Directed by

Narges Abyar
Made by

Haft Honar Mandegar
Read the complete plot summary and ending explained for When the Moon Was Full (2019). From turning points to emotional moments, uncover what really happened and why it matters.
In Zahedan’s busy bazaar, a chance meeting binds Abdolhamid Rigi and Faezeh Mansouri, with Faezeh and her mother Esmat among the shoppers. Abdolhamid is the younger brother of Abdolmalek Rigi, the hard-edged leader of the Jundallah (Soldiers of God) terrorist network that spreads terror across southeastern Iran and has ties to the Taliban. What begins as a personal union soon deepens into a dangerous alliance as Abdolhamid marries Faezeh and pulls her and her brother Shahab into the group’s machinations in Pakistan.
Faezeh’s family soon learns she has been taken captive by Jundallah in Pakistan, a development that unsettles the entire clan. The movement carries out a brutal act to intimidate and coerce, beheading Shahab because they believe he is an Iranian agent. In a chilling moment, Abdolmalek Rigi phones Faezeh and Shahab’s father, insisting he watch a video of his son’s execution on Al-Arabiya the following night. Faced with an impossible choice, Faezeh ultimately declines a chance to escape and remains in Pakistan, where she is joined by her three children.
On orders from Abdolmalek, Abdolhamid ends Faezeh’s life as she sleeps, a cruel act that marks a brutal chapter in the saga. By 2010, Abdolmalek is en route from Dubai to Bishkek when an Iranian intelligence officer compels the Airbus to land in Iran, setting off a rapid sequence of arrests and trials. The Rigi brothers are found guilty of numerous crimes and are executed in the same year, a conclusion that Iranian officials describe amid claims of foreign funding for Abdolmalek’s operations. Unnamed officers suggest Abdolmalek had been headed toward a meeting with diplomat Richard Holbrooke near Bishkek, and they note Pakistan’s alleged role in helping Iran capture the two men. The film closes with a stark look at how a personal story intersects with geopolitical conflict, and how those choices ripple outward, shaping lives and shaping history.
Follow the complete movie timeline of When the Moon Was Full (2019) with every major event in chronological order. Great for understanding complex plots and story progression.
Meeting at the Zahedan bazaar
Abdolhamid, working in a bazaar in Zahedan, meets Faezeh and her mother who are customers. The encounter sets off a chain of events that pulls Abdolhamid into the world of Jundallah. This initial meeting marks the beginning of a dangerous path for both characters.
Abdolhamid's family ties to Jundallah
Abdolhamid is revealed as the younger brother of Abdolmalek Rigi, the leader of Jundallah. This familial connection explains his eventual involvement with the group. The revelation foreshadows the loyalties that will shape the ensuing conflict.
Marriage and move to Pakistan
Abdolhamid marries Faezeh and forces her to relocate to Pakistan with her brother Shahab. The marriage binds Faezeh to Abdolhamid and pulls her into the militant world. The move shifts the family into the heart of Jundallah's activities.
Faezeh and Shahab join Jundallah activities
Faezeh and Shahab become involved in Jundallah operations. Their inclusion widens the circle tied to the group and deepens the family’s entanglement with its activities. The siblings’ involvement increases the stakes for everyone connected to them.
Family learns of captivity in Pakistan
Faezeh's family discovers she has been taken captive by Jundallah in Pakistan. The revelation causes alarm for her safety and the fate of her children. This discovery escalates the crisis surrounding the family.
Shahab is beheaded by Jundallah
Shahab is executed by beheading after the group believes he is an Iranian agent. The brutal act demonstrates the ruthlessness of Jundallah and profoundly affects Faezeh and her family. The beheading intensifies the group's menace and reach.
Abdolmalek orders a televised beheading video
Abdolmalek calls Shahab and Faezeh's father to urge him to watch a video of Shahab's beheading on Al-Arabiya the following night. The call underscores the group's use of media for intimidation. It reveals how they exploit propaganda to spread fear.
Faezeh stays in Pakistan with her children
Faezeh has a chance to escape from Pakistan but chooses to remain there with her three children. Her decision cements her entrapment within the militant environment. The choice reinforces the peril surrounding the family and their future.
Abdolhamid kills Faezeh on orders
On Abdolmalek's orders, Abdolhamid kills Faezeh while she is sleeping. The murder completes her capture and demonstrates the extreme violence used by the Rigi brothers to control those around them. The act seals a brutal chapter in the family saga.
2010: Plane forced to land in Iran; arrests
In 2010, Abdolmalek is traveling to Bishkek from Dubai on a regular Airbus when an Iranian intelligence officer forces the plane to land in Iran. This forced landing leads to the arrest of both Rigi brothers. The interception effectively ends their militant travel and operations.
Trial and execution in Iran
Following their capture, a court finds the Rigi brothers guilty of dozens of criminal acts and sentences them to execution in the same year. The legal proceedings mark the formal end of their militant activities in Iran. The verdict closes a violent chapter tied to regional instability.
Officials blame foreign funding
Iranian officials publicly accuse the United States and some Arab countries of funding Abdolmalek Rigi's activities. The statements reflect a broader narrative about international involvement in regional terrorism. The allegations frame the Rigi network within geopolitical tensions.
Hints of a meeting near Bishkek
Unnamed officers claim Abdolmalek was on his way to a meeting with diplomat Richard Holbrooke near Bishkek. The purported destination suggests a wider web of international contact attributed to the Rigi leadership. The claim ties the case to broader diplomatic intrigue.
Pakistan's alleged role in capture
Pakistan is reportedly said to have helped Iran nab the Rigi brothers. The assertion points to cross-border cooperation that facilitated the arrests. The involvement underscores the complex regional dynamics at play in suppressing the group.
Explore all characters from When the Moon Was Full (2019). Get detailed profiles with their roles, arcs, and key relationships explained.
Abdolhamid Rigi (Hootan Shakiba)
The younger brother of Abdolmalek Rigi who uses his position within Jundallah to exert control over others. He coerces Faezeh into a marriage and orchestrates her move to Pakistan, pulling her and her family into the group's violent activities. His actions reveal a brutal fusion of loyalty, power, and cruelty.
Faezeh Mansouri (Elnaz Shakerdoost)
A customer who becomes Abdolhamid's wife and is taken to Pakistan. Her arc centers on forced marriage, captivity, and the resilience she must summon to protect her children. She faces a profound choice between escape and staying with her family amid danger.
Abdolmalek Rigi (Armin Rahimian)
Leader of the Jundallah group; his strategic violence initiates the chain of events. His actions trigger cross-border tensions and set the stage for arrests and executions in 2010. He embodies the political dimension of extremism and its global repercussions.
Shahab (Pedram Sharifi)
Faezeh's brother who gets swept into Jundallah's operations. His fate—being beheaded after being mistaken for an Iranian agent—highlights the brutal personal costs of extremist conflicts. His story emphasizes the collateral damage inflicted on families.
Esmat (Shabnam Moghadami)
Faezeh's mother who witnesses the turmoil from the bazaar to Pakistan. Her perspective underscores the emotional toll of wartime violence on loved ones and the fear for a child's safety.
Moosa (Farid Sajjadi Hosseini)
A father figure in the narrative whose presence highlights the impact of the Rigi family's actions on a parent’s sense of duty and protection. His stance reflects the wider familial consequences of political violence.
Learn where and when When the Moon Was Full (2019) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
2010
The film is set around the year 2010, amid heightened militant activity in Iran's southeast. It follows arrests and executions that year, anchoring the drama in a concrete historical moment. The timeline intersects Iran, Pakistan, and international travel, illustrating the reach of regional extremism. This timestamp emphasizes the real-world consequences of the characters' actions.
Location
Zahedan, Iran, Pakistan, Bishkek, Kyrgyzstan, Dubai, United Arab Emirates
Zahedan, Iran is a bustling border city where the story begins in a crowded bazaar. The area is known for its vibrant markets and proximity to Pakistan, shaping the cross-border dynamics of the plot. The narrative moves across Pakistan and other international settings, tying local events to broader regional tensions. The bazaar serves as a gateway to the protagonists' intertwined fates.
Discover the main themes in When the Moon Was Full (2019). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🗡️
Power and Control
Abdolhamid weaponizes intimate leverage, using marriage and coercion to dominate Faezeh. The film exposes how extremist groups extend control beyond violence into personal lives. Manipulation within families becomes a tool for advancing a violent agenda. The theme interrogates how power corrupts relationships and destinies.
💔
Family
A family is torn apart by extremism, with parents, siblings, and spouses pulled into the violence. Loyalties are tested as characters navigate fear, duty, and survival. The human cost of political violence is shown through intimate, painful choices. The narrative uses familial bonds to reveal the cost of radicalization.
🚨
Terrorism
Jundallah's militant operations drive the plot, illustrating how local violence resonates across borders. The story connects ground-level acts to international law enforcement and geopolitical responses. It also demonstrates the trauma and retaliation that follow extremist actions. The film links personal tragedy to broader political conflict.

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In the sun‑baked lanes of Zahedan’s bustling bazaar, the ordinary rhythm of daily barter is interrupted by an unexpected encounter that feels both timeless and fragile. Abdolhamid navigates the crowded stalls with quiet purpose, while Faezeh moves among the shoppers, her eyes reflecting the market’s kaleidoscope of colors. Their chance meeting sparks a tender connection that quickly blossoms into love, setting the stage for a marriage that promises a shared future amid the noisy, intimate world of a southern Iranian town.
Beyond the romance, the story hints at a more concealed landscape. Faezeh soon learns that Abdolhamid’s family roots run deep into the rugged province of Sistan and Baluchestan, a region where the porous borderlands whisper of hidden networks and unspoken loyalties. The family’s presence there carries an undercurrent of secrecy, casting shadows over the couple’s newly built life and introducing a subtle tension that lingers in every domestic moment.
When the weight of this hidden world proves too heavy to bear, Faezeh makes a decisive choice to seek safety beyond Iran’s borders. Together with her husband, she crosses into Pakistan, a land that holds both the promise of escape and the echo of familiar ties. Their journey leads them into an unexpected reunion with Abdolhamid’s brother, Abdolmalek, whose reputation looms large and ominous. The brief encounter underscores the fragile line between personal devotion and the broader forces that threaten to unravel it.
The film’s tone is a blend of intimate drama and geopolitical unease, rendered through atmospheric vistas of markets, desert borders, and cramped refugee pathways. It draws the audience into the quiet desperation of a couple caught between love and the weight of inherited shadows, inviting curiosity about how their bond will navigate the unseen currents that swirl around them.
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