I Don’t Buy Kisses Anymore 1992

Bernie Fishbine, Jason Alexander, is a shy, overweight man who helps run the family shoe store after his father’s death twelve years earlier, living under the steady gaze of his mother and grandfather. He sustains a familiar routine, frequenting a neighborhood candy store where he often buys chocolate kisses, a small pleasure that quietly steadies his days. It’s there he first encounters Theresa Garabaldi, Nia Peeples, and their paths cross again at the bus stop, where they end up sharing the same evening ride home on the route that threads through their lives.

Theresa is more than a musician with piano chops; she performs at her uncle’s Italian restaurant, and her warmth soon draws Bernie in. She persuades him to visit a gym where she works out, and she doesn’t sugarcoat the truth: she too once carried extra weight and understands what it takes to change. Bernie, who has long lived under the shadow of his more successful older brother and the weight of family expectations, finds in Theresa a spark that quickly grows into something deeper. He begins to shed about 25 pounds, and with each pound, his confidence rises, fueling a growing attraction toward Theresa.

As Bernie’s changes accumulate, he believes he’s stepping into a real romance. One night, he crashes a double date at the restaurant, impulsively inviting a stranger to dine with him, an act that leaves Theresa unsettled and sets the stage for a complexity neither anticipated. Theresa, along with a friend who helps shape her thesis, leans into a provocative study about an obese man and the ordeal of weight loss, transforming their evolving relationship into a test case of trust, truth, and perception. The more time they spend together, the more Bernie reads their connection as dating, while Theresa frames it as friendship—an imbalance that begins to color their future.

Family life intensifies the pressure. Bernie’s mother worries about the match with an Italian family and the expectations that come with it, while Bernie himself wrestles with his insecurities and the fear of not living up to his own hopes. When Theresa invites Bernie home to meet her kin, he discovers photo albums that reveal a startling truth: Theresa was never fat at all. The moment of revelation shifts the ground beneath Bernie, but Theresa’s calm explanation—that she did it to help him grow—helps him find forgiveness, and their first real kiss marks a turning point in their story.

With renewed faith in each other, Bernie decides to propose. He carries a ring and heads to Theresa’s apartment, only to find her momentarily away as she finishes drying off from a shower. In his doubt, he reads the thesis, and it seems to him that everything about Theresa is a fabrication. Theresa returns to their conflict and finds Bernie deeply unsettled; the tension erupts, and he flees the apartment.

Bernie takes a vacation to Cancun to clear his head, leaving his mother to wrestle with how to move forward. Back home, his mother discovers the ring and presses ahead with plans for a traditional match, arranging a dinner with a Jewish girl to test a different path. When Bernie returns, his family’s meddling compels him toward an uncertain future. Yet the couple’s resilience surfaces in the most surprising way: in a bold moment at the Italian restaurant, Bernie essentially proposes and Theresa accepts. Then she finds him—and proposes herself. Torn between expectation and emotion, Bernie grabs the ring, leaves in anger, but returns, and proposes back, signaling a complex, imperfect, but hopeful commitment that defies the expectations set by others and by their own fears.