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Benjamin Burtt Jr., commonly known as Ben Burtt, is an American sound designer, film director, editor, screenwriter, and voice actor whose career has reshaped modern cinematic audio. Born on July 12, 1948, in Jamesville, New York, he grew up the son of a chemistry professor and a child psychologist, making amateur films as a child and later studying physics at Allegheny College before earning a master’s degree in film production at the University of Southern California. Burtt first entered the professional arena in the mid‑1970s, winning a National Student Film Festival award for his war film Yankee Squadron and a scholarship for his work on the special‑effects film Genesis, which propelled him into Hollywood’s sound department. His breakthrough arrived with Star Wars (1977), where he abandoned the synthetic, electronic sounds typical of sci‑fi and introduced a philosophy of “found sounds,” crafting iconic effects such as the lightsaber hum (a blend of a projector motor and broken TV feedback), the blaster gun crack, and Darth Vader’s heavy breathing recorded through an old scuba regulator. Burtt also voiced many of R2‑D2’s beeps and whistles using an ARP‑2600 synthesizer, and he invented the “Wilhelm scream,” an in‑joke that has echoed through thousands of films. Beyond Star Wars, his fingerprints appear on E.T. the Extra‑Terrestrial, where he captured an elderly lady’s voice for the titular alien, the soundscape of Indiana Jones, the robot vocalizations in Pixar’s WALL‑E, and the audio design for the 2009 Star Trek reboot. His dedication to auditory storytelling earned him four Academy Awards, including two Special Achievement Oscars, and cemented his reputation as a pioneer of immersive sound design. In addition to sound work, Burtt has directed IMAX documentaries such as Blue Planet and Destiny in Space, edited the entire Star Wars prequel trilogy, and contributed to television series like The Young Indiana Jones Chronicles. A respected educator and industry leader, he has received honorary Doctor of Arts from Allegheny College, the Charles S. Swartz Award from the Hollywood Post Alliance, and the Vision Award Ticinomoda at the 2024 Locarno Film Festival, continuing to inspire new generations of sound artists.
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Given Name: Benjamin Burtt Jr.
Born: Jamesville, New York, U.S.
Citizenship: American
Birthday: July 12, 1948
Occupations: sound designer, film director, film editor, screenwriter, voice actor
Years Active: 1975-present
Children: 1
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WALL-E
Making Waves: The Art of Cinematic Sound
Michael Curtiz: The Greatest Director You Never Heard Of
Wings: Grandeur in the Sky
The Making of the Wonderful Wizard of Oz
And the Oscar Goes To…
I Am Your Father
The Force of Sound
R2-D2: Beneath the Dome
From Puppets to Pixels: Digital Characters in ‘Episode II’
Films Are Not Released, They Escape
State of the Art: The Pre-Visualization of ‘Episode II’
Empire of Dreams: The Story of the Star Wars Trilogy
RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”
Fog City Mavericks
Ben-Hur: The Epic That Changed Cinema
George Lucas: Creating an Empire
Blue Planet
Star Wars: Within a Minute - The Making of Episode III
Star Wars: Music by John Williams
The True Story of Glory Continues
The Making of The Empire Strikes Back
Return of the Jedi
From Star Wars to Jedi: The Making of a Saga
The Dawn of Sound: How Movies Learned to Talk
Under the Helmet: The Legacy of Boba Fett
Destiny in Space
BURN·E
The American Gangster
The Making of ‘E.T. the Extra-Terrestrial’
Special Effects: Anything Can Happen
Track the complete movie timeline of Ben Burtt, including all film releases, career breakthroughs, and notable roles. Follow their journey from early performances to recent blockbusters and upcoming projects.
2005
RKO Production 601: The Making of “Kong, the Eighth Wonder of the World”
Self
Ben-Hur: The Epic That Changed Cinema
Self
George Lucas: Creating an Empire
Self
Star Wars: Within a Minute - The Making of Episode III
Self
2002
From Puppets to Pixels: Digital Characters in ‘Episode II’
Self
Films Are Not Released, They Escape
Self
State of the Art: The Pre-Visualization of ‘Episode II’
Self

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