#1 of 8 2003 · Drama, Thriller
$65.6M worldwide · 97% of the chart's total
Matchstick Men (2003) is the highest-grossing comedy movie released in week 37 of 2003 (Sep 7–13), with $65.6M worldwide, ahead of Chill Out! (2003) at $1.2M and Joggers Park (2003) at $449.5K. 8 comedy films released that week report a worldwide gross, $67.7M in all, 55% of it from the US & Canada. That is up 146% on Week 36, 2003, whose releases took $27.6M. By language, English leads with $65.7M across 3 comedy releases.
#1 of 8 2003 · Drama, Thriller
$65.6M worldwide · 97% of the chart's total
Matchstick Men (2003) leads with $65.6M, 97% of the total. The top 5 together took $67.6M, almost all of what the 8 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
Number 1
Number 2
Number 3
Number 4
Number 5 US & Canada (domestic) Rest of the world
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 37 of 2003 (Sep 7–13).
Sep 12, 2003 US and Canada: $36.9M Rest of the world: $28.7M Worldwide: $65.6M
Sep 12, 2003 US and Canada: – Rest of the world: – Worldwide: $1.2M
Sep 12, 2003 US and Canada: – Rest of the world: – Worldwide: $449.5K
Sep 10, 2003 US and Canada: – Rest of the world: – Worldwide: $240.6K
Sep 13, 2003 US and Canada: – Rest of the world: – Worldwide: $212.8K
Sep 12, 2003 US and Canada: $71.6K Rest of the world: Worldwide: $71.6K
Sep 10, 2003 US and Canada: – Rest of the world: – Worldwide: $29K
Sep 12, 2003 US and Canada: $24.1K Rest of the world: Worldwide: $24.1K Of the top 8, Dummy (2003) earned the biggest share at home (100% in the US & Canada), while Matchstick Men (2003) made 44% of its gross abroad. Across all 8 films, $37M (55%) came from the US & Canada. 5 films of the top 8 report no US & Canada figure.
Week 37 releases took $67.7M. The biggest of these 9 weeks is week 31 (Jul 27–Aug 2) with $243.4M, led by American Wedding (2003).
Of these 10 years, Week 37, 2002 earned the most: $102.8M from 11 films, led by Barbershop (2002). Week 37, 2003 took $67.7M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 37, 1994 Sep 4–10 5 films | 5 | $16.6M | – | Bullets Over Broadway (1994) $13.4M |
| Week 37, 1995 Sep 10–16 7 films · +44% | 7 | $23.9M | +44% | Unstrung Heroes (1995) $7.9M |
| Week 37, 1996 Sep 8–14 3 films · −87% | 3 | $3.2M | −87% | Feeling Minnesota (1996) $3.1M |
| Week 37, 1997 Sep 7–13 2 films · −26% | 2 | $2.3M | −26% | Hav Plenty (1997) $2.3M |
| Week 37, 1998 Sep 6–12 3 films · +760% | 3 | $20.2M | +760% | Simon Birch (1998) $18.3M |
| Week 37, 1999 Sep 5–11 3 films · −84% | 3 | $3.3M | −84% | Love Stinks (1999) $2.9M |
| Week 37, 2000 Sep 3–9 2 films · +794% | 2 | $29.7M | +794% | Nurse Betty (2000) $29.4M |
| Week 37, 2001 Sep 9–15 2 films · −90% | 2 | $2.9M | −90% | Ghislain Lambert’s Bicycle (2001) $2.8M |
| Week 37, 2002 Sep 8–14 11 films · +3460% | 11 | $102.8M | +3460% | Barbershop (2002) $77.1M |
| Week 37, 2003 Sep 7–13 8 films · −34% | 8 | $67.7M | −34% | Matchstick Men (2003) $65.6M |
English-language comedy films took $65.7M across 3 films, 97% of the total, ahead of Spanish-language comedy films ($1.2M) and Hindi-language comedy films ($449.5K).
52 weeks of 2003 with reported grosses; the biggest is week 22 (May 25–31) with $941.6M, led by Finding Nemo (2003).
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 8 films as the chart.
Matchstick Men (2003) leads with $65.6M worldwide, $36.9M of it in the US & Canada. Next come Chill Out! (2003) at $1.2M and Joggers Park (2003) at $449.5K.
8 comedy films released in week 37 of 2003 (Sep 7–13) report a worldwide gross, $67.7M in all, or $8.5M per film on average. Week 36, 2003 releases took $27.6M.
None. The biggest, Matchstick Men (2003), earned $65.6M.
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 37 of 2003 (Sep 7–13). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.