Directed by

Suzanne Schiffman
Made by

Les Films du Carrosse
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Read the complete plot summary and ending explained for The Man Who Loved Women (1977). From turning points to emotional moments, uncover what really happened and why it matters.
At a cemetery in Montpellier in December 1976, mourners gather for the funeral of Bertrand Morane. One of the attendants, Genevieve Bigey, stands apart from the others and notices something odd: everyone present seems to be a woman.
Earlier in life, Bertrand, a man in his early middle age, works in a laboratory testing the aerodynamics of scale models of aircraft, but his true obsession is pursuing women. He is frequently successful, yet he stumbles with the woman from the wake-up service who calls to rouse him each morning. After sighting a pair of alluring legs, Bertrand goes to extraordinary lengths—even faking a car accident—to locate the woman, only to learn she has already left France. Still, he does manage to sleep with Bernadette, an employee at the car rental company, a small conquest that feeds his myth of endless conquests.
Bertrand then becomes friendly with Hélène, who runs a lingerie shop and is closer to his age. When she confesses to a preference for younger men, Bertrand, sensing a possible shift in his lifestyle, decides to write his memoirs before the details fade from memory. He recounts his first sexual experience with a prostitute, his complicated relationship with his mother—beautiful yet emotionally distant, who would abandon him to be with her lovers—and many other long and short-term affairs. An emotionally unstable woman named Delphine Grezel enjoyed public displays of affection, and her relationship with Bertrand ends when she is imprisoned for shooting her husband. After Delphine is released, she visits Bertrand, and the two have a threesome with Bernadette.
When Bertrand contracts gonorrhea, the doctor is impressed by his candor and notes that Bertrand does not know who infected him, having slept with six women in the previous twelve days. The typist Bertrand pays to make copies of his manuscript quits in embarrassment over its explicit content, leaving him momentarily disheartened, but he eventually resumes writing and decides to finish the book before returning to publishing houses.
A publisher’s editor, Geneviève, takes a keen interest in Bertrand’s manuscript and champions it to her boss, who agrees to publish it without changes. When Bertrand travels to Paris to meet with Geneviève, he runs into Véra, an old flame whose breakup five years earlier forced him to abandon Paris and rely on various medications. He tells her he has moved on and does not want to dine together, but the encounter rekindles the sense that the book was shaped by her in some way.
Realizing that his decision to write the book was partly inspired by Véra, but that she is erased from it, Bertrand calls Geneviève to request a rewrite. She explains that writers often feel they have failed to capture the exact book they set out to write, and she urges him to let the manuscript stand as it is while suggesting that his next project might focus on Véra. Bertrand agrees to trust Geneviève, and the manuscript is prepared for publication. An offbeat, unspoken romance blooms as Geneviève falls for Bertrand, and they begin an affair.
During the Christmas season, Bertrand cannot reach anyone from his extensive network, so he roams the night streets and is struck by a car while chasing after two women. Severely injured, he is hospitalized and told not to move. In a final, ironic moment, he lunges at a nurse with attractive legs, falls from the bed, and dies.
At Bertrand’s funeral, Geneviève reflects that she is the one who knows the true story of his life. She does not doubt that, in his own way, Bertrand loved each of his partners, and she believes he was always searching for happiness in quantity rather than finding it in any single person.
Follow the complete movie timeline of The Man Who Loved Women (1977) with every major event in chronological order. Great for understanding complex plots and story progression.
Funeral in Montpellier
In December 1976, mourners gather for Bertrand Morane's funeral at a cemetery in Montpellier. Geneviève Bigey stands apart, noticing that everyone present is a woman, hinting at Bertrand's life filled with romantic entanglements. The scene frames the film's inquiry into his pursuit of happiness through many loves.
Bertrand's lab work and pursuit of women
Earlier in life, Bertrand works in a laboratory testing aerodynamics of scale aircraft models, but his true passion is chasing women. He goes to extreme lengths, including faking a car accident, to find one alluring woman, only to sleep with Bernadette after she leaves the country. His insatiable appetite for conquest sets the template for his later memoirs.
Friendship with Hélène and the decision to write memoirs
Bertrand befriends Hélène, who runs a lingerie shop and is drawn to younger men. Sensing a change in his lifestyle, he decides to write his memoirs to preserve his conquests before they fade from memory. This decision marks a shift from pursuit to reflection.
Memoir content: first experiences and family
In his manuscript, Bertrand recounts his first sexual experience with a prostitute and sketches a distant, cold mother who neglected him for her lovers. He catalogs numerous long- and short-term affairs, building a portrait of a man addicted to variety. The writing reveals an attempt to understand the roots of his behavior.
Delphine Grezel and the public-liaison period
An emotionally unstable woman named Delphine Grezel enjoys making love in public and becomes involved with Bertrand. Their relationship ends when she is imprisoned for shooting her husband. After her release, she visits Bertrand, and they have a threesome with Bernadette, adding drama to his memoir.
Gonorrhea and the mystery of infection
Bertrand contracts gonorrhea, and the doctor is impressed that he cannot identify the giver, noting he has slept with six women in the previous twelve days. The episode underscores his relentless sexual escapades. It also fuels the tension around the 'little black book' of lovers he keeps.
Typist quits over explicit content
A typist hired to copy the manuscript quits after being embarrassed by its explicit content. Bertrand feels disillusioned and briefly stops writing. The incident exposes the vulnerability of his literary project.
Renewed push to finish the memoir
Bertrand takes a week off work to finish the book and sends the completed manuscript to publishers. The completion signals a new phase where his life could reach a wider audience. The self-exposé becomes a test of his ambition and resolve.
Paris editor and the Véra encounter
After a flurry of rejection letters, Geneviève, an editor, champions Bertrand's manuscript and arranges publication. Bertrand travels to Paris to meet her, where he unexpectedly runs into Véra, an old flame whose breakup years earlier drove him to seek stability elsewhere. He refuses to share a dinner with her, signaling unresolved feelings.
Rewrite strategy: the book about Véra
Realizing the book was inspired by Véra yet omits her, Bertrand considers rewriting. Geneviève counsels him that writers often feel they failed their original aim and encourages him to make the next project about Véra. He agrees to trust her judgment and proceed with revisions.
Affair with Geneviève
As publication progresses, Geneviève falls for Bertrand and they begin an affair. The relationship complicates the boundary between author and editor and deepens his tangled web of loves. It also blurs the line between personal desire and professional ambition.
Christmas night pursuit and fatal accident
During the Christmas season, Bertrand cannot reach anyone in his little black book and roams the streets pursuing two women. He is hit by a car, hospitalized and told not to move, but his attraction to a nurse's legs causes him to lunge, fall from his bed, and die. The irony of a life spent chasing women culminates in his accidental death.
Final funeral reflections
At Bertrand's funeral, Geneviève reflects that she is the only one who knows the full story of his life. She does not doubt that, in his own way, he loved each of his former lovers and that he sought happiness through quantity rather than through a single person. The film ends on a contemplative note about his relentless search for fulfillment.
Explore all characters from The Man Who Loved Women (1977). Get detailed profiles with their roles, arcs, and key relationships explained.
Bertrand Morane (Charles Denner)
A man in early middle-age whose charisma masks a relentless appetite for sexual variety. He treats intimate encounters as data points in a life memoir, often distanced from genuine intimacy. The pursuit and the memoir become his way of defining happiness, even as it remains elusive.
Véra (Leslie Caron)
Bertrand’s former lover whose break five years earlier drove him to retreat from Paris. She reappears as a remnant of a more intense past, challenging him to confront his past and reconsider what he wants. Their renewed connection highlights memory, longing, and the limits of reconciliation.
Delphine Grezel (Nelly Borgeaud)
An emotionally unstable woman who enjoys public-affair intimacy and becomes entangled with Bertrand. Her relationship with him ends when she is imprisoned for shooting her husband, leaving a lasting impression on his evolving understanding of passion and danger.
Bernadette (Sabine Glaser)
A practical employee who is part of Bertrand’s social orbit and participates in a shared moment with Delphine. She represents a grounded presence amid Bertrand’s extravagant pursuits.
Hélène (Geneviève Fontanel)
Owner of a lingerie shop who is drawn to younger men, exposing Bertrand to a different romantic dynamic. Her interactions push the memoir’s narrative and reveal shifts in Bertrand’s self-image.
Christine Morane (Marie-Cecile Truc)
Bertrand’s mother, a beautiful but cold figure who largely ignored him and would leave him alone with her lovers. Her absence helps shape Bertrand’s approach to love and attachment.
L'urologue (Jean Dasté)
The doctor who treats Bertrand’s gonorrhea; he notes the irony of not knowing who infected him, underscoring Bertrand’s web of untraceable encounters. He provides a clinical counterpoint to Bertrand’s romantic adventures.
Learn where and when The Man Who Loved Women (1977) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1976
The events unfold in the mid-1970s, culminating in a December 1976 funeral. Flashbacks trace Bertrand’s romantic escapades over the preceding years in both Paris and provincial France. The period’s attitudes toward sexuality and fame shape how characters seek meaning through pursuit and narrative.
Location
Montpellier, Paris
The funeral in Montpellier anchors the film in a French city with a provincial feel. The story moves between a laboratory setting in Montpellier and the urban milieu of Paris, where publishing houses and social scenes frame Bertrand’s conquests. These locations act as stages for desire, ambition, and the fragility of human connections.
Discover the main themes in The Man Who Loved Women (1977). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💘
Love
Bertrand’s life centers on pursuing women and collecting intimate experiences. The film questions whether quantity can substitute for genuine connection. Relationships are often transactional, fleeting, and framed by conquest rather than emotional depth.
🕵️
Obsession
Bertrand’s relentless pursuit drives the plot, from car-accident ruses to chasing leggy fantasies. The narrative probes how obsession distorts value and happiness. It also examines the personal costs of chasing novelty over lasting intimacy.
📝
Memoir
Bertrand begins writing his memoirs to preserve memories before they fade. The manuscript becomes both confession and instrument to influence others, especially publishers. The process reveals how storytelling can mask a deeper search for meaning.
⚰️
Mortality
The story culminates in a fatal accident during a pursuit, ending Bertrand’s life abruptly. The funeral frames reflections on the consequences of a life lived in pursuit of many loves. Mortality underlines the emptiness of a life measured by quantity rather than connection.

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In a quiet cemetery outside Montpellier, the funeral of Bertrand Morane gathers an unlikely congregation: a sea of women whose lives have intersected with his in fleeting, passionate ways. The atmosphere is equal parts reverent and wry, underscoring a man whose personal history reads like a catalogue of affairs, each one leaving a distinct imprint on the collective memory of those who loved him.
A pragmatic engineer by day, Bertrand spends his hours testing aerodynamic models while his evenings are devoted to the pursuit of romance. The contrast between his meticulous laboratory work and his restless yearning for connection creates a compelling duality that drives the film’s tone—simultaneously humorous, melancholy, and deeply observant. As the years accumulate, he feels the pull to preserve these fragments of his past before they dissolve into obscurity.
It is this impulse that leads him to begin an autobiographical novel, a candid chronicle of love, desire, and the inevitable compromises that accompany a life lived in abundance. While drafting his manuscript, he encounters Geneviève, an editor whose keen interest in his unvarnished storytelling offers both professional encouragement and a subtle, growing intimacy. Their exchanges become a quiet counterpoint to his reminiscences, hinting at the possibility that the very act of writing might reshape the way he perceives his own history.
The film swirls between present reflections and nostalgic flashbacks, painting a portrait of a man who searches for happiness not in a single partnership but in the sheer quantity of experiences. Its mood balances light‑hearted irony with genuine emotional depth, inviting the audience to contemplate the fleeting nature of love, the allure of memory, and the strange comfort found in recounting a life lived on its own, unsteady terms.
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