#1 of 3 #1 crime movie of Week 12, 2016
2016 · Biography, Drama
$20.4M worldwide · 100% of the chart's total
$201.2K US & Canada · <1% $20.2M elsewhere · 99%
Crime box office · Week 12 · Mar 13–19, 2016
Crime Box Office, Week 12 of 2016: Crime Releases of Mar 13–19
The Clan (2016) is the highest-grossing crime movie released in week 12 of 2016 (Mar 13–19), with $20.4M worldwide, ahead of The Preppie Connection (2016) at $11.6K and Bittersweet (2016) at $11.1K. 3 crime films released that week report a worldwide gross, $20.4M in all, 1% of it from the US & Canada. That is 13.6 times the total of Week 11, 2016, whose releases took $1.5M.
- week 12 releases with a gross
- 3
- combined worldwide
- $20.4M
- The Clan (2016), the #1
- $20.4M
- vs Week 11, 2016
- ×13.6
#1 of 3 Top 3
What Were the Biggest Crime Hits of Week 12 of 2016?
The Clan (2016) leads with $20.4M, 100% of the total. The top 3 together took $20.4M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Crime Release of Week 12 of 2016, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 12 of 2016 (Mar 13–19).
- 1 Mar 18, 2016 US and Canada: $201.2K Rest of the world: $20.2M Worldwide: $20.4M
- 2 Mar 18, 2016 US and Canada: $11.6K Rest of the world: Worldwide: $11.6K
- 3 Mar 15, 2016 US and Canada: – Rest of the world: – Worldwide: $11.1K
Weeks around it
How Does Week 12 Compare With the Weeks Around It?
Week 12 releases took $20.4M. The biggest of these 9 weeks is week 10 (Feb 28–Mar 5) with $1.2B, led by Zootopia (2016).
- Week 6 Wk 6 Jan 31–Feb 6 A Violent Prosecutor (2016) $86.3M A Violent Prosecutor (2016)
- Week 7 Wk 7 Feb 7–13 Trivisa (2016) $977.9K Trivisa (2016)
- Week 8 Wk 8 Feb 14–20 Kill Time (2016) $2.1M Kill Time (2016)
- Week 9 Wk 9 Feb 21–27 Triple 9 (2016) $23.2M Triple 9 (2016)
- Week 10 Wk 10 Feb 28–Mar 5 Zootopia (2016) $1.2B Zootopia (2016)
- Week 11 Wk 11 Mar 6–12 Barney Thomson (2016) $1.5M Barney Thomson (2016)
- Week 12 Wk 12 Mar 13–19 The Clan (2016) $20.4M The Clan (2016)
- Week 13 Wk 13 Mar 20–26 The Mobfathers (2016) $947.8K The Mobfathers (2016)
- Week 14 Wk 14 Mar 27–Apr 2 Amok (2016) $1.3M Amok (2016)
Earlier years
How Does Week 12 of 2016 Compare With Earlier Years?
Of these 10 years, Week 12, 2010 earned the most: $378.4M from 4 films, led by The Girl with the Dragon Tattoo (2010). Week 12, 2016 took $20.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 12, 2007 Mar 18–24 2 films | 2 | $102.8M | – | Shooter (2007) $95.7M |
| Week 12, 2008 Mar 16–22 1 film · −97% | 1 | $3.3M | −97% | Summer Heat (2008) $3.3M |
| Week 12, 2009 Mar 15–21 2 films · +74% | 2 | $5.8M | +74% | Sin Nombre (2009) $5.1M |
| Week 12, 2010 Mar 14–20 4 films · +6452% | 4 | $378.4M | +6452% | The Girl with the Dragon Tattoo (2010) $232.6M |
| Week 12, 2011 Mar 13–19 2 films · −100% | 2 | $162.5K | −100% | Final Balance (2011) $157.6K |
| Week 12, 2012 Mar 18–24 2 films · +5594% | 2 | $9.2M | +5594% | The Raid: Redemption (2012) $9.1M |
| Week 12, 2013 Mar 17–23 2 films · −80% | 2 | $1.9M | −80% | Everybody Has a Plan (2013) $1.8M |
| Week 12, 2014 Mar 16–22 5 films · +4361% | 5 | $83.7M | +4361% | Muppets Most Wanted (2014) $80.4M |
| Week 12, 2015 Mar 15–21 3 films · −67% | 3 | $27.6M | −67% | The Gunman (2015) $24.2M |
| Week 12, 2016 Mar 13–19 3 films · −26% | 3 | $20.4M | −26% | The Clan (2016) $20.4M |
Archive
Crime Box Office in 2016, Week by Week
52 weeks of 2016 with reported grosses; the biggest is week 10 (Feb 28–Mar 5) with $1.2B, led by Zootopia (2016).
- Week 1 $39.1M
- Week 2 $5.8M
- Week 3 $23.6K
- Week 4 $277.8K
- Week 5 $308.3K
- Week 6 $86.3M
- Week 7 $977.9K
- Week 8 $2.1M
- Week 9 $23.2M
- Week 10 $1.2B
- Week 11 $1.5M
- Week 12 $20.4M
- Week 13 $947.8K
- Week 14 $1.3M
- Week 15 $13.2K
- Week 16 $53.2M
- Week 17 $4.1M
- Week 18 $1.3M
- Week 19 $13.1M
- Week 20 $187.5M
- Week 21 $80.1M
- Week 22 $1.2M
- Week 23 $172.6K
- Week 24 $334.9M
- Week 25 $229M
- Week 26 $5M
- Week 27 $1.6M
- Week 28 $103.2M
- Week 29 $32.7M
- Week 30 $49M
- Week 31 $91.1M
- Week 32 $9M
- Week 33 $134.8M
- Week 34 $90.7M
- Week 35 $283.8M
- Week 36 $140.9M
- Week 37 No grosses
- Week 38 $51.7M
- Week 39 $5.5M
- Week 40 $29.7M
- Week 41 $18.3M
- Week 42 $204.6M
- Week 43 $181.3M
- Week 44 $19.1M
- Week 45 $184.4K
- Week 46 $15.1M
- Week 47 $7.8M
- Week 48 $24.4M
- Week 49 $5.8M
- Week 50 $9.2K
- Week 51 $26.2M
- Week 52 $51.6M
- Week 53 $32M
FAQ
Crime Box Office Week 12 of 2016: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing crime movie in week 12 of 2016 (Mar 13–19)?
The Clan (2016) leads with $20.4M worldwide, $201.2K of it in the US & Canada. Next come The Preppie Connection (2016) at $11.6K and Bittersweet (2016) at $11.1K.
How much did crime movies released in week 12 of 2016 (Mar 13–19) earn?
3 crime films released in week 12 of 2016 (Mar 13–19) report a worldwide gross, $20.4M in all, or $6.8M per film on average. Week 11, 2016 releases took $1.5M.
How many crime movies released in week 12 of 2016 (Mar 13–19) made $1 billion?
None. The biggest, The Clan (2016), earned $20.4M.
How is the week 12, 2016 crime box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 12 of 2016 (Mar 13–19). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 12, 2016 crime box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.