16, 1996 US and Canada: $8.4K Rest of the world: Worldwide: $8.4K
Of the top 9, When We Were Kings (1996) earned the biggest share at home (100% in the US & Canada), while Tell the Truth and Run: George Seldes and the American Press (1996) made 0% of its gross abroad. Across all 9 films, $5.9M (100%) came from the US & Canada. 1 film of the top 9 reports no US & Canada figure.
October releases took the most, $5.7M from 5 films, led by When We Were Kings (1996). December was the quietest month ($3.2K). Each column is a release month and links to that month's chart.
Of these 10 years, 1987 earned the most: $54.3M from 4 films, led by Eddie Murphy: Raw (1987). 1996 took $5.9M.
| Year | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| 1987 4 films | 4 | $54.3M | – | Eddie Murphy: Raw (1987) $50.5M |
| 1988 12 films · −72% | 12 | $15.3M | −72% | U2: Rattle and Hum (1988) $8.6M |
| 1989 4 films · −39% | 4 | $9.3M | −39% | Roger & Me (1989) $7.7M |
| 1990 3 films · −92% | 3 | $785.7K | −92% | Listen Up: The Lives of Quincy Jones (1990) $776.7K |
| 1991 6 films · +4697% | 6 | $37.7M | +4697% | Madonna: Truth or Dare (1991) $29M |
| 1992 9 films · −81% | 9 | $7.2M | −81% | My Crasy Life (1992) $3.3M |
| 1993 6 films · −90% | 6 | $733.8K | −90% | The Wonderful, Horrible Life of Leni Riefenstahl (1993) $449.7K |
| 1994 14 films · +3551% | 14 | $26.8M | +3551% | Hoop Dreams (1994) $11.8M |
| 1995 15 films · −48% | 15 | $13.9M | −48% | Born to Be Wild (1995) $3.7M |
| 1996 9 films · −58% | 9 | $5.9M | −58% | When We Were Kings (1996) $2.8M |
English-language documentary films took $4.5M across 8 films, 76% of the total, ahead of French-language documentary films ($1.4M).
Every year from 1918 to 2026 with its total and its biggest film. 2013 leads with $696.2M, led by Jackass Presents: Bad Grandpa (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 9 films as the chart.
When We Were Kings (1996) leads with $2.8M worldwide, $2.8M of it in the US & Canada. Next come Microcosmos (1996) at $1.4M and Looking for Richard (1996) at $1.4M.
9 documentary films released in 1996 report a worldwide gross, $5.9M in all, or $655.5K per film on average. 1995 releases took $13.9M.
None. The biggest, When We Were Kings (1996), earned $2.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in 1996. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.