Directed by

Drake Doremus
Made by

CJ Entertainment
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Read the complete plot summary and ending explained for Endings, Beginnings (2019). From turning points to emotional moments, uncover what really happened and why it matters.
Daphne is a 30-something woman reeling from a painful breakup with Adrian. To mend her world, she moves into her sister Billie’s poolhouse, leaves her job behind, and agrees to a six-month sabbatical from alcohol and men, following friendly advice to pause and reassess what she truly wants from life. This decision marks a bold step toward personal reflection as she navigates a period of upheaval, searching for stability and a sense of self after four turbulent years.
At Christmas, Daphne visits her mother, Sue, and the relationship between them feels strained. Sue is distant and self-absorbed, already partnered with a European man named Karl, and she offers Daphne a wedding ring—an object with a complicated history tied to Daphne’s own family. The exchange underscores a broader theme in Daphne’s world: the fragile, often painful, quest for lasting connection and the weight of past choices.
New Year’s Eve brings a pair of striking contrasts. Daphne meets two men who represent opposite paths: the free-spirited, unpredictable Frank, and the sober, thoughtful Jack, a writer and academic. Both men show interest in her, and their different energies pull her in different directions. Frank is playful and persistent, courting with a wilder charm, while Jack offers steadier, more domestic companionship. As the two men pursue her, Daphne finds herself torn between two very different visions of what her future could be.
The next days unfold with a complicated emotional tide. Frank’s insistence on spending time with her collides with her budding connection to Jack, and Daphne wrestles with her boundaries. After a night with Frank, she insists he not use their budding bond as a wedge in his friendship with Jack. The dynamic intensifies when she returns home with her niece and witnesses her sister’s quarrels, a scene that deepens Daphne’s growing sense that love and commitment may be harder to sustain than she had hoped. A messenger from her past arrives—a note from Jed, her former boss, apologizing for past entanglements that likely contributed to her split from Adrian and her abrupt departure from work.
Caught between two alluring paths, Daphne drifts between the two men, savoring the distinct ways each one sees her. With Jack, she embraces a more domestic life—cooking, watching movies, and sharing long conversations—while she continues to text and flirt with Frank, who embodies a different, more adventurous future.
A major turning point arrives when Daphne moves into her own place (one that unfortunately doesn’t allow pets) and receives an unexpected visit from Frank. He is leaving town and cannot take his dog, so he leaves it with her. He returns shortly after, and the couple share another intense, impulsive encounter. They then embark on a weekend road trip up north, attending a house party with friends Frank keeps separate from Jack. Their weekend together intensifies the tension between Daphne’s dual desires and the consequences of her choices.
Back home, life introduces new social pressures. Daphne attends her sister’s baby shower, arriving two hours late, and finds herself under the gaze of many who gossip about her. Jack returns, and Daphne resumes her relationship with him, though the emotional landscape remains nuanced and unsettled. A chance encounter with Jed hints at unresolved history and the fragility of Daphne’s sense of control.
As the weeks pass, Daphne learns she is pregnant. The revelation ups the stakes: the baby could be Frank’s, a possibility that strains her relationship with Jack, who admits he is happy about the child but feels betrayed by the uncertainty surrounding paternity. Daphne must confront the fallout of her choices and own them fully.
The wedding of Sue and Karl offers a moment of clarity, yet also tension as Daphne and her mother clash over what stability means. In the quiet aftermath, Daphne reaches out to human resources at her old job to explain that she left so abruptly because of her boss’s inappropriate behavior. As she moves forward, she runs into Frank while she is about five-and-a-half months pregnant. He expresses surprise at her bump and, after a hesitant start, indicates a desire to be involved in fatherhood. The two reconnect, and Daphne begins to imagine what life could look like with him.
In the closing chapters, Daphne and Sue begin to find common ground and repair their relationship, offering a sense of reconciliation and hope. An encouraging message from Adrian appears, signaling that personal growth and new beginnings might still be on the horizon.
Follow the complete movie timeline of Endings, Beginnings (2019) with every major event in chronological order. Great for understanding complex plots and story progression.
Daphne begins a sabbatical and moves in with Billie
After breaking up with Adrian, Daphne quits her job and moves into her sister Billie’s poolhouse. She commits to a six-month sabbatical from alcohol and men, hoping to rebuild her life from the ground up. The change marks the first step in redefining who she is outside of relationships.
Christmas visit reveals a strained relationship with Sue
Daphne visits her mother Sue for Christmas and finds an estranged, detached dynamic between them. Sue has a European partner and remains unsympathetic toward Daphne’s heartbreak. She even gifts Daphne her wedding ring, a complex symbol of family history.
New Year’s party introduces two very different men
At Billie’s New Year’s party, Daphne meets Frank, a free-spirited bad boy, and Jack, a sober, intelligent writer. Both flirt and intrigue her, presenting two contrasting visions of romance. The encounter leaves her torn between impulsive passion and steady connection.
Daphne and Jack connect during a long night out
Daphne and Jack go out together and talk for hours, forming a deep, compatible connection. They share thoughts about life, values, and potential futures. The conversation makes Jack feel like a real option for Daphne’s future.
Frank seduces Daphne and stakes his claim
Frank pressures her with alcohol and romance, seducing her. The next day, Daphne insists he not use her as a wedge in his friendship with Jack. She asserts her autonomy and resists becoming a pawn in their dynamic.
Family friction and a symbolism-packed pawn
Returning home with her niece, Daphne witnesses a fight between her sister Billie and her brother-in-law, deepening her sense of instability. She eventually pawns the wedding ring from her mother, trying to sever painful family history and reclaim control over her future.
Jed reaches out with an apology
Daphne receives a message from Jed, her former boss, apologizing for having sex with her. The revelation adds to her tangled sense of betrayal and triggers reflection on the patterns she’s repeating in love and work.
Daphne tests two paths: domestic with Jack vs. freedom with Frank
Unable to choose, she bounces between Jack’s domestic life and Frank’s carefree adventures, effectively trying out two versions of what life could be. Each arrangement highlights different aspects of her desires and fears about commitment. The tension between stability and spontaneity grows.
Daphne and Jack deepen their bond; Frank still in the mix
Daphne moves in with Jack and their relationship settles into a domestic rhythm, sharing movies and long conversations. At the same time, Frank continues to reach out, keeping a place for his presence in her mind. The competing visions of love pull at her choices.
Frank’s visit leads to a second passionate encounter
Frank returns during a weekend visit and, unable to take his dog, leaves it with Daphne. He soon comes back and they share another passionate encounter. The moment deepens the pull toward Frank while complicating her relationship with Jack.
A road trip with Frank and a late-night baby shower
Daphne and Frank spend a weekend road-tripping north and attending a house party with Frank’s friends. They arrive two hours late to Billie’s baby shower, prompting gossip and judgment from others. The trip intensifies the tug-of-war between the two men.
Pregnancy becomes real: test, doctor, and confession
Weeks later, Daphne suspects she might be pregnant and takes a home test, then visits a gynecologist to confirm. She tells Jack about the pregnancy, which unsettles him given his earlier views on children. The revelation marks a major turning point in their relationship.
Jack struggles with the possibility of paternity
Jack feels happy about the baby but is unsettled by the possibility that Frank could be the father. He asks Daphne to leave, unable to fully accept the idea of raising a child with a partner who may not be his. The tension tests their commitment and trust.
Sue and Karl marry; the family clash and reconciliation
Sue and Karl marry, but Daphne and Sue clash as old patterns resurface in their discussion of stability and motherhood. They eventually find a path to peace, accepting that recovery and understanding take time. The family dynamics shift as Daphne grows into her own role as an expectant mother.
A glimmer of support from Adrian
Towards the end, Daphne receives an encouraging message from Adrian, offering support for her choices and a sense of continuity beyond the chaotic past. She begins to feel a cautious optimism about what comes next.
Explore all characters from Endings, Beginnings (2019). Get detailed profiles with their roles, arcs, and key relationships explained.
Daphne (Shailene Woodley)
A 30-something woman navigating heartbreak and a desire for self-definition after a breakup. Her journey oscillates between romance and personal autonomy as she learns to own her choices and their consequences.
Frank (Sebastian Stan)
A free-spirited, impulsive presence who entrances Daphne with a wild, adventurous energy. He embodies reckless allure and challenges Daphne's longing for stability.
Jack (Jamie Dornan)
A sober, intelligent writer who offers steady companionship and thoughtful conversation. He represents domestic life and emotional reliability, in contrast to Frank's spontaneity.
Billie (Lindsay Sloane)
Daphne's sister, a grounding presence who hosts gatherings and provides practical support and perspective on Daphne's choices.
Sue (Wendie Malick)
Daphne and Billie's mother, a speaker of hard-won experience about relationships and stability, offering a nuanced view of love's complexities.
Jed (Ben Esler)
Daphne's former employer whose inappropriate behavior reveals painful dynamics from her past and the impact of power on personal life.
Adrian (Matthew Gray Gubler)
Daphne's former partner who briefly reappears as a source of support and potential reconciliation, highlighting the possibility of returning connections.
Learn where and when Endings, Beginnings (2019) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Billie's poolhouse, Daphne's home, party locations in town, road trip up north, baby shower venue
The setting centers on a contemporary, urban-suburban environment around family homes and social gatherings. The poolhouse serves as a temporary retreat for Daphne as she navigates her upheaval, while New Year’s parties and family events anchor the story in close-knit social circles. Scenes shift from domestic spaces to a spontaneous road trip up north, highlighting the mix of private introspection and public social life.
Discover the main themes in Endings, Beginnings (2019). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
💞
Romance & Choice
Daphne is torn between two very different men, exploring how romance can both illuminate and complicate a quest for stability. The film examines desire, commitment, and the consequences of choosing between passion and long-term compatibility. It shows how love can catalyze growth while also forcing hard decisions.
🧭
Self-Discovery
Caught between a breakup and a sabbatical from alcohol and dating, Daphne tests different versions of herself. The narrative follows her attempts to reclaim independence and clarity, weighing personal freedom against relationship expectations. Through her choices, she discovers what she values in life and love.
🤰
Unexpected Parenthood
Pregnancy becomes a pivotal moment that reshapes Daphne's plans and priorities. It prompts a reckoning with responsibility, honesty, and the possibility of new beginnings. This development reframes her relationships and future aspirations in a deeper, more committed light.

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Discover the spoiler-free summary of Endings, Beginnings (2019). Get a concise overview without any spoilers.
Daphne is a thirty‑something visual artist reeling from the end of a long‑term relationship with Adrian. Seeking space to rediscover herself, she trades her downtown studio for the quirky pool‑house attached to her sister Billie’s home, while temporarily quitting her job. The film opens in a wintery, introspective setting, emphasizing the chill of the holidays and the warmth of close‑knit family ties, even as Daphne navigates a strained bond with her mother Sue, whose own turbulent love life casts long shadows.
Encouraged by a well‑meaning friend, Daphne vows to take a six‑month sabbatical from both alcohol and romance, hoping the pause will provide clarity. Yet the moment she steps into her new surroundings, she encounters two very different suitors. Frank arrives with a magnetic, reckless energy that promises spontaneous adventure, while Jack offers a quiet, intellectual companionship rooted in literature and thoughtful conversation. Their contrasting approaches to life and love pull at Daphne’s curiosity, setting up a compelling emotional tug‑of‑war that feels both modern and timeless.
As the season shifts, the story balances gentle humor with an undercurrent of melancholy, reflecting Daphne’s quest to define herself beyond past expectations. The tone remains breezy yet grounded, inviting viewers to ponder the possibilities of new beginnings amid the lingering echoes of old endings. With a supporting cast that includes Karl, Jed, and an eclectic circle of friends, the film crafts a vibrant portrait of navigating desire, self‑worth, and the unpredictable rhythm of the heart.
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