Directed by

Marino Girolami
Made by

Flora Film
Read the complete plot summary and ending explained for Where Can You Go Without the Little Vice? (1979). From turning points to emotional moments, uncover what really happened and why it matters.
A private investigator is hired by the seductive prima cliente Danila Trebbi to determine whether her husband, the wealthy commendator Cesare Beltramelli, Mario Carotenuto, keeps other women in his life. To avoid arousing suspicion, the detective and his assistant disguise themselves as the butler Diogene Renzo Montagnani and as Carlotta, the cook [Alvaro Vitali](/actor/alvaro-vitali, and slip into the Beltramelli household with the tacit complicity of the wife and the rest of the staff. Inside, the mission grows trickier as the pair juggle wooing three women in the house while contending with an abusive gardener who is a sex maniac, creating a tense, comic tension that tests their nerves and their cover.
During a routine shadowing of the husband, the two investigators uncover a far more complicated truth than mere infidelity: the husband is revealed to be a homosexual who enjoys wearing women’s clothes, and he maintains a relationship with a transvestite, alongside a former boxing middleweight champion Lazio. This discovery destabilizes the professionals’ assumptions and propels the plot into a web of deception and negotiation. The investigators, after negotiating with Cesare Beltramelli for a substantial payout—a deal shaped by the promises from the seductive wife—pretend not to have seen anything, aiming to secure double compensation from both spouses and to walk away with their reward.
With the job ostensibly finished, the two return home only to pick up two Finnish women who, in a surprising twist, turn out to be two men. The encounter ends with the pair losing all their money and the car, a sharp, comic sting that underscores the caper’s precarious balance between cunning and vulnerability. The entire sequence blends humor with sly social satire as misdirection, disguise, and miscommunication propel the narrative toward a chaotic, farcical finale. The cast’s performances—particularly [Danila Trebbi], [Renzo Montagnani], [Alvaro Vitali], [Mario Carotenuto], and [Lory Del Santo]—lend the film its infectious energy, while the ensemble of supporting players adds texture to the satirical exposure of bourgeois pretenses and private indiscretions.
Follow the complete movie timeline of Where Can You Go Without the Little Vice? (1979) with every major event in chronological order. Great for understanding complex plots and story progression.
A seductive client's hire
A private investigator is hired by a seductive woman to determine if there are other women in her husband's life. He accepts the assignment and begins outlining the scope of the inquiry. The client aims to protect her marriage, while the investigator senses a complex motive behind the request.
Infiltration plan
To gather information without arousing suspicion, the duo decide to pass themselves off as staff—Diogenes the butler and Carlotta the cook. They position themselves as trusted servants to observe the husband and his household. The plan hinges on blending into the mansion's social order.
Inside the house with the staff
The investigators gain entry inside the house, along with the rest of the servants. They mingle with cooks, maids, and other personnel, setting the stage for covert surveillance. The tension comes from maintaining their disguises while keeping the client's secret safe.
The task with three women
Both detectives begin courting the three women who are part of the household dynamics, hoping to uncover any romantic entanglements. The pursuit is complicated by rival emotions and the intricacies of servant life. The investigation tests their ability to stay inconspicuous while gathering clues.
The gardener's menace
The other investigator contends with an abusive gardener who acts as a sex maniac, adding danger and tension to the stealth operation. This subplot complicates the mission and forces the team to navigate threats within the property. It also highlights the moral ambiguity of their undercover roles.
The hidden life of the husband
During shadowing, the duo discovers that the husband is not the conventional businessman he presents himself as. He is homosexual and enjoys wearing women's clothes, and he has a relationship with a transvestite, a former boxer known as Lazio. The discovery reframes the motive behind the client's desire for trust.
The double-deal plan
Convinced by a double-deal arrangement, the investigators coordinate with the wife to receive double compensation from both spouses. They pretend not to have seen anything, allowing the ruse to continue while securing payment. The scheming escalates the tension and moral compromise.
Keeping up appearances
The detectives maintain their disguises and keep up appearances to avoid suspicion while the affair and deception unravel around them. They carefully manage conversations and observations to avoid tipping off the household. The balancing act tests their discipline and professionalism.
Return home after the job
Having completed the surveillance and negotiations, the two detectives return to their own home, briefly sharing a ride with the household's staff. The success of their mission hinges on the quiet exit and avoiding any fallout with the client or the husband. They carry the impression of a job well done.
A twist on the road
On the way back, the detectives give a lift to two Finnish women who are, in reality, two men in disguise. The deception continues into their travel, and the disguised pair rob them of all their money and the car. The incident marks a brutal end to the day’s work and introduces a sudden financial loss.
The robbers' escape
The robbers vanish after the theft, leaving the investigators stunned by the quick turn of events. The once lucrative job ends with a loss and a shaken sense of security. The case closes with unsettled questions about trust and payment.
Aftermath and reflection
With the money and car stolen, the investigators face the consequences of their deception and the unpredictable dangers of undercover work. They must reckon with their choices and the impact on their client's fate and their own future cases. The timeline closes on a note of ambiguity about justice and profit.
Explore all characters from Where Can You Go Without the Little Vice? (1979). Get detailed profiles with their roles, arcs, and key relationships explained.
Diogene Colombo
A private investigator who, with his partner, goes undercover inside the Beltramelli household, posing as the butler Diogene and other staff. He is quick-witted, morally flexible, and relies on disguises to uncover the truth while juggling flirtations and risk. His schemes drive the comedy as he navigates a web of lies and loyalty.
Carlotta
An alias used by the investigators to enter the house as staff; Carlotta acts as the cook during the undercover operation. The disguise allows the team to blend with the servants while watching the husband’s behavior. The performance highlights how appearances shape relationships and reveal hidden motives.
Cesare Beltramelli
Commendator Cesare Beltramelli is a wealthy businessman who sits at the center of the intrigue. The investigators discover his secret sexuality and cross-dressing tendencies, making him the focal point of both the deception and the revelation.
Simona Beltramelli
The seductive wife who hires the detectives to investigate her husband’s faithfulness. She uses charm and manipulation to protect her marriage or to manipulate the terms of the arrangement, participating in the web of deceit.
Prima Cliente
The seductive client who hires the investigators; her involvement sets the plot in motion and she negotiates the terms of the case, representing bourgeois temptation and the lure of money.
Cameriera Irma
A maid in the Beltramelli household who moves among the staff and guests, contributing to the social dynamics and comic misunderstandings within the house.
Learn where and when Where Can You Go Without the Little Vice? (1979) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Beltramelli household
A luxurious mansion owned by a wealthy and powerful businessman, serving as the main stage for undercover work. The house houses a private staff, including a butler and cooks, and hosts guests, providing opportunities for disguises and schemes. Its opulence masks a tangle of secrets, infidelity, and hidden relationships within a single estate.
Discover the main themes in Where Can You Go Without the Little Vice? (1979). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Disguise
Disguise drives the plot as detectives impersonate staff to infiltrate the household. The film plays with identity, showing how appearance can mask truth and how deception becomes a tool for both profit and discovery. The disguises allow characters to peek at hidden affairs and motives without revealing their own. This theme underpins much of the comedy and tension in the house.
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Greed
Greed motivates the scheme: the investigators take advantage of the couples' suspicions to extract double compensation. The plot twists hinge on exploiting others' vulnerabilities for money. The double payoff and the later robbery by two men show how monetary desires derail trust. The tone remains satirical, highlighting moral ambiguity rather than clear-cut heroes.
🌈
Gender Roles
The discovery of a husband who enjoys cross-dressing and has a relationship with a transvestite challenges conventional gender norms. The disguises and misdirection highlight fluidity in appearances and roles within a bourgeois setting. The comedy derives from how society polices sexuality, while the characters navigate these taboos with humor. The theme uses humor to question what is public vs private in relationships.

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Explore the mobile appDiscover the spoiler-free summary of Where Can You Go Without the Little Vice? (1979). Get a concise overview without any spoilers.
In the opulent world of a sprawling Italian villa, the lives of the well‑to‑do are cloaked in a veneer of propriety that barely conceals a restless undercurrent of desire. At the heart of the household sits Cesare Beltramelli, a wealthy industrialist whose reputation for control masks a private world that few are permitted to see. His wife, the striking and determined Danila Trebbi, is equally convinced that something lies beyond the polished façades of their marriage. Their elegant estate, with its polished corridors and sumptuous rooms, becomes a stage where social niceties and hidden longings dance in tandem, setting a tone that is as lavish as it is teasingly absurd.
Enter a pair of seasoned investigators hired to uncover the truth behind whispered rumors of infidelity. To move unseen through the mansion’s gilded interiors, they adopt bold disguises that flip conventional expectations on their heads. One assumes the role of Diogene, a flamboyant gay butler whose charm and theatricality grant him unfettered access to every corner of the house. The other takes on the mantle of Carlotta, a warm‑hearted female cook whose culinary presence eases her into the daily rhythms of the staff and family alike. Their dual masquerade offers a clever conduit for observation, allowing the detectives to blend curiosity with comedy as they navigate a world in which appearances are both armor and revelation.
Within the household, the interplay of servants, guests, and secret admirers creates a lively tapestry of interpersonal intrigue. The butler’s wit and the cook’s keen ear turn routine meals and polished service into opportunities for subtle discovery, while the constant hum of polite conversation masks a subtle undercurrent of tension. The film revels in the playful friction that arises when roles are reversed and identities are fluid, keeping the audience poised between laughter and anticipation.
The overall atmosphere is a sparkling satire that skewers bourgeois pretenses with a light‑hearted, farcical touch. Bright cinematography, rapid‑fire dialogue, and an ensemble that radiates chemistry infuse the story with kinetic energy. The tone remains breezy yet inquisitive, inviting viewers to peer behind gilded doors and wonder just how far a cleverly worn disguise can carry one before the truth slips through the cracks of decorum.
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