#1 of 6 The Wonderful, Horrible Life of Leni Riefenstahl (1993)
1993 · Documentary
$449.7K worldwide · 61% of the chart's total
The Wonderful, Horrible Life of Leni Riefenstahl (1993) is the highest-grossing documentary movie released in 1993, with $449.7K worldwide, ahead of Theremin: An Electronic Odyssey (1993) at $253.3K and The Last Party (1993) at $11.2K. 6 documentary films released in 1993 report a worldwide gross, $733.8K in all, 100% of it from the US & Canada. By language, German leads with $449.7K across 1 documentary release.
#1 of 6 The Wonderful, Horrible Life of Leni Riefenstahl (1993)
1993 · Documentary
$449.7K worldwide · 61% of the chart's total
The Wonderful, Horrible Life of Leni Riefenstahl (1993) leads with $449.7K, 61% of the total. The top 5 together took $732.1K, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in 1993.
Nov 2, 1993 US and Canada: $253.3K Rest of the world: Worldwide: $253.3K
Aug 27, 1993 US and Canada: $11.2K Rest of the world: Worldwide: $11.2K
Aug 1, 1993 US and Canada: $8.5K Rest of the world: Worldwide: $8.5K
Of the top 6, The Wonderful, Horrible Life of Leni Riefenstahl (1993) earned the biggest share at home (100% in the US & Canada), while Children of Fate: Life and Death in a Sicilian Family (1993) made 0% of its gross abroad. Across all 6 films, $733.8K (100%) came from the US & Canada.
September releases took the most, $459.1K from 2 films, led by The Wonderful, Horrible Life of Leni Riefenstahl (1993). January was the quietest month ($1.7K). Each column is a release month and links to that month's chart.
Of these 10 years, 1987 earned the most: $54.3M from 4 films, led by Eddie Murphy: Raw (1987). 1993 took $733.8K.
| Year | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| 1984 7 films | 7 | $24.1M | – | Stop Making Sense (1984) $13.1M |
| 1985 6 films · −93% | 6 | $1.8M | −93% | The Dream Is Alive (1985) $1M |
| 1986 3 films · −23% | 3 | $1.4M | −23% | Home of the Brave: A Film by Laurie Anderson (1986) $1.3M |
| 1987 4 films · +3833% | 4 | $54.3M | +3833% | Eddie Murphy: Raw (1987) $50.5M |
| 1988 12 films · −72% | 12 | $15.3M | −72% | U2: Rattle and Hum (1988) $8.6M |
| 1989 4 films · −39% | 4 | $9.3M | −39% | Roger & Me (1989) $7.7M |
| 1990 3 films · −92% | 3 | $785.7K | −92% | Listen Up: The Lives of Quincy Jones (1990) $776.7K |
| 1991 6 films · +4697% | 6 | $37.7M | +4697% | Madonna: Truth or Dare (1991) $29M |
| 1992 9 films · −81% | 9 | $7.2M | −81% | My Crasy Life (1992) $3.3M |
| 1993 6 films · −90% | 6 | $733.8K | −90% | The Wonderful, Horrible Life of Leni Riefenstahl (1993) $449.7K |
Every year from 1918 to 2026 with its total and its biggest film. 2013 leads with $696.2M, led by Jackass Presents: Bad Grandpa (2013).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
The Wonderful, Horrible Life of Leni Riefenstahl (1993) leads with $449.7K worldwide, $449.7K of it in the US & Canada. Next come Theremin: An Electronic Odyssey (1993) at $253.3K and The Last Party (1993) at $11.2K.
6 documentary films released in 1993 report a worldwide gross, $733.8K in all, or $122.3K per film on average.
None. The biggest, The Wonderful, Horrible Life of Leni Riefenstahl (1993), earned $449.7K.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in 1993. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.