Money 2017

Sylvia Dudek, a seasoned art professional with a hopeful plan to open her own gallery, discusses funding options with her gardener, Carl, before her husband Mark comes home. They stash two briefcases of money away—one tucked in the basement, the other in a bedroom closet—and Sylvia places the cash from the second briefcase into a safe, setting the stage for a fragile balance between ambition and risk.

That evening, a dinner party unfolds with Mark’s colleague and co-conspirator in a larger industrial espionage scheme. Sean arrives with his girlfriend Christina, turning the gathering into a polite yet unsettling forum where awkward moments flicker beneath careful conversation. The mood shifts when a new presence arrives: John, who claims to be a new neighbor and a consultant. Sylvia initially turns him away, but a combination of flattery about her taste in fashion and a generous bottle of wine earns him entry. Once inside, he moves into the garden party with a veneer of polish—cultured, knowledgeable, and impeccably mannered—only to reveal a chilling awareness of the men’s covert dealings and their five million dollars in cash, along with intimate details about their lives.

John’s true purpose becomes clear as he holds the group at gunpoint, demanding the entire sum and threatening to begin with Sean’s fingers if the money isn’t produced. The tension escalates quickly: Sean and Mark protest their innocence, Christina retrieves a portion of the money, and John demands the rest before he proceeds with his threats. In a tense moment, John cuts off Sean’s index finger, a brutal display that lands him unconscious after Christina’s counterstrike with a spray of pepper. The group binds John to a chair as they debate how to respond, torn between releasing him and risking more danger or killing him to reclaim their safety.

The moral calculus tightens as Sean’s cocaine-fueled impulsivity and the suspicion he fuels within the group push them toward violent options. Mark privately admits to Sylvia that they have been living beyond their means and that their investments have failed, pushing their grip on reality toward bankruptcy. John, meanwhile, deftly manipulates Christina to untie him, only to provoke Sean into another violent confrontation before overpowering him. A crucial misstep happens when Mark feeds John an incorrect code to the safe containing the remaining money, claiming the safe is time-locked for eight hours; John retaliates with force, striking Mark and leaving him unconscious near the premises.

When Mark awakens, he finds himself on a dock by his pond, bound to a cinder block. John explains that he should reassess his priorities, then pushes the block toward the water, nearly drowning Mark as he glimpses Sean’s body beneath the surface. Cornered, Mark agrees to John’s terms but insists the safe cannot be opened until morning. John relents, locking Mark back in the basement and leaving him to wait. A quiet, uneasy bond forms between John and Sylvia as they share a discussion of literature; Sylvia tends to John’s head wound, and John reveals that he has watched Sylvia’s life closely enough to know she is pregnant and has not told Mark, remarking that she would make a better mother than a father.

As dawn breaks, Carl arrives, and Mark, still listening, urges him to rescue Sylvia and Christina. John then escorts Mark to the safe to retrieve the remaining money, and the exchange plays out with a chilling routine: John takes one full money-filled briefcase and the downstairs briefcase, while instructing the hostages to offer a false physical description to the authorities. Sylvia, meanwhile, packs a bag and tells Mark that she intends to divorce him. John heads to a barn where he has stashed a motorcycle, transferring one briefcase of cash into the saddlebags and discovering the other filled with books, which amuses him rather than dismays him.

In a final, quiet moment, Sylvia meets with Carl, offering him a share of the money, which he declines with a straightforward, satisfied shake of the head. The tension of the night resolves into a stark split: Sylvia and John drive away separately, each with two and a half million dollars in their possession, leaving the future ambiguous but the immediate peril behind them, and the echoes of a house that once balanced art, ambition, and moral risk lingering in the air.