Locke 2014
Directed by
Steven Knight
Made by
A24
Locke Plot Summary
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On the eve of a monumental assignment in Birmingham, Ivan Locke must supervise the largest non-nuclear facility and non-military concrete pour in European history. The evening twists when he learns that Bethan, a colleague from a Croydon job with whom he had an affair seven months earlier—an affair that left her pregnant—has gone into premature labour. Despite his professional duties and the fact that his wife and sons are waiting at home to catch a football match, he makes a decisive choice: he will drive to London to be with Bethan during the birth. He carries the weight of a past he cannot shake—he never forgave his father for abandoning him as a child, and he is determined not to repeat that mistake, even though his feelings for Bethan are complicated and distant.
What follows is a tense, two-hour journey marked by constant communication. Locke engages in a total of 36 phone calls as he races against time. He speaks with Gareth, his boss, who ultimately fires him; with Donal, his trainee whom he guides through the pour; with Katrina, his wife of 15 years, to whom he confesses his infidelity; and with Eddie and Sean, his two sons, who call separately with updates on the football match he had planned to watch with them—and later with Katrina’s emotional breakdown. The calls extend to the maternity unit staff—Sister Margaret and Halil Gullu—who are managing Bethan through troubling complications. City officials also come into play: the council head, Cassidy, and PC Davids, who coordinate road closures needed to ensure the 225-plus concrete trucks can access the site smoothly.
Throughout the journey, Locke is forced to juggle professional setbacks and personal revelations. He is banned from his own house and confronted with the consequences of his past actions, all while trying to maintain focus on the live birth. He also talks through the logistical challenge with Donal, coaching him through the essential steps of the pour despite mounting obstacles. In the car, he stages imaginary conversations with his dead father, whom he envisions as a passenger, using those exchanges to berate the one who left him and to vow that he will not repeat that abandonment.
As the drive progresses and the hospital comes into view, the tension peaks. Near the end, Bethan calls with the sound of their baby, confirming the birth and the fragile connection between Locke’s professional使命 and his personal redemption. The film unfolds as a study in responsibility, choice, and the cost of trying to balance a demanding career with the deeply human need to be present at the moment of new life.
Locke Timeline
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Bethan's premature labour prompts a journey
He learns Bethan, the colleague with whom he had an affair seven months earlier, has gone into premature labour. He is due to supervise the largest non-nuclear concrete pour in European history back in Birmingham that evening. Despite the looming professional responsibility and his family's football night, he decides to drive to London to be with Bethan.
Decision to drive to London
He chooses to abandon the football plan and push on to London to be with Bethan during childbirth. He struggles with the fear of repeating his father's abandonment, even though his relationship with Bethan is complicated. He commits to being there for the birth.
The first of many calls
From the moment the engine starts, Locke launches a relentless stream of phone calls. He speaks with Gareth, his boss, and Donal, his trainee, as well as Bethan and his wife Katrina to relay updates. By the end of the drive, he has logged 36 calls with various colleagues and family members.
Fired from the job
Gareth fires him from the job, informing him that his absence cannot be tolerated. The professional collapse mirrors the personal turmoil as he hurtles toward London. He presses on, determined to reach Bethan anyway.
Katrina bans his return
Katrina bans him from returning home after learning of the infidelity and his decision to drive away. The home front closes ranks as the marriage falters. He remains focused on Bethan and the unborn child.
Eddie asks him to come back
Eddie calls to beg him to come back and watch the football match. The request pits family loyalty against his new commitment to Bethan. Locke weighs his choices and keeps moving toward the hospital.
Donal receives guidance from afar
Locke coaches Donal through the preparation of the pour from the road, guiding him through setbacks and logistical hurdles. He manages to frame decisions and priorities despite not being on site. The line between leadership and dependence blurs as the project depends on his guidance.
Imaginary conversation with his father
He imagines a conversation with his dead father, who appears as a passenger in the car. He berates the father for abandoning the family and vows not to repeat that mistake. The inner dialogue reinforces his determination to be present for his own son.
Road closures discussed with authorities
To allow the 225+ concrete trucks to access the site, the council head Cassidy and the local PC Davids coordinate road closures. The logistical pressure mounts as the schedule hinges on securing the route to reach the pour site in time. Locke becomes a conduit for information between the road and the project.
Bethan calls about the baby
As he nears the capital, Bethan calls to share the sound of their baby during labour. Her voice anchors his purpose and tempers the driving tension. The moment confirms that the birth is underway and he must stay focused on arriving.
Birth is completed and baby born
Near the hospital, the birth proceeds and Bethan's baby is delivered successfully. The newborn's arrival affirms the immediate reason for his journey and validates his decision to be there. The moment marks a personal triumph amid the professional upheaval earlier in the drive.
Resolution and reflection
The two-hour journey ends with Locke reaffirming his vow not to abandon his family. He resolves to balance responsibility and compassion, accepting the personal and professional consequences. The drive concludes with a renewed sense of accountability and a commitment to his wife and child.
Locke Characters
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Ivan Locke (Tom Hardy)
A disciplined construction foreman who remains outwardly calm under extreme pressure. He is driven by a strong sense of duty, yet haunted by his father’s abandonment and his own past mistakes. His decision to drive away from home reveals a man fearing the repetition of neglect, while the endless calls reveal a struggle to manage competing responsibilities.
Locke Settings
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Time period
Early 2010s
Set in present-day Britain, the story unfolds with a cinematic sense of immediacy and routine work culture. The night-time drive and hospital scenes reflect contemporary professional and family dynamics. The events are grounded in modern technology and social expectations rather than historical context.
Location
Birmingham, London
Set largely along a highway corridor between Birmingham and London, the film captures the grit of modern industrial Britain. Key locations include a massive concrete pour at a European-scale facility and the London maternity ward where Bethan's labor unfolds. The urban environment underscores the pressure of duty against personal life as Locke drives through the night.
Locke Themes
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Duty
Locke's obsession with completing the pour and honoring his responsibilities drives the plot. The film explores how professional obligations can overwhelm personal life, pushing a man to make morally ambiguous choices. The tension arises from balancing a demanding career with fragile family ties, and the fear of failing those who depend on him.
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Infidelity
A past affair and an unexpected pregnancy haunt Locke as he drives, forcing a reckoning with guilt and consequences. The narrative examines trust, accountability, and the strain on a marriage when secrets surface. It raises questions about what a person owes to their partner and whether redemption is possible after betrayal.
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Communication
The film unfolds in real time through 36 phone calls that reveal relationships, power dynamics, and vulnerability. Each conversation exposes different facets of Locke’s character and the fragility of human connections. Dialogue becomes the engine of tension as Locke remains physically isolated inside the car.
Locke Spoiler-Free Summary
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In the dead of night, a massive construction site in Birmingham hums with the promise of a historic concrete pour—Europe’s largest non‑military, non‑nuclear job. At its centre is Ivan Locke, a seasoned supervisor who has spent his career mastering the precision and pressure of such undertakings. The world around him is a blend of steel, sweat, and endless logistics, a place where the weight of responsibility is measured in tonnes and timelines, and where a single misstep can unspool years of effort.
Just as the pour is set to begin, an urgent phone call shatters the rhythm of the night. Bethan, a colleague with whom Locke shared a brief, consequential affair, is in premature labour. The news forces a stark choice: remain at the site and see the colossal project to its completion, or rush to London to be present for a birth that ties directly to a personal past he has tried to leave behind. Meanwhile, his wife Katrina and their two sons await a football match at home, a simple family ritual that now hangs in the balance.
The film unfolds as a relentless, real‑time road‑movie, confined largely to the interior of Locke’s car and the cascade of phone conversations that fill it. Through calls with a demanding boss, a trainee, hospital staff, and his own family, the narrative breathes a tense, almost suffocating cadence. The constant dialogue creates a claustrophobic atmosphere, where every ring of the receiver pulls Locke deeper into a maze of professional duties and personal reckonings.
Underlying this high‑stakes journey is a study of control, accountability, and the lingering echo of abandonment. Locke’s mind conjures imagined conversations with his estranged father, turning the car into a moving confession booth where he confronts the ghosts that have shaped his choices. The mood is spare yet charged, inviting the audience to sit in the driver’s seat and feel the pull between a career built on concrete foundations and a life demanding emotional presence.
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