House 1986

What’s After the Movie is a fascinating and eerie journey into a haunted house that blends horror, supernatural elements, and psychological suspense. The story begins with a Mrs. Elizabeth Hooper, who is suddenly found hanging herself in her home after what seems to be a mysterious and unsettling incident. The house, characterized by its detached structure and creepy ambiance, immediately sets a tense mood, reinforced by haunting music and an ominous atmosphere.

The film then shifts focus to Roger Cobb, a novelist known for writing chilling horror novels reminiscent of Stephen King’s early works. Cobb is portrayed as a troubled man who is trying to move past his traumatic past. His journey begins at a public signing event, where he faces a mix of oddball fans — including a punk, a talkative spinster, and a disappointed Vietnam veteran — all eager to connect with his work. Despite their eccentricities, Cobb remains focused on his writing, struggling with the pressure to produce his usual horror stories, while yearning to create a novel about his experiences in Vietnam.

Back at home, Cobb’s personal life is complicated. His relationship with his ex-wife Sandy, a glamorous movie star, is strained but still meaningful. She calls him from a phone booth, sharing her disappointment about an award nomination, while Cobb pretends to be talking to someone else. Their conversations reveal Cobb’s emotional vulnerability and desire for creative fulfillment.

As night descends, Cobb experiences restless sleep filled with nightmares—visions of graves, rotting arms emerging from the dirt, and supernatural disturbances. These visions hint at the house’s dark history and Cobb’s own haunted mind. He inherits his Aunt Elizabeth’s house, which is disturbingly linked to the mysterious disappearance of his young son Jimmy. When Cobb visits the house, unsettling things start happening: his son vanishes mysteriously, and he begins hearing strange noises and seeing frightening visions, including the ghostly apparition of his aunt urging him to leave.

Throughout the film, Cobb faces increasingly bizarre and threatening supernatural phenomena. He observes haunting images, including Aunt Elizabeth’s hanging, and encounters twisted, monstrous versions of his loved ones and himself. His attempts to investigate are thwarted by terrifying live attacks from paranormal entities like a jewel-encrusted monster, strange floating objects, and weapons that seem to come alive and attack him. Cobb’s house becomes a battleground between reality and supernatural horror, with him meticulously setting elaborate traps and attempting to catch or kill the unseen, malevolent presence.

Cobb’s mental state visibly deteriorates as he struggles to differentiate between hallucinations and reality. The house’s dark secrets unravel as he uncovers a hidden mirror behind a painting, which reveals Jimmy’s face trying to warn him not to enter. Cobb ventures into a strange, black portal leading to another dimension, where he faces terrifying creatures like gigantic skeletons and prehistoric monsters. These otherworldly encounters symbolize his inner demons and unresolved traumas.

Amidst the chaos, Cobb’s neighbor Tanya, played by Mary Stavin, appears as a calm presence, engaging with Cobb normally until she becomes entangled in the house’s supernatural chaos. His friend and publicist, Frank McGraw, tries to keep him grounded, but Cobb’s obsession with discovering the truth pushes him further into danger.

As the climax approaches, Cobb faces his most terrifying adversary — a monstrous, giant figure who is a manifestation of his trauma and the house’s darkness. Cobb fights to save his son, Jimmy, who has been taken away by little monsters up the chimney. Cobb ultimately confronts and kills the monstrous entity with a grenade, causing a fiery explosion that destroys the house.

The ending offers a glimmer of hope as Sandy arrives in a taxi, and Cobb reunites with Jimmy, successfully rescuing the boy from the house’s sinister grip. George Wendt appears as one of Cobb’s neighbors, adding to the film’s quirky yet disturbing atmosphere. Despite the chaos, the story underscores themes of trauma, memory, and the supernatural’s influence on the mind.

In summary, What’s After the Movie weaves a complex narrative of horror, madness, and supernatural intrigue, all set in a house with a grim past. Through Cobb’s harrowing experiences, viewers are taken on a tense, visually startling journey that explores the boundaries of reality and the dark secrets lurking beneath the surface of seemingly normal surroundings.