#1 of 7 Bridget Jones: The Edge of Reason (2004)
2004 · Comedy, Romance
$265.1M worldwide · 68% of the chart's total
Bridget Jones: The Edge of Reason (2004) is the highest-grossing comedy movie released in week 46 of 2004 (Nov 7–13), with $265.1M worldwide, ahead of After the Sunset (2004) at $62.7M and Seed of Chucky (2004) at $24.8M. 7 comedy films released that week report a worldwide gross, $389.8M in all, 22% of it from the US & Canada. One film crossed $100 million; none reached $1 billion. That is 9.8 times the total of Week 45, 2004, whose releases took $39.9M. By language, English leads with $352.6M across 3 comedy releases.
#1 of 7 Bridget Jones: The Edge of Reason (2004)
2004 · Comedy, Romance
$265.1M worldwide · 68% of the chart's total
Bridget Jones: The Edge of Reason (2004) leads with $265.1M, 68% of the total. The top 5 together took $389.3M, almost all of what the 7 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
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Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 46 of 2004 (Nov 7–13).
Nov 12, 2004 US and Canada: $40.2M Rest of the world: $224.9M Worldwide: $265.1M
Nov 12, 2004 US and Canada: $28.3M Rest of the world: $34.3M Worldwide: $62.7M
Nov 12, 2004 US and Canada: $17.1M Rest of the world: $7.7M Worldwide: $24.8M
Nov 12, 2004 US and Canada: – Rest of the world: – Worldwide: $20.8M
Nov 12, 2004 US and Canada: – Rest of the world: – Worldwide: $513.7K
Nov 13, 2004 US and Canada: – Rest of the world: – Worldwide: $12.1K Of the top 7, Seed of Chucky (2004) earned the biggest share at home (69% in the US & Canada), while Bridget Jones: The Edge of Reason (2004) made 85% of its gross abroad. Across all 7 films, $85.6M (22%) came from the US & Canada. 4 films of the top 7 report no US & Canada figure.
Week 46 releases took $389.8M. The biggest of these 9 weeks is week 40 (Sep 26–Oct 2) with $405.5M, led by Shark Tale (2004).
Of these 10 years, Week 46, 2004 earned the most: $389.8M from 7 films, led by Bridget Jones: The Edge of Reason (2004).
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 46, 1995 Nov 12–18 3 films | 3 | $162.8M | – | The American President (1995) $107.9M |
| Week 46, 1996 Nov 10–16 2 films · −75% | 2 | $41.1M | −75% | The Mirror Has Two Faces (1996) $41.1M |
| Week 46, 1997 Nov 9–15 No films | 0 | – | – | – |
| Week 46, 1998 Nov 8–14 2 films | 2 | $12.3M | – | I’ll Be Home for Christmas (1998) $12.2M |
| Week 46, 1999 Nov 7–13 4 films · +348% | 4 | $55.1M | +348% | Dogma (1999) $31.4M |
| Week 46, 2000 Nov 5–11 2 films · +6% | 2 | $58.4M | +6% | Little Nicky (2000) $58.3M |
| Week 46, 2001 Nov 11–17 6 films · −76% | 6 | $14.1M | −76% | The Wash (2001) $10.2M |
| Week 46, 2002 Nov 10–16 2 films · −30% | 2 | $9.9M | −30% | Conduct Zero (2002) $9.8M |
| Week 46, 2003 Nov 9–15 4 films · +602% | 4 | $69.7M | +602% | Looney Tunes: Back in Action (2003) $68.5M |
| Week 46, 2004 Nov 7–13 7 films · +459% | 7 | $389.8M | +459% | Bridget Jones: The Edge of Reason (2004) $265.1M |
53 weeks of 2004 with reported grosses; the biggest is week 21 (May 16–22) with $944.1M, led by Shrek 2 (2004).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 7 films as the chart.
Bridget Jones: The Edge of Reason (2004) leads with $265.1M worldwide, $40.2M of it in the US & Canada. Next come After the Sunset (2004) at $62.7M and Seed of Chucky (2004) at $24.8M.
7 comedy films released in week 46 of 2004 (Nov 7–13) report a worldwide gross, $389.8M in all, or $55.7M per film on average. Week 45, 2004 releases took $39.9M.
None. 1 film crossed $100 million, led by Bridget Jones: The Edge of Reason (2004) with $265.1M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 46 of 2004 (Nov 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.