#1 of 3 #1 animation movie of Week 10, 2018
2018 · Family, Comedy
$6.9M worldwide · 60% of the chart's total
No US & Canada figure reported
Animation box office · Week 10 · Mar 4–10, 2018
Animation Box Office, Week 10 of 2018: Animation Releases of Mar 4–10
The Stolen Princess (2018) is the highest-grossing animation movie released in week 10 of 2018 (Mar 4–10), with $6.9M worldwide, ahead of Sheep & Wolves (2018) at $3.4M and Martians vs Mexicans (2018) at $1.2M. 3 animation films released that week report a worldwide gross, $11.5M in all.
- week 10 releases with a gross
- 3
- combined worldwide
- $11.5M
- The Stolen Princess (2018), the #1
- $6.9M
#1 of 3 Top 3
What Were the Biggest Animation Hits of Week 10 of 2018?
The Stolen Princess (2018) leads with $6.9M, 60% of the total. The top 3 together took $11.5M, almost all of what the 3 films earned. Each bar splits a film's gross into the US & Canada and the rest of the world.
- Number 1
-
Number 2 -
Number 3
US & Canada (domestic) Rest of the world
The chart
Every Animation Release of Week 10 of 2018, Ranked by Worldwide Gross
Lifetime worldwide grosses in US dollars, not adjusted for inflation; domestic means the US & Canada. Films are grouped by their release date in week 10 of 2018 (Mar 4–10).
- 1 Mar 7, 2018 US and Canada: – Rest of the world: – Worldwide: $6.9M
- 2 Mar 9, 2018 US and Canada: – Rest of the world: – Worldwide: $3.4M
- 3 Mar 9, 2018 US and Canada: – Rest of the world: – Worldwide: $1.2M
Weeks around it
How Does Week 10 Compare With the Weeks Around It?
Week 10 releases took $11.5M. The biggest of these 9 weeks is week 6 (Feb 4–10) with $382.5M, led by Peter Rabbit (2018).
- Week 4 Wk 4 Jan 21–27 Have a Nice Day (2018) $504K Have a Nice Day (2018)
- Week 5 Wk 5 Jan 28–Feb 3 Maya the Bee: The Honey Games (2018) $10.8M Maya the Bee: The Honey Games (2018)
- Week 6 Wk 6 Feb 4–10 Peter Rabbit (2018) $382.5M Peter Rabbit (2018)
- Week 7 Wk 7 Feb 11–17 Boonie Bears: The Big Shrink (2018) $151.8M Boonie Bears: The Big Shrink (2018)
- Week 8 Wk 8 Feb 18–24 Infini-T Force the Movie: Farewell Gatchaman My Friend (2018) $230.4K Infini-T Force the Movie: Farewell Gatchaman My Friend (2018)
- Week 9 Wk 9 Feb 25–Mar 3 Bungo Stray Dogs: Dead Apple (2018) $2.4M Bungo Stray Dogs: Dead Apple (2018)
- Week 10 Wk 10 Mar 4–10 The Stolen Princess (2018) $11.5M The Stolen Princess (2018)
- Week 11 Wk 11 Mar 11–17 No reported grosses – No reported grosses
- Week 12 Wk 12 Mar 18–24 Isle of Dogs (2018) $72.7M Isle of Dogs (2018)
Earlier years
How Does Week 10 of 2018 Compare With Earlier Years?
Of these 10 years, Week 10, 2016 earned the most: $1.1B from 3 films, led by Zootopia (2016). Week 10, 2018 took $11.5M.
| Week | Films | Worldwide | Change | Biggest film |
|---|---|---|---|---|
| Week 10, 2009 Mar 1–7 No films | 0 | – | – | – |
| Week 10, 2010 Feb 28–Mar 6 1 film | 1 | $1.8M | – | The Secret of Kells (2010) $1.8M |
| Week 10, 2011 Feb 27–Mar 5 2 films · +15045% | 2 | $276M | +15045% | Rango (2011) $245.7M |
| Week 10, 2012 Mar 4–10 No films | 0 | – | – | – |
| Week 10, 2013 Mar 3–9 2 films | 2 | $42.8M | – | Doraemon: Nobita’s Secret Gadget Museum (2013) $42.8M |
| Week 10, 2014 Mar 2–8 2 films · +546% | 2 | $276.6M | +546% | Mr. Peabody & Sherman (2014) $275.7M |
| Week 10, 2015 Mar 1–7 3 films · −100% | 3 | $1.2M | −100% | A.C.O.R.N.S.: Operation Crackdown (2015) $1.1M |
| Week 10, 2016 Feb 28–Mar 5 3 films · +93149% | 3 | $1.1B | +93149% | Zootopia (2016) $1B |
| Week 10, 2017 Mar 5–11 2 films · −97% | 2 | $29.3M | −97% | Sword Art Online the Movie: Ordinal Scale (2017) $29.3M |
| Week 10, 2018 Mar 4–10 3 films · −61% | 3 | $11.5M | −61% | The Stolen Princess (2018) $6.9M |
Archive
Animation Box Office in 2018, Week by Week
45 weeks of 2018 with reported grosses; the biggest is week 24 (Jun 10–16) with $1.2B, led by Incredibles 2 (2018).
- Week 1 $3M
- Week 2 $301.7M
- Week 3 $42.2M
- Week 4 $504K
- Week 5 $10.8M
- Week 6 $382.5M
- Week 7 $151.8M
- Week 8 $230.4K
- Week 9 $2.4M
- Week 10 $11.5M
- Week 11 No grosses
- Week 12 $72.7M
- Week 13 $616.9M
- Week 14 No grosses
- Week 15 $22.1M
- Week 16 $472.1K
- Week 17 $59.3M
- Week 18 $49.9M
- Week 19 $48.6M
- Week 20 $12.2M
- Week 21 $1.1M
- Week 22 $3.5M
- Week 23 $16.6K
- Week 24 $1.2B
- Week 25 No grosses
- Week 26 No grosses
- Week 27 $33.5M
- Week 28 No grosses
- Week 29 $27.5M
- Week 30 $52.4M
- Week 31 $17M
- Week 32 No grosses
- Week 33 $17.8M
- Week 34 $4.4M
- Week 35 $34.3K
- Week 36 No grosses
- Week 37 $19M
- Week 38 $10.6M
- Week 39 $258.8M
- Week 40 $1.6M
- Week 41 $93.8M
- Week 42 $14.6M
- Week 43 No grosses
- Week 44 $12.3K
- Week 45 $541.3M
- Week 46 $31.5K
- Week 47 $556.7M
- Week 48 $37.2M
- Week 49 $161.2K
- Week 50 $393.6M
- Week 51 $23.2M
- Week 52 $13.6M
- Week 53 $8.1M
FAQ
Animation Box Office Week 10 of 2018: Questions & Answers
The chart's numbers in short: the #1 film, the total, the billion-dollar hits and the US & Canada share, answered from the same 3 films as the chart.
What is the highest-grossing animation movie in week 10 of 2018 (Mar 4–10)?
The Stolen Princess (2018) leads with $6.9M worldwide. Next come Sheep & Wolves (2018) at $3.4M and Martians vs Mexicans (2018) at $1.2M.
How much did animation movies released in week 10 of 2018 (Mar 4–10) earn?
3 animation films released in week 10 of 2018 (Mar 4–10) report a worldwide gross, $11.5M in all, or $3.8M per film on average.
How many animation movies released in week 10 of 2018 (Mar 4–10) made $1 billion?
None. The biggest, The Stolen Princess (2018), earned $6.9M.
How is the week 10, 2018 animation box office chart ranked and where do the numbers come from?
Films are ranked by lifetime worldwide gross in US dollars, not adjusted for inflation, and grouped by their release date in week 10 of 2018 (Mar 4–10). The figures are the reported box office grosses in our database. A gross that looks misattributed, such as one figure shared by two unrelated films or a blockbuster total on an obscure title, is left out rather than shown as a fact.
How often is the week 10, 2018 animation box office chart updated?
Grosses change while films are in theaters and whenever a new figure is reported; this chart reads the latest numbers in our database, so an older film can still move after a re-release.