La Mary 1974

Drama

Fantasy

Runtime

107 mins

Language

Spanish

Directed by

Daniel Tinayre

Made by

Globus Baires

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La Mary Plot Summary

Read the complete plot summary and ending explained for La Mary (1974). From turning points to emotional moments, uncover what really happened and why it matters.

By 1930, Evaristo, a humble worker who lives near the Riachuelo river in Buenos Aires, is preparing to go to work with two partners when his daughter Mary calls him from her bed with a fever, forcing him to turn back. The tram that the three workers missed then falls into the river, taking the lives of almost all on board. This grim event, along with other strange episodes, helps Mary earn a reputation for foreseeing what might come next.

By 1940, Mary has grown into a very happy, though nonetheless chaste, young woman. One afternoon, on a bus, she spots a young man who smiles at her; when she exits, he follows to learn where she lives. That night she tells her father that she has chosen a husband, even though she does not yet know his name or where he lives.

Rosita, a friend of Mary, announces her sudden wedding. At the wedding party, Tito, a pharmacist friend, reveals that Rosita is marrying because she is pregnant and that abortion would have been too dangerous. On hearing the word abortion, Mary feels a wave of revolt, grows dizzy, and flees the party. She bursts out, furious: > They’re all whores … it’s all shit.

That summer, Mary is reunited with the man from the bus, Cholo, who works for a meat-packing company with his brothers and is also a boxer. Mary invites him to her house and they quickly begin a relationship. At New Year’s Eve, Mary meets Cholo’s family: his widow mother Mrs. America, his brother Raul and Raul’s wife Sofia, his brother Hector and his wife Luisa, and his sister Claudia and her husband Ariel. At Mary’s urging, Cholo leaves boxing behind.

Cholo and Mary share a passionate bond. Cholo tries to consummate the relationship, but Mary declares she will marry a virgin and waits for the church wedding. When Cholo again tries to force himself on her, she rejects him violently. Five days later they reconcile and soon plan their wedding. On the day of the civil ceremony Mary announces that she will remain a virgin until the church wedding, to be held two days later. Again Cholo attempts to force himself, but she rejects him decisively. After the church wedding, they spend a fiery wedding night in a Buenos Aires hotel and consummate their union.

Sofia, Cholo’s sister-in-law, worries that she is pregnant again, fearing complications from a previous delivery. Mary declares that “it is better to sacrifice one’s life rather than to kill a child … it is very dangerous to play with fate.” Sofia decides to have an abortion, but the procedure proves fatal. After the funeral, Mary initially says Sofia deserved what happened, yet she later resolves to help raise Sofia’s children and honor her memory. Claudia, who believes Mary prophesied Sofia’s death, is skeptical; Mary insists she merely offered advice.

Six months after becoming a widower, Raul begins a relationship with a widow. Mary accuses Raul of desecrating Sofia’s memory, while Ariel, Claudia’s husband and Cholo’s brother-in-law, defends the courtship. Mary asks Ariel, > I wonder what you would think if you were to die and Claudia were to find someone else. < Claudia tells her to shut up. As time passes, Mary’s prophecies continue to weigh on the household, and she drifts away from Cholo’s family.

Ariel’s death in a delivery-truck accident at the wake magnifies Mary’s sense of fatalism. Claudia finds a boyfriend and plans to remarry, while Mary’s mood darkens and she wears black as she withdraws from the world. Only Luisa still visits, but Mary foresees not only Luisa’s death but her own.

When Luisa falls sick with food poisoning, Mary finally loses her grip on reality. She says it is fate that Luisa, and then herself, will die. Luisa recovers, but Mary is asleep when Cholo returns with good news. While Cholo sleeps, Mary rises, strips to reveal her wedding dress, and takes up a knife. In a final, devastating act, Cholo is stabbed to death in their bedroom.

La Mary Timeline

Follow the complete movie timeline of La Mary (1974) with every major event in chronological order. Great for understanding complex plots and story progression.

1930 tram tragedy and Mary's budding premonition

In 1930, a missed tram near the Riachuelo river in Buenos Aires crashes into the water, killing most aboard. The incident, along with other episodes, helps Mary earn a reputation as someone who can predict the future. The family begins to associate her with foretelling events.

1930 Riachuelo river, Buenos Aires

1940 bus encounter with a mysterious suitor

By 1940, Mary is a cheerful yet very chaste young woman. On a bus, she notices a smiling young man, who then follows her to learn where she lives. The chance meeting sets the stage for a new relationship.

1940 On a bus in Buenos Aires

Mary reveals she has chosen a husband

Mary tells her father that she has chosen a husband, but she does not know his name or where he lives. The revelation signals the beginning of a fate-driven romance. The moment underscores the preoccupation with marriage and destiny.

1940 Home

Rosita's wedding and abortion revelation

At Rosita's wedding, Tito reveals she is marrying because she is pregnant, and that abortion would be dangerous. Mary feels revolted by the situation, becomes dizzy, and flees the party. The scene hardens Mary's view of morality surrounding pregnancy and birth.

1940 Rosita's wedding party

Summer romance with Cholo begins

That summer, Mary reconnects with Cholo, who works for a meat packing company with his brothers and is also a boxer. They quickly start a relationship, and Mary invites him to her house. Cholo agrees to leave boxing to pursue the relationship more seriously.

Summer 1940 Mary's home, Buenos Aires

New Year's Eve with Cholo's family

Mary meets Cholo's family on New Year's Eve: his widowed mother Mrs. America, his brothers Raul and Hector, Claudia, and their spouses. The family introduces itself to Mary and the evolving dynamics within it. Mary asks Cholo to leave boxing as the relationship deepens.

New Year's Eve 1940 Cholo's family home

Cholo's pressure and Mary's vow to virginity

Cholo and Mary share a passionate moment, and he tries to consummate the relationship. Mary insists she will marry a virgin, rejects his advances, and the couple briefly part before reconciling. The vow anchors the path to a church wedding.

1940 Mary's home

Civil wedding, virgin vow, church wedding, and consummation

Five days after their reconciliation, they plan their wedding. On the civil wedding day, Mary declares she will remain a virgin until the church wedding two days later, and Cholo again tries to force himself; she rejects him violently. After the church ceremony they consummate their marriage in a Buenos Aires hotel.

Civil wedding day to church wedding, 1940 Buenos Aires

Sofia's pregnancy and fatal abortion

Sofia, Cholo's sister, becomes pregnant and fears complications from previous births. Mary advocates sacrificing one's life rather than harming a child. Sofia chooses to have an abortion, but the procedure results in her death, which shakes the family and Mary’s worldview.

1940 Cholo's family circle

Mary's grim reaction and resolution to honor Sofia

Initially, Mary says Sofia deserved what happened, but she soon resolves to help raise Sofia's children and honor her memory. This marks a shift toward empathy amid her prophetic tendencies. The event deepens the strain within Mary and Cholo's relationship.

1940 Home

Raul's romance and Mary's prophecy era

Six months after becoming a widower, Raul begins a relationship with a widow. Mary accuses Raul of desecrating Sofia's memory, while Ariel defends him. Claudia believes Mary is a prophetess and urges her to stop speaking, intensifying tensions within the family.

Six months after Sofia's death, 1940 Cholo's household

Mary withdraws from Cholo and the business

Mary grows increasingly sad and withdrawn, moving away from Cholo and urging him to leave the business he shares with his brothers. Her emotional distance strains their marriage and the family’s cohesion. The rocky relationship reflects her unstable mental state.

1940 Home

Ariel's death and the wake

An accident occurs at work when Ariel takes Cholo's place, killing Ariel. Mary attends the wake and is confronted by Claudia, who urges the two to stop talking. The loss sharpens Mary’s sense of foreboding and heightens the family’s fragility.

1940 Wake/Factory

Prophecies intensify and depression deepens

Mary's prophecies seem to widen to include Luisa's illness and her own potential death. She becomes more depressed, retreats further from the world, and experiences nightmares that torpedo her already fragile mental state.

1940 Home

The murder: Mary kills Cholo

Luisa recovers from food poisoning, but Mary remains convinced that fate governs life and death. While Cholo sleeps, Mary rises, strips, dons her wedding dress, and murders him by stabbing him in the heart. The act marks the tragic culmination of her descent into madness.

Night, 1940 Cholo's bedroom

La Mary Characters

Explore all characters from La Mary (1974). Get detailed profiles with their roles, arcs, and key relationships explained.

Mary (Susana Giménez)

A young woman whose supposed visions grant her a troubling aura of authority within the family. Her increasing fixation on fate leads to isolation, volatility, and a chilling, destructive arc as the prophecies appear to come true. Her insistence on controlling destiny clashes with others’ desires, culminating in a violent act.

🔮 Prophecy 💔 Tragedy 🧭 Fate 👪 Family

Cholo (Carlos Monzón)

A meat-packing worker who becomes Mary’s lover and partner. He abandons boxing to start a new life with her, yet struggles with the limits of her prophecy and the expectations of his family. His love turns tense as jealousy and control distort their relationship.

💪 Masculinity ❤️ Love 🧰 Working class

Evaristo (Miguel Ángel Solá)

Mary’s father, a humble worker who feels the weight of his daughter’s renown. He acts as a protective, anxious figure trying to keep the family together amid growing turmoil. His practical outlook contrasts with Mary’s prophetic fears.

👨‍👧 Family 🧭 Protection 🛠️ Working class

Claudia (Olga Zubarry)

Cholo’s sister-in-law who believes Mary’s prophecies and becomes entangled in the family’s dynamics. Her presence underscores the tension between superstition and rational scrutiny. She can be wary of Mary’s influence while still seeking to protect her own place within the clan.

🗝️ Family ties 🗣️ Tension 👪 Loyalty

Ariel (Jorge Rivera López)

Claudia’s husband and Cholo’s brother-in-law. He defends Raul’s courtship and becomes part of the shifting alliances within the family. He dies in a wake after stepping into Cholo’s role at work, contributing to the tragedy surrounding Mary.

⚰️ Death 🕊️ Family betrayals 💼 Workplace

Luisa (Leonor Manso)

Cholo’s sister who remains Mary’s visiting link to the family. Mary’s prophecies extend to Luisa as well, foreshadowing her potential death and highlighting the fragile bond between the two women. Luisa represents a brief, fragile connection to Mary’s world.

👩‍👧 Family 🕯️ Protection 🧭 Loyalty

Sofia (Dora Baret)

Cholo’s sister-in-law who becomes pregnant and faces a dangerous abortion. Her death becomes a catalyst for Mary’s later judgments and the moral debates surrounding the family. Sofia’s tragedy intensifies the film’s critique of reproductive choices under pressure.

👶 Pregnancy 💀 Death 🕊️ Moral consequence

Raul (Alberto Argibay)

Cholo’s brother who begins a relationship with a widow, prompting Mary’s suspicion and scolding. His pursuit of companionship tests Mary’s authority and the family’s tolerance for unconventional choices. His actions contribute to the family’s unraveling dynamics.

💔 Romance 🧭 Boundary-testing 👥 Family conflict

La Mary Settings

Learn where and when La Mary (1974) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

1930s–1940s

The story unfolds from the early 1930s through the 1940s in Buenos Aires. It follows a period of urban growth, traditional values, and changing social mores. Key events—such as the tram accident and evolving family dynamics—occur within this decade-spanning backdrop. The era provides the cultural context for Mary’s reputation and the moral judgments surrounding sexuality and propriety.

Location

Buenos Aires, Argentina

Set in Buenos Aires along the Riachuelo river, the film paints a portrait of the city’s crowded working-class neighborhoods. The area is characterized by crowded homes, streetcars, and a tight-knit community where family and reputation matter. The urban setting anchors Mary’s story within a society with strict moral expectations and visible social hierarchies.

🏙️ Urban 🌊 Riverine 🇦🇷 Argentina

La Mary Themes

Discover the main themes in La Mary (1974). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

🔮

Prophecy

Mary’s claimed visions set the plot in motion and influence how those around her behave. The line between superstition and perceived truth becomes blurred as her predictions seem to shape events. The theme explores how belief and fear can confer power on a young woman within a restrictive society. It also examines the personal cost of living under a supposed fate.

⚖️

Morality

The narrative tests rigid codes around virginity, marriage, and abortion in a conservative urban setting. Mary’s judgments and the family’s reactions reveal hypocrisy and social pressure. The fatal abortion and the subsequent reactions illustrate the dangers of moral policing. The film critiques how society uses morality to control women’s lives.

💔

Family & Obsession

The drama centers on the tensions within Cholo’s family and Mary’s growing influence over them. Affection mutates into jealousy as prophecies and expectations fracture trust. The accumulating cruelties and resentments propel the characters toward a tragic climax. The story suggests how obsessive ties can destroy both individuals and family harmony.

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La Mary Spoiler-Free Summary

Discover the spoiler-free summary of La Mary (1974). Get a concise overview without any spoilers.

In the humid, winding neighborhoods along the Riachuelo, Buenos Aires in the 1930s feels both lived‑in and condemned. The river’s murky flow mirrors a world where work is hard, faith is constant, and every corner hums with the unspoken hopes of families trying to stay afloat. The city’s gritty realism is softened only by small moments of tenderness, yet an undercurrent of fatalism lingers, suggesting that even the most ordinary day can turn into a portent.

Mary grows up in this world as the daughter of a humble laborer, marked early on by a strange ability to sense what may come. Though she carries the weight of this reputation, she remains outwardly chaste and obedient, navigating the expectations of a tightly knit community that values modesty and devotion. Her internal life is a quiet storm of yearning and restraint, a longing for connection that is constantly tempered by the moral strictures that surround her.

When she meets Cholo, a robust young man who works in a meat‑packing plant and boxes in his spare time, the promise of love introduces a new, unsettling rhythm to her days. Their relationship blossoms amid the bustling streets and cramped family homes, where Cholo’s widowed mother, siblings and in‑laws form an extended, sometimes overwhelming, household. Mary’s determination to preserve her purity until a solemn church ceremony creates a delicate tension between desire and duty, hinting at forces that will soon test the limits of her resolve.

As the seasons turn, Mary’s prophetic gifts increasingly shape the atmosphere of the house, turning ordinary conversations into uneasy forecasts. The weight of expectation, the pressure of tradition, and the creeping sense that destiny may be inexorable begin to erode the borders of her sanity. In a setting where every whisper can feel like an omen, her marriage becomes both a sanctuary and a crucible, setting the stage for a slow, unsettling descent that looms over the streets of the slums.

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