#1 of 7 Miss Congeniality 2: Armed & Fabulous (2005)
2005 · Action, Comedy
$101.4M worldwide · 35% of the chart's total
Miss Congeniality 2: Armed & Fabulous (2005) is the highest-grossing crime movie released in March 2005, with $101.4M worldwide, ahead of Be Cool (2005) at $95.8M and Hostage (2005) at $77.7M. 7 crime films released in March 2005 report a worldwide gross, $287.5M in all, 51% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 38.4 times the total of February 2005, whose releases took $7.5M. By language, English leads with $286.6M across 5 crime releases.
#1 of 7 Miss Congeniality 2: Armed & Fabulous (2005)
2005 · Action, Comedy
$101.4M worldwide · 35% of the chart's total
Miss Congeniality 2: Armed & Fabulous (2005) leads with $101.4M, 35% of the total. The top 5 together took $287.5M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in March 2005.
Mar 4, 2005 US and Canada: $56M Rest of the world: $39.7M Worldwide: $95.8M
Mar 11, 2005 US and Canada: $34.6M Rest of the world: $43M Worldwide: $77.7M
Mar 11, 2005 US and Canada: $6.6M Rest of the world: $5.2M Worldwide: $11.8M
Mar 10, 2005 US and Canada: – Rest of the world: – Worldwide: $879.3K
Mar 1, 2005 US and Canada: – Rest of the world: – Worldwide: $3.7K
Mar 11, 2005 US and Canada: $3.1K Rest of the world: Worldwide: $3.1K Of the top 7, Nowhere Man (2005) earned the biggest share at home (100% in the US & Canada), while Hostage (2005) made 55% of its gross abroad. Across all 7 films, $145.8M (51%) came from the US & Canada. 2 films of the top 7 report no US & Canada figure.
Films released in week 13 (Mar 20–26) took $101.4M, led by Miss Congeniality 2: Armed & Fabulous (2005). Each column links to that week's chart; weeks are Sunday to Saturday.
Of these 10 years, March 2001 earned the most: $343.3M from 6 films, led by The Mexican (2001). March 2005 took $287.5M.
| Month | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| March 1996 1 film | 1 | $60.6M | – | Fargo (1996) $60.6M |
| March 1997 2 films · +135% | 2 | $142.4M | +135% | The Devil's Own (1997) $140.8M |
| March 1998 6 films · −37% | 6 | $89.4M | −37% | The Big Lebowski (1998) $48.3M |
| March 1999 6 films · +189% | 6 | $258.3M | +189% | Analyze This (1999) $176.9M |
| March 2000 5 films · −12% | 5 | $227.9M | −12% | Romeo Must Die (2000) $91M |
| March 2001 6 films · +51% | 6 | $343.3M | +51% | The Mexican (2001) $147.8M |
| March 2002 5 films · −67% | 5 | $113.3M | −67% | Showtime (2002) $77.9M |
| March 2003 9 films · −8% | 9 | $103.9M | −8% | The Hunted (2003) $46.1M |
| March 2004 8 films · +168% | 8 | $279.1M | +168% | Starsky & Hutch (2004) $170.3M |
| March 2005 7 films · +3% | 7 | $287.5M | +3% | Miss Congeniality 2: Armed & Fabulous (2005) $101.4M |
The months of 2005 with their totals: September leads with $553.9M, led by The Exorcism of Emily Rose (2005).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Miss Congeniality 2: Armed & Fabulous (2005) leads with $101.4M worldwide, $48.5M of it in the US & Canada. Next come Be Cool (2005) at $95.8M and Hostage (2005) at $77.7M.
7 crime films released in March 2005 report a worldwide gross, $287.5M in all, or $41.1M per film on average. February 2005 releases took $7.5M.
None. 1 film crossed $100 million, led by Miss Congeniality 2: Armed & Fabulous (2005) with $101.4M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in March 2005. The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.