Directed by

Adán Aliaga
Made by

Mailuki Films
Read the complete plot summary and ending explained for The Fourth Kingdom (2017). From turning points to emotional moments, uncover what really happened and why it matters.
The documentary-style program at Chapman University assembles a televised interview with Dr. Abigail “Abbey” Tyler, who recounts a chilling sequence of events that stretches from Nome, Alaska, to forces she can barely explain, culminating in an alleged alien abduction in October 2000. The story is presented as a blend of clinical recollection, personal trauma, and unexplained phenomena that challenge what Abbey believes and what others are willing to accept.
The program features perspectives from five self-narrators: Juan ‘Walter’ Pérez, Ana Martínez de Luco, Pierre Simmons, Eugene Gadsden, and Manuel René del Carmen. Through their voices, Abbey’s account unfolds against a backdrop of strange experiences that she has been chronicling for years. Abbey describes a pattern she has witnessed in multiple patients: each one reports a nocturnal figure—a white owl—watching over them as they sleep, followed by encounters with unseen beings attempting to enter their homes.
In the August 2000 timeline, tragedy strikes Abbey’s family when her husband, Will, is murdered, leaving Abbey to raise two children, Ashley and Ronnie. She begins taping clinical hypnotherapy sessions with patients who share the same haunting experiences. A chilling session involves a patient who holds his wife and two children at gunpoint, insisting on answers about an enigmatic phrase he remembers: “Zimabu Eter.” The patient’s actions explode into violence, ending in murder and suicide, and Abbey is left to grapple with whether these events point to something beyond ordinary crime or medicine.
Abbey becomes convinced that her patients are victims of alien abduction, a belief strengthened when an assistant hands her a tape recorder that captures a disturbing sound—something entering her home and attacking it, accompanied by a voice speaking in an unfamiliar language. Abbey cannot recall the intrusion herself, and the language is later identified as Sumerian by Dr. Awolowa Odusami, a specialist she consults who had connections to her late husband. This discovery deepens Abbey’s conviction that the experiences are real in some external sense, not merely the product of a troubled mind.
As another patient, Scott, insists on communicating, Abbey agrees to hypnotic sessions in the hope of uncovering more. Under hypnosis, Scott begins to hover above his bed, and a voice speaks through him, ordering Abbey in Sumerian to end her study. Sheriff August arrives on the scene, accusing Abbey of wrongdoing as Scott’s condition worsens—paralysis from the neck down is observed—and Campos, a colleague who supports Abbey, defends her. Despite the evidence, August confines Abbey to her own home under guard, tightening the sense that she is being punished for associating with dangerous, unproven claims.
A large, black, triangular object is sighted in the night sky, and a police officer witnesses the extraordinary event: people seem to be pulled from Abbey’s house, triggering a frantic response from the deputies. When they enter, Abbey and Ronnie report that Ashley has been taken. August, furious and suspicious, accuses Abbey of kidnapping and removes Ronnie from her custody, though Campos continues to stand by Abbey’s narrative, urging caution and weighing the testimonies she has gathered.
The investigation intensifies as Abbey undergoes another round of hypnosis to attempt direct contact with the beings and to locate Ashley. During the session, Abbey recalls the moment of Ashley’s abduction and confirms that she herself was abducted as well. An alien presence communicates with her, and she pleads for Ashley’s return while the entity, calling itself “God,” asserts that Ashley will never come back. The moment of abduction ends in a distorted image as a voice yells “Zimabu Eter!” before the scene cuts away. Abbey awakens in a hospital with a broken neck, and August reveals the painful truth: Will’s death was a suicide, and Abbey’s earlier belief that he had been murdered was a delusion.
With the reenactment concluded, Abbey returns to the present and claims that she, Campos, and Odusami were themselves abducted during the hypnosis—but they cannot recall the experience. When questioned about how anyone can take her seriously if she was shown to be delusional about her husband’s death, Abbey acknowledges that she must hold on to the possibility that Ashley is still alive, even as she breaks down in tears. The investigation ultimately clears Abbey of all charges, allowing her to relocate to the East Coast, where her health declines and she requires constant care.
The film leaves Campos as a practicing psychologist and Odusami as a professor at a Canadian university, with both men choosing to distance themselves from the interview. August refuses further involvement, and Ronnie remains estranged from Abbey, still blaming her for Ashley’s disappearance. The narrative closes on a somber note, illustrating how a single, unresolved disappearance can reverberate through families, professionals, and communities, and how belief, memory, and testimony can collide in the pursuit of truth.
Follow the complete movie timeline of The Fourth Kingdom (2017) with every major event in chronological order. Great for understanding complex plots and story progression.
Televised interview introduces Abbey Tyler
Chapman University hosts a televised interview with Dr. Abbey Tyler, during which she describes a string of troubling events that occurred in Nome, Alaska. She frames these events as part of an alleged alien abduction culminating in October 2000.
Will's murder and Abbey's new responsibilities
In August 2000, a re-enactment shows Abbey's husband Will being murdered, leaving her to raise their two children. The event links to the increasingly strange encounters Abbey will recount later in the story.
Hypnotherapy tapes begin
Abbey tapes clinical hypnotherapy sessions with patients who report a white owl watching them as they sleep, before beings attempt to enter their homes. The material hints at a recurring pattern of encounters connected to the alleged abductions.
A chilling gunpoint confrontation and murder-suicide
During a police call, a patient holds his wife and two children at gunpoint and claims he remembers everything, asking about the phrase Zimabu Eter. Despite Abbey's pleas, he murders his family and commits suicide. The incident fuels Abbey's belief that her patients are connected to alien abductions.
Possibly haunted home and unknown language
Abbey suspects the patients are connected to abductions as an assistant provides a tape recorder that plays a sound signaling something entering her home. The attacker speaks an unknown language, and Abbey has no memory of the incident, leaving investigators unsure of what happened.
Language identified as Sumerian
Abbey enlists Dr. Awolowa Odusami to identify the language on the tape. Odusami determines that the language is Sumerian, supporting Abbey's abduction theory and linking the recordings to ancient civilizations.
Scott seeks to communicate; hypnosis sequence
Scott volunteers to communicate with them and Abbey hypnotizes him. Under hypnosis, he hovers above his bed and a voice, speaking in Sumerian, directs Abbey to end her study. Sheriff August arrives and Scott is later found paralyzed from the neck down.
Abbey placed under guard; Campos defends
With mounting suspicion, Sheriff August places Abbey under guard inside her house. Campos comes to Abbey's defense, corroborating her account, while public trust begins to waver as authorities pursue the case.
UFO sighting and Ashley's disappearance
A large black triangular object appears in the sky and people are reportedly pulled from the house. Deputies rush inside and discover that Ashley is missing while Ronnie remains in Abbey's custody. August denounces Abbey, accusing her of kidnapping.
Hypnosis confirms abduction; God speaks
Under another hypnosis session, Abbey recalls Ashley's abduction and reveals she herself was abducted as well. An alien presence communicates with Abbey, calling itself God and foretelling Ashley's fate as never returning. The sequence ends with a distortion and the cry Zimabu Eter as the figures vanish.
Abbey wakes to injury and the truth about Will
Abbey wakes in a hospital with a broken neck. August reveals that Will had committed suicide, and Abbey's belief that he was murdered was a delusion, reshaping her understanding of the earlier events.
Re-enactment ends; present-day reflections
The re-enactment concludes and Abbey states that Campos and Odusami were abducted during hypnosis but cannot recall the experiences. She claims Ashley may still be alive, and she is later cleared of charges and leaves Alaska for the East Coast.
Aftermath for Campos, Odusami and August
Campos remains a psychologist, and Odusami becomes a Canadian university professor. August refuses further involvement with the case, and Ronnie remains estranged from Abbey, still blaming her for Ashley's disappearance.
Explore all characters from The Fourth Kingdom (2017). Get detailed profiles with their roles, arcs, and key relationships explained.
Dr. Abigail 'Abbey' Tyler
A psychologist who investigates shared paranormal experiences and suspects alien abduction. Her drive to uncover the truth is tempered by personal tragedy, including her husband Will's murder and the disappearance of her daughter Ashley. Her credibility is tested by legal scrutiny and the limits of hypnotic memory.
Will Tyler
Abbey's husband, whose murder triggers a cascade of events and legal questions. The investigation strands into questions of whether his death was truly murder or suicide, affecting Abbey's mental state and public perception.
Ashley Tyler
Abbey and Will's daughter who is abducted during the events, driving Abbey's desperation and shaping the investigation's stakes. Her disappearance remains central to the emotional core of the story.
Ronnie Tyler
Abbey and Will's other daughter who survives the events and is affected by the custody crisis and Abbey's claims. The family dynamics are strained as the case unfolds.
Abel Campos
A colleague who supports Abbey's theories and acts as a psychologist ally, offering professional perspective on the hypnosis sessions and the credibility of the abduction narrative.
Dr. Awolowa Odusami
A linguist who helps identify the language heard in the abduction scenario, adding a scholarly layer to the mystery and anchoring the cross-cultural dimension of the events.
Sheriff August
A local lawman who doubts Abbey's claims and imposes guard measures, representing official skepticism and authority within Nome's community.
Learn where and when The Fourth Kingdom (2017) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
August–October 2000
The events unfold in August 2000, with a televised re-enactment following the alleged abduction that October 2000. The timeline threads between Abbey's personal tragedy, the investigations, and the public interview, highlighting a brief but intense period of crisis and scrutiny.
Location
Nome, Alaska
Nome sits on the edge of the Bering Sea in Alaska, a remote frontier town whose harsh winters and limited services frame the story's uneasy atmosphere. The setting emphasizes isolation, making Abbey's investigations harder and feeding the sense of a place where strange events ripple through the community. Local law enforcement and residents grapple with the pace and credibility of extraordinary claims amid the unforgiving landscape.
Discover the main themes in The Fourth Kingdom (2017). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
👽
Alien Contact
The film centers on the possibility of extraterrestrial involvement, using Abbey's experiences and hypnotic sessions to explore whether otherworldly forces are real or a construct of memory. The language on the tape, identified as Sumerian, heightens the sense of mystery and cross-cultural contact. The narrative blurs boundary between science, belief, and myth.
🧠
Belief vs Delusion
Abbey's conviction clashes with legal and scientific skepticism, raising questions about what counts as evidence. Hypnosis and recovered memories push the boundaries of memory reliability while exposing how trauma can shape perception. The plot probes whether strong belief can stand up to scrutiny when memory is malleable.
🔎
Evidence and Skepticism
The story juxtaposes witness testimony, expert analysis, and the lack of decisive proof, highlighting the fragility of truth in extraordinary claims. Re-enactments, language decoding, and police involvement all test the boundaries between corroborated data and personal narrative. The charges against Abbey and the eventual dissolution of the case underscore the tension between belief and verifiable fact.

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In the heart of Brooklyn, a modest recycling center becomes more than a place to toss away metal and paper—it morphs into a quiet sanctuary for the city’s wandering souls. The space hums with the soft clatter of machinery and the murmurs of people who gather not just to dispose of objects, but to shed the weight of a world that often feels indifferent. Within its walls, ordinary materials are transformed into symbols of possibility, and the stale air of the neighborhood gives way to a realm where reality bends just enough to let imagination breathe.
_ René _, a reserved Mexican who has made the center his home and his craft, runs the operation with a steady, unassuming hand. His quiet demeanor hides a deep well of empathy, allowing him to listen to the unspoken stories of those who drift through his doors. Alongside him, _ Ana de Luco _, a spirited Spaniard, infuses the place with a touch of exuberance and a fierce belief that community can be forged from the most unlikely of materials. Their unlikely partnership creates a rhythm that feels both domestic and dreamlike, inviting visitors to linger, share, and slowly reshape their own narratives.
The center’s regulars—artists, dreamers, and those who feel sidelined by the relentless chase of the American dream—find themselves drawn into a subtle, surreal tapestry woven from reclaimed objects and whispered conversations. Here, the act of sorting and repurposing becomes a metaphor for the characters’ own attempts to reorganize fragmented lives. The tone balances gentle melancholy with quiet hope, suggesting that salvation may be found in the smallest, most overlooked corners of the city.
As the day turns to night, the recycling center glows with a soft, almost otherworldly light, hinting at the deeper connections forming between its inhabitants. It is a place where belonging is not promised but crafted, where the ordinary is nudged toward the extraordinary, and where every visitor leaves a little changed, carrying a fragment of that shared, surreal refuge back into the bustling world outside.
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