Navajeros 1980
Directed by
Eloy de la Iglesia
Made by
Producciones Fenix
Navajeros Plot Summary
Read the complete plot summary and ending explained for Navajeros (1980). From turning points to emotional moments, uncover what really happened and why it matters.
El Jaro, José Luis Manzano, is a fifteen-year-old with a long criminal record. He visits his older brother in jail, but spends most of his time with his three best friends: El Butano, Jaime Garza, Jhonny, José Luis Yzaguirre, and El Chus, José Carabias. They form a dangerous gang that steals handbags, coins from public payphones, cars and motorbikes, and they also break windows to loot stores. With nowhere to sleep, El Jaro ends up staying with Mercedes, nicknamed La Mexicana, a prostitute twenty years older than him who gives him affection, sex, and a temporary home.
At a cemetery, El Jaro unveils a gun he has managed to obtain, a moment that marks a shift toward bolder criminal acts. This new weapon enables the four friends to escalate their activities as they travel to an upscale Madrid neighborhood to rob a group of gay men. A parallel thread follows a journalist chronicling the harsh realities of unemployment and the connection between poverty and crime in the margins of the city.
While enjoying ice cream, El Jaro nearly gets caught when two undercover policemen spot the gun in his backpack, but Mercedes distracts the officers and saves him. Later, at a disco with his companions, Toñi—Chus’s sister, played by Verónica Castro—catches his eye. Smitten, he invites her for a joyride, though Toñi is more interested in the drugs she uses. To obtain drugs for her, El Jaro turns to El Marques, a drug dealer who supplies him with narcotics after a threatening confrontation. He returns to Mercedes, confessing that he has fallen in love with Toñi, yet their relationship continues.
With Toñi’s help, El Jaro and his gang invade a motel and rob all the clients. In one room, El Jaro discovers his mother, Madre de El Jaro, María Martín, a prostitute he hasn’t seen in years since he was twelve. After leaving the motel, the police pursue them, but the gang manages to escape by dashing across rooftops to a ballet school in the next building. Lara, a detective, is assigned by the commissar to investigate El Jaro’s assault on the motel, and the officers interrogate El Jaro’s mother.
In a bar seeking drugs, El Marques retaliates and his ally, Kid Marin, a gay bartender José Antonio Rico, rapes El Jaro. El Butano mobilizes a large group of teenagers from rival gangs to avenge the assault, leading to a violent confrontation that draws the attention of Lara and the commissar. Refusing to disclose what happened, El Jaro is sent to a reformatory, from which he quickly escapes. At the reform school, a psychologist questions the four friends—El Jaro, El Butano, Jhonny, and El Chus (who is primarily interested in drugs), while a journalist seeks an interview with El Jaro through the judge in charge of his case; before the interview can happen, El Jaro escapes again and is reunited with Mercedes.
On his next outing, El Jaro and his friends are surprised by the police. As they attempt to flee, El Chus is killed and El Jaro sustains a serious groin injury. He awakens in a hospital to Mercedes’s news that he has lost a testicle. After a brief stint in jail, El Jaro rejoins Mercedes, who informs him that Toñi is pregnant. He wants the baby, but Toñi contemplates an abortion, blaming him for her brother’s death. Mercedes intervenes, persuading Toñi to carry the child. Mercedes’s love for El Jaro is sincere, and she promises to care for him and their unborn son.
They flee once more in a stolen car, with police in pursuit as they become a target for four terrorists. In the climactic confrontation, El Jaro and his friends escape as the police and the terrorists fatally clash. He goes to see his mother, who continues to work the streets, and his notoriety in the underworld grows. Sebas, a local pimp, confronts El Jaro in a knife fight, and El Jaro slashes his face. His mother rushes to help her lover as Toñi, increasingly embittered by her forced pregnancy and dependence on Mercedes, confronts El Jaro about living at Mercedes’s expense. He resumes his life of robbery with his friends, and as his son is born, El Jaro is killed by two shots—one to the chest and one to the face—closing the troubled arc of a young man whose crimes defined his fate.
Navajeros Timeline
Follow the complete movie timeline of Navajeros (1980) with every major event in chronological order. Great for understanding complex plots and story progression.
El Jaro and his gang form a dangerous crew
José Manuel Gomez Perales, known as El Jaro, is a fifteen-year-old with a long criminal record. He teams up with his three best friends—El Butano, Jhonny, and El Chus—to form a reckless gang. They begin stealing handbags, coins from payphones, cars, motorbikes, and breaking windows to raid stores. The lack of a stable home pushes them deeper into crime.
Jail visit and shelter with Mercedes
El Jaro visits his older brother in prison and, without a home of his own, ends up living with Mercedes, a prostitute who offers him affection and a place to stay. Her care gives him a home while his gang activity grows louder and more dangerous. The arrangement deepens his ties to the street life.
Arming up at the cemetery
At a cemetery, El Jaro unveils a gun he has managed to obtain, signaling a turning point for him and his crew. The weapon lets them escalate their crimes beyond petty theft. With the gun, they feel invincible as they plan their next move.
Robbery in Madrid's upscale neighborhood
The gang targets an upscale Madrid neighborhood, robbing a group of gay men and showing a ruthless willingness to threaten anyone for loot. The confrontation exposes how violence and arrogance accompany their criminal ascent. The incident draws attention from the city and foreshadows harsher consequences.
Close call with undercover police
While enjoying ice cream, El Jaro nearly gets discovered by undercover officers due to his hidden gun. Mercedes suddenly distracts the officers, saving him from capture at a critical moment. The moment strengthens the bond between El Jaro and Mercedes and raises the stakes for their next moves.
A moment of romance and drug hunger
At a disco, El Jaro meets La Toñi, Chus' sister, and is instantly smitten. He invites her for a joyride, though Toñi's interest is fueled by drugs she uses. The encounter marks a turning point as romance intersects with crime.
El Jaro steals drugs from El Marques
In a bid to get drugs for Toñi, El Jaro seeks out El Marques, a local drug dealer. He steals all the drugs after threatening Marques with his knife, worsening his entanglement with the drug trade. The raid seeds a cycle of revenge and further violence.
Confession of love and double life
Back with Mercedes, El Jaro confesses he has fallen for Toñi, but he continues his affair with Mercedes. The love triangle adds emotional tension to a life of crime. Their complicated loyalties begin to fracture under pressure.
Motel robbery and the discovery of his mother
El Jaro and his gang, with Toñi's help, rob motel clients and move through the rooms. In one room he unexpectedly encounters his mother, a prostitute he hasn’t seen in years since he ran away at age twelve. The reunion is tense and underscores the personal costs of his choices.
Chase, rooftop escape, and the ballet school
Police pursue the group after the motel assault, forcing them to flee across rooftops. They eventually crash into a nearby ballet school, narrowly evading capture. The escape demonstrates their agility but also magnifies the danger surrounding them.
Bar attack, Kid Marin's assault
Seeking drugs, El Marques's men corner El Jaro in a bar where Kid Marin sexually assaults him as part of a revenge scheme. The brutal act fuels anger and prompts counteractions from El Jaro and his friends. The bar becomes a flashpoint for the group's violence.
Reformatory, escape, and Mercedes reunion
The four friends are examined at a reformatory where a psychologist interviews them. A journalist tries to secure an interview with El Jaro, but before it can happen, he escapes and is reunited with Mercedes. The sequence marks a temporary pause in their lives while the law closes in again.
Hospitalization and loss
During another assault, Chus is killed and El Jaro is badly wounded in the groin, waking in a hospital to discover he has lost a testicle. Mercedes visits and the couple weigh their fragile future together. The violence leaves lasting physical and emotional scars.
Toñi's pregnancy and the abortion conflict
El Jaro learns that Toñi is pregnant, and he wants the child while she wants an abortion. Mercedes intervenes and tries to persuade Toñi to keep the baby, arguing for a future that includes Jaro. The moment tests loyalties and changes the stakes for everyone involved.
Final chase and Jaro's death
After running away in a stolen car, El Jaro and his friends are pursued by the police as rival factions collide. In a chaotic final confrontation, they escape while others are killed; meanwhile, Toñi's pregnancy complicates the gang’s fate. In the same moment his newborn son is born, El Jaro is killed by two shots to the chest and face.
Navajeros Characters
Explore all characters from Navajeros (1980). Get detailed profiles with their roles, arcs, and key relationships explained.
El Jaro (Jos Luis Manzano)
A fifteen-year-old with a long criminal record who leads the gang. He oscillates between ruthless violence and a longing for love, showing charm that can both attract and endanger those around him. His choices drive the plot, yet his vulnerabilities drive his humanity.
Mercedes (Isela Vega)
A prostitute who provides El Jaro with shelter, affection, and a home. Her care is both nurturing and possessive, shaping Jaro’s loyalties and choices. She is a central, morally complex presence in his world.
Toñi (Verónica Castro)
Chus’ sister and a love interest who is entangled with drugs and pregnancy. Her decisions reflect the volatile mix of desire, addiction, and survival in the margins. Her relationship with El Jaro intensifies the emotional stakes of the story.
El Chus (Enrique Rojas Prez)
Member of the gang whose priorities revolve around the group's dynamics and street life. He contributes to the balance of loyalty, risk, and violence that defines their world.
El Butano (Jaime Garza)
A fellow member of the group, part of the core circle of friends who carry out the gang’s schemes. He embodies the youth-driven impulse toward thrill and gain.
Lara (José Manuel Cervino)
A detective who pursues El Jaro’s case, interrogates the mother, and pieces together the motives behind the motel assault. He represents the pursuing authority and the investigative drive of the narrative.
El Marques (Enrique San Francisco)
A drug dealer who supplies the gang and becomes a source of conflict when El Jaro steals his drugs. His retaliation escalates violence and deepens the web of power dynamics in the underworld.
Kid Merino (José Antonio Rico)
A gay bartender who becomes a victim in the motel incident, highlighting the precarious and vulnerable positions of individuals on the fringes of society.
Navajeros Settings
Learn where and when Navajeros (1980) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Late 1970s – early 1980s Madrid
The events occur in a period of social and economic strain, where unemployment and marginalization push youths toward crime. The city experiences a tense atmosphere of rapid change and urban survival. The time frame roots the characters in a contemporary Madrid grappling with new freedoms and old inequalities.
Location
Madrid, Spain
The story unfolds across Madrid’s urban landscape, from cemeteries and motels to discos and a ballet school. It highlights the city's social divide, switching between glitzy locales and neglected marginal neighborhoods. The setting emphasizes how the urban environment shapes and sustains a world of petty crime and survival.
Navajeros Themes
Discover the main themes in Navajeros (1980). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Poverty & Crime
Poverty and lack of opportunity push the teenage protagonists toward theft and violence as a means of living. The film links economic hardship with dangerous choices, showing crime as a twisted form of adaptation to the system. Loyalties within the group blur between friendship and dependency on criminal activity. The narrative uses these elements to critique how neglective urban structures trap youth.
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Love & Dependency
Mercedes shelters El Jaro and provides him a home, offering affection that contrasts with his violent world. The relationships are complex, blending care with expectation and coercion. Toñi’s pregnancy adds emotional weight and tests loyalties among the lovers and the motherly figure. The theme explores how love can both protect and entangle in a harsh environment.
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Youth Rebellion
El Jaro and his friends push against authority through bold thefts and confrontations. The gang’s bravado is interwoven with moments of vulnerability, revealing how adolescence collides with a society that marginalizes them. Police pursuit, reformatory escapes, and street confrontations frame a broader critique of control and youth culture. The narrative centers on the arc of rebellious youths navigating danger and belonging.
Navajeros Spoiler-Free Summary
Discover the spoiler-free summary of Navajeros (1980). Get a concise overview without any spoilers.
In the restless streets of 1970s Madrid, a world of cracked sidewalks and flickering neon signs frames a society where poverty and unemployment press down on every corner. The city pulses with a gritty realism, its shadows populated by those forced to survive on the margins. A raw, unflinching tone follows the daily grind of young people who trade innocence for fleeting moments of control, setting a backdrop that feels both documentary and mythic.
At the heart of this urban tapestry is El Jaro, a fifteen‑year‑old with a reputation already larger than his years. Raised among the alleys and juvenile institutions, he gathers a tight‑knit crew of friends whose loyalty is as volatile as the streets they roam. Their bond is forged in shared hardship, each member contributing a piece of the puzzle that defines their collective identity. The film watches Jaro wrestle with the weight of leadership, his restless ambition tempered by a yearning for something more stable than the chaos that surrounds him.
Complicating his ascent are two powerful female presences. Mercedes, an older woman who offers both shelter and a fleeting sense of affection, becomes a temporary anchor in his storm‑tossed life. Meanwhile, Toñi, a charismatic peer drawn to the same restless energy, ignites a volatile mix of desire and competition that pushes Jaro toward decisions that blur the line between survival and rebellion. These relationships pull him in opposite directions, hinting at the emotional currents that will shape his path.
The story unfolds as a stark, character‑driven chronicle, balancing the stark realities of Madrid’s underclass with a youthful hunger for significance. Through lingering shots of dimly lit plazas, cramped apartments, and the ever‑present hum of the city, the film invites the audience to contemplate how a single teenager can become both a product and a symbol of his environment—an outlaw whose inevitable trajectory is hinted at but never fully disclosed.
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