#1 of 6 2016 · Fantasy, Comedy
$57.8M worldwide · 80% of the chart's total
Nine Lives (2016) is the highest-grossing comedy movie released in week 32 of 2016 (Jul 31–Aug 6), with $57.8M worldwide, ahead of Rudolf the Black Cat (2016) at $13.8M and Desire (2016) at $442.5K. 6 comedy films released that week report a worldwide gross, $72.4M in all, 27% of it from the US & Canada. That is down 62% on Week 31, 2016, whose releases took $190.4M. By language, English leads with $57.9M across 3 comedy releases.
#1 of 6 2016 · Fantasy, Comedy
$57.8M worldwide · 80% of the chart's total
Nine Lives (2016) leads with $57.8M, 80% of the total. The top 5 together took $72.4M, almost all of what the 6 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 32 of 2016 (Jul 31–Aug 6).
Aug 5, 2016 US and Canada: $19.7M Rest of the world: $38.1M Worldwide: $57.8M
Aug 6, 2016 US and Canada: – Rest of the world: – Worldwide: $13.8M
Jul 31, 2016 US and Canada: – Rest of the world: – Worldwide: $442.5K
Aug 5, 2016 US and Canada: $63.6K Rest of the world: $231.6K Worldwide: $295.1K
Aug 5, 2016 US and Canada: – Rest of the world: – Worldwide: $62.9K
Aug 5, 2016 US and Canada: $26.4K Rest of the world: Worldwide: $26.4K Of the top 6, Front Cover (2016) earned the biggest share at home (100% in the US & Canada), while The Tenth Man (2016) made 78% of its gross abroad. Across all 6 films, $19.8M (27%) came from the US & Canada. 3 films of the top 6 report no US & Canada figure.
Week 32 releases took $72.4M. The biggest of these 9 weeks is week 28 (Jul 3–9) with $1.1B, led by The Secret Life of Pets (2016).
Of these 10 years, Week 32, 2013 earned the most: $583.2M from 12 films, led by We're the Millers (2013). Week 32, 2016 took $72.4M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 32, 2007 Aug 5–11 11 films | 11 | $302.2M | – | Rush Hour 3 (2007) $258.1M |
| Week 32, 2008 Aug 3–9 14 films · −30% | 14 | $212.9M | −30% | Pineapple Express (2008) $101.6M |
| Week 32, 2009 Aug 2–8 9 films · −35% | 9 | $137.6M | −35% | Julie & Julia (2009) $129.5M |
| Week 32, 2010 Aug 1–7 4 films · +28% | 4 | $175.7M | +28% | The Other Guys (2010) $170.5M |
| Week 32, 2011 Jul 31–Aug 6 4 films · −39% | 4 | $106.4M | −39% | The Change-Up (2011) $75.5M |
| Week 32, 2012 Aug 5–11 9 films · +207% | 9 | $326.4M | +207% | Hope Springs (2012) $114.3M |
| Week 32, 2013 Aug 4–10 12 films · +79% | 12 | $583.2M | +79% | We're the Millers (2013) $270M |
| Week 32, 2014 Aug 3–9 2 films · −15% | 2 | $493.5M | −15% | Teenage Mutant Ninja Turtles (2014) $485M |
| Week 32, 2015 Aug 2–8 7 films · −56% | 7 | $215.4M | −56% | Shaun the Sheep Movie (2015) $110.5M |
| Week 32, 2016 Jul 31–Aug 6 6 films · −66% | 6 | $72.4M | −66% | Nine Lives (2016) $57.8M |
53 weeks of 2016 with reported grosses; the biggest is week 25 (Jun 12–18) with $1.3B, led by Finding Dory (2016).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 6 films as the chart.
Nine Lives (2016) leads with $57.8M worldwide, $19.7M of it in the US & Canada. Next come Rudolf the Black Cat (2016) at $13.8M and Desire (2016) at $442.5K.
6 comedy films released in week 32 of 2016 (Jul 31–Aug 6) report a worldwide gross, $72.4M in all, or $12.1M per film on average. Week 31, 2016 releases took $190.4M.
None. The biggest, Nine Lives (2016), earned $57.8M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 32 of 2016 (Jul 31–Aug 6). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.