The Night Before Christmas 1951
Directed by
Zinaida Brumberg
Made by
Soyuzmultfilm
The Night Before Christmas Plot Summary
Read the complete plot summary and ending explained for The Night Before Christmas (1951). From turning points to emotional moments, uncover what really happened and why it matters.
In the Ukrainian town of Dykanka, a gentle animated fable unfolds, weaving everyday life with a touch of the supernatural. In the sky, two figures drift out of the night: a witch riding a broom who gathers stars in her sleeve, and a sly devil who “hides” the moon in his pocket, hoping that the coming darkness will keep the homes of the wealthy Cossacks safe. This celestial mischief crosses into the town as the smith Vakula faces a string of challenges, while the beautiful Oksana begins to dream of a life beyond her doorstep.
A mysterious forelock paired with a shadowy godfather wanders into darkness and then away again, leaving the fate of the night unsettled. Meanwhile, Solokha, who is the town’s witch and also Vakula’s mother, is quietly implicated in the tale as she steals stars from the sky, a deed the townspeople hardly understand but feel the ripple effects of. Oksana, surrounded by friends, discovers a wish that quickens her heart: she notices a pair of gold-embroidered cherevichki—shoes coveted by many—and declares that she will marry Vakula if he can bring her those royal shoes, “the shoes the queen carries.”
As carolers wind through the streets, Oksana reiterates her demand, and Vakula’s sorrow grows heavier. In a burst of despair he tries to cast off his burdens, even considering drowning, and the town’s strange luck seems to lean toward the impossible being possible. The forelock, childlike and wary, moves to visit Vakula’s mother, Solokha, only to find the path complicated by the stormy weather and the devil’s lurking presence. The visit reveals Solokha’s complicity in the star-stealing mischief, casting a longer shadow over the lovers’ prospects.
Seeking a way to win Oksana, Vakula travels to the sly and portly Patsyuk, a Zaporozhets figure who sometimes behaves like a trickster or a devilish ally. From Patsyuk, the devil himself suddenly leaps from a bag and promises to deliver Oksana to Vakula that very night. The craftiness of Vakula comes to the fore as he holds the devil by the tail and, with a swift maneuver, orders the devil to transport them all to St. Petersburg, directly to the queen.
In the grand capital, the smith and his unearthly helper make a memorable entrance, and with the devil’s help they are ushered into the queen’s presence. The magnificent palace dazzles Vakula, and he boldly asks for imperial shoes. The empress Catherine the Great, moved by the naive hunger of Vakula and the oddities of this journey, takes notice—Denis Fonvizin, a celebrated writer, stands nearby as if to witness this surreal encounter. The queen, touched by such earnestness, grants Vakula the shoes he sought, a small miracle that changes the night’s course and the fortunes of the young lovers.
On their return to Dykanka, Vakula reveals a new cap and a belt hidden in a chest and brings them to the Forelock, hoping to secure Oksana’s hand. The Forelock, swayed by gifts and irritated by Solokha’s perceived treachery, agrees to consider the arrangement. In a final, quiet turn of fate, Oksana herself expresses her willingness to marry the smith—perhaps with or without the fabled cherevichki—closing the circle of longing, trickery, and dreamlike possibility that filled the town with wonder.
The Night Before Christmas Timeline
Follow the complete movie timeline of The Night Before Christmas (1951) with every major event in chronological order. Great for understanding complex plots and story progression.
Sky watchers: witch and devil over Dykanka
Two supernatural figures appear in the night sky above Dykanka: a witch on a sweeper gathering stars, and the devil hiding the moon in his pocket. Their mischief foreshadows trouble and sets a magical tone for the story. The omen hints at the challenges Vakula will face to win Oksana's hand.
Forelock debates visiting the clerk
The Forelock and his godfather debate whether to go to the clerk in such darkness, weighing danger against duty. They decide to proceed, unwilling to yield to fear. Their choice triggers a chain of revelations about Solokha and Oksana.
Oksana awaits; Vakula arrives
Oksana stays at home while Vakula arrives, and she urges him to prove himself. She hints that marriage depends on his deeds rather than words. The exchange sets Vakula on a quest and seeds a magical pact.
Blizzard drives Forelock away; seeks another hut
A blizzard, arranged with the devil, drives the Forelock to knock at Vakula's door. Hearing Vakula inside, he decides to seek refuge at another hut instead, heading toward Solokha's dwelling. The cold night pushes fate toward the star thief and her family.
Forelock learns Solokha is the star-thief
The Forelock reaches Solokha, Vakula's mother, who is revealed as the witch who stole stars from the sky. This connection ties the family to the night’s celestial mischief. The encounter further entwines Vakula's destiny with Solokha's powers.
Oksana's shoes demand the queen's shoes
Oksana's girlfriends arrive, and she spots the gold-embroidered shoes (cherovki). She declares she will marry Vakula if he brings the imperial shoes from the queen. Her bold promise becomes the driving force behind Vakula's extraordinary quest.
Carols and renewed vow
In a crowd of carol-singers, Vakula meets Oksana again and she reiterates her demand for the queen's shoes. Vakula accepts the challenge, vowing to obtain the imperial shoes. The vow intensifies his resolve and sets the journey in motion.
Despair and drowning thought
Overwhelmed by longing and rejection, Vakula contemplates drowning his sorrows. He discards all but a small bag as he wanders away from the town. This despair pushes him toward magical aid that promises a path to the queen.
Patsyuk and the devil; plan to reach the queen
Vakula visits the big-bellied Patsyuk, who resembles the devil and hints at a magical option. The devil emerges from a bag and promises to deliver Oksana that very night. Vakula seizes the opportunity, grips the devil's tail, and orders it to take him to St. Petersburg to plead his case before the queen.
The queen's shoes granted
Arriving in St. Petersburg, Vakula presents himself before the queen and asks for imperial shoes. Moved by his earnestness, the Empress responds, and the palace approves the exchange. Vakula obtains the coveted shoes and prepares for the journey home.
Return with gifts; Forelock's bargain
Back in the realm of the village, Vakula returns with the imperial shoes and presents a new cap and belt to the Forelock, asking him to grant Oksana in exchange. The Forelock, charmed by the gifts and anger at Solokha's supposed betrayal, agrees to the arrangement. This marks a turning point toward a possible union.
Oksana accepts Vakula
Oksana agrees to marry Vakula, even without the chereviks. The Forelock's consent seals the match, and the couple seems poised to unite. The story closes with the promise of a wedding born from persistence, wit, and a touch of magic.
The Night Before Christmas Characters
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Oksana (Liliya Gritsenko)
Oksana is Chub's daughter, a beautiful and socially minded young woman who uses charm and status-seeking to influence her future. She participates in carols and eagerly announces that she will marry Vakula if he brings the golden-embroidered shoes she desires. Her flirtatious attitude and wish for luxury drive the romantic comedy and set Vakula's bold quest in motion.
Vakula (Nikolai Gritsenko)
A skilled blacksmith whose love for Oksana motivates him to take extraordinary steps. He is stubborn, inventive, and willing to bargain with supernatural forces to win her hand. Vakula's quick thinking and fearless resolve push the plot from a village romance toward a magical kingdom-and-back adventure.
Solokha (Vera Maretskaya)
Solokha is Vakula's mother, a witch known for stealing stars from the sky. She embodies cunning and protective maternal instinct, arranging events from the shadows while trying to keep her family safe. Her magical and morally gray actions add whimsy and danger to the tale.
Chub (Mikhail Yanshin)
Chub is a wealthy Cossack patriarch who embodies wealth and social influence. He invites the clerk to the Kutia feast and becomes entangled in power and prestige, representing the upper-class stakes of marriage and reputation. His interactions with Solokha and Vakula highlight the tension between wealth and love.
The Devil (Vladimir Gribkov)
A mischievous supernatural being who hides the moon and conspires with the world to forestall happiness, only to be outsmarted by Vakula. The Devil embodies temptation and trickery, pushing the characters into bold schemes that blend danger with humor. His power is limited by human cunning and perseverance.
The Night Before Christmas Settings
Learn where and when The Night Before Christmas (1951) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 18th century
The action sits in the era of Catherine the Great, mixing rural Ukrainian life with the opulence of the Russian court in St. Petersburg. The journey from Dykanka to the capital and back places storytelling against a backdrop of imperial fashion and ceremonial gifts. Folklore and social expectations (marriage, status) shape the pacing and choices of the characters.
Location
Dykanka, Ukraine
Dykanka is a rural Ukrainian town that grounds the film's fantasy in everyday village life. Its streets host carol-singing, feasts, and traditional customs like kutia, while magical events—stars stolen by witches and a roaming devil—unfold above and around it. The town serves as the contrast point between simple, warm-hearted village life and the extraordinary tricks that disturb that peace.
The Night Before Christmas Themes
Discover the main themes in The Night Before Christmas (1951). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Love
Vakula's pursuit of Oksana is driven by affection and desire, but it is also shaped by pride and social expectations. Oksana uses her longing for status to set conditions for marriage, pushing Vakula to prove himself. The romance unfolds as a blend of genuine feeling and calculated moves, with magical obstacles testing whether love can win through wit and opportunity.
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Magic
The story leans on folklore and the supernatural, from stars stolen from the sky to bargains with the Devil. Witches, devils, and enchanted journeys push the characters to improvise and adapt. The magical elements drive the plot as much as human actions, creating humor and wonder alike. The resolution comes through cunning as much as any spell.
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Status
Social standing drives many decisions, from Oksana's demands to Vakula's imperial trip to win favor at a queen's court. The queen's shoes symbolize prestige that can bridge poverty and riches, revealing the era's emphasis on appearances. The tale plays with mobility between rural life and court life, showing how gifts, luck, and social signals shape a person's fate.
The Night Before Christmas Spoiler-Free Summary
Discover the spoiler-free summary of The Night Before Christmas (1951). Get a concise overview without any spoilers.
In the quiet, moon‑lit village of Dykanka, the rhythm of daily life is intertwined with whispers of the supernatural. The town’s thatched roofs and bustling market squares pulse with folk songs, star‑filled skies, and the occasional flicker of mischievous magic that seems to hover just beyond ordinary sight. This enchanting setting, painted with warm earth tones and a gentle, dream‑like glow, creates a world where the ordinary and the extraordinary coexist in a seamless, almost lyrical fashion.
The story’s heart beats around Vakula, a handsome and earnest blacksmith whose craft is as reliable as his sincere yearning for love. His eyes are fixed on Oksana, the village’s radiant beauty, whose presence turns the simple cadence of the hamlet into a flutter of hopeful longing. Their budding connection is flavored by the playful teasing of village folklore, and Oksana’s wish for a pair of exquisite royal slippers becomes the catalyst that nudges Vakula from contented routine toward daring ambition.
Guided by the intoxicating promise of wonder, Vakula sets his sights on an impossible gift, a symbol of devotion that could bridge the gap between humble craftsmanship and imperial splendor. The tale hints at a fantastical quest that will carry him far beyond the rolling Ukrainian steppes, even as rumors of a devil‑ridden carriage whisper through the tavern doors. The presence of the devil—an enigmatic, roguish figure of folklore—adds a mischievous edge to the adventure, while the distant, luminous courts of Saint‑Petersburg and the distant Empress loom as a glittering, almost surreal destination.
All the while, the film’s tone remains a delicate balance of whimsical charm and gentle yearning. Its visual palette mingles rustic authenticity with ethereal touches, and the narrative rhythm sways between tender moments of village life and the stirring anticipation of a journey that may turn fairy‑tale dreams into reality. The audience is invited to follow Vakula as his simple love sparks a quest that promises both enchantment and the timeless magic of hope.
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