Directed by

Masahiro Shinoda
Made by

hyogensha
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Read the complete plot summary and ending explained for Double Suicide (1969). From turning points to emotional moments, uncover what really happened and why it matters.
Jihei, a paper merchant in Osaka’s Tenma neighborhood, Osan is his wife, and he carries on an affair with Koharu, a popular courtesan Shima Iwashita. He has promised twenty-nine times to free Koharu from her five-year contract at the Kinokuni brothel, but the money he needs—ten kan of silver—keeps slipping away. Koharu longs to leave prostitution and begs Jihei to end the arrangement, while Jihei warns that if she dies, he will end his own life as well; together they hatch a plan for shinjū.
When Koharu returns to the Kinokuni brothel, a rich merchant named Tahei Hōsei Komatsu arrives, offering to pay whatever it takes to free her. Koharu accuses Tahei of spreading rumors about Jihei’s wealth, and Tahei tells Koharu’s madam that Koharu has another client for the night, a samurai. The samurai arrives, Koharu explains her contract and her plan to die with Jihei, and the samurai discourages suicide, pledging to help Koharu pay off the contract, and the two head to bed.
Tahei leaves a bar, loudly boasting about Koharu’s supposed samurai client. Jihei overhears and goes to the Kinokuni brothel to confront Koharu, where he overhears Koharu and the samurai in conversation. In a fury, he tries to stab the samurai through a window, but is restrained. The samurai ties Jihei’s arm to the window and departs. Tahei stumbles upon Jihei tied up, mocks him as a thief, and the samurai rebukes Tahei for his lies, urging Jihei to strike Tahei—an act that Jihei carries out. A mob then chases Tahei from town.
Back inside the teahouse, Jihei discovers the samurai is his brother, Magoemon, in disguise. Jihei begs for forgiveness and chastises Koharu for cheating on him. Magoemon reveals that Osan’s father, Gozaemon Yoshi Katō, is angered by Jihei’s affair and intends to reclaim Osan. Jihei vows to leave Koharu behind. Magoemon finds a letter to Koharu from Osan’s mother but says nothing to Jihei.
A few weeks later, at Jihei’s home and paper shop, Osan’s servants Otama Unko Uehara and Sangoro Makoto Akatsuka arrive with Jihei’s children, Kantaro Shinji Tsuchiya and Osue Kaori Tozawa. Otama mentions that Magoemon was seen heading toward the shop with Osan’s mother Shizue Kawarazaki. Osan wakes Jihei, who pretends to work, while Osan’s mother arrives with Magoemon and shares that a rumor says a wealthy Tenma merchant will free Koharu in a few days. She suggests Jihei is the one, but Jihei insists it must be Tahei. She consoles Jihei but warns Gozaemon will not be easily convinced. Jihei gives her a written oath that he is no longer involved with Koharu, and she leaves.
That night, Osan finds Jihei in tears. She fears he still loves Koharu, but he insists he does not. Osan confesses she wrote a letter to Koharu begging her to betray Jihei so he would get over her, fearing Koharu might kill herself now that Jihei has left. The two realize they need 150 ryō to buy Koharu’s freedom. Osan unlocks a secret stash, giving Jihei 80 ryō, and she strips to pawn the remainder of 70 ryō. Just as Jihei is ready to go, Gozaemon arrives and orders a divorce letter from Osan. Jihei refuses, Gozaemon drags Osan away, and Jihei collapses in tears, crashing the shop’s contents in a storm of despair.
Jihei tracks Koharu back to the Kinokuni brothel, and they run to a graveyard where they make love. Afterwards, Koharu urges Jihei to kill her right there, then themselves elsewhere, arguing they should not die together since Jihei is still married to Osan. Jihei cuts off his topknot, which he says makes him a priest, thus nullifying his marriage to Osan, and Koharu unbinds her hair and proclaims herself a nun. The Daicho Temple bell tolls at dawn as they flee into the wilderness; there, Jihei kills Koharu, unties her obi, and uses it to hang himself with help from kuroko on a lone torii. The final shot returns to the couple lying opposite each other on a mat beneath the bridge, just as they were at the film’s start.
Follow the complete movie timeline of Double Suicide (1969) with every major event in chronological order. Great for understanding complex plots and story progression.
Jihei's illicit affair begins
Jihei, a paper merchant in Tenma, Osaka, begins an affair with Koharu, the courtesan. He promises to secure her freedom from the Kinokuni brothel, but he lacks the ten kan of silver required. Koharu begs Jihei to end her life if necessary, and they decide to commit shinjū as a way to escape together.
Koharu requests death; plan for shinjū
Koharu pleads with Jihei to kill her so she can escape prostitution. Jihei agrees that if she dies he will kill himself too, and they resolve to perform shinjū.
Tahei offers to buy Koharu's freedom
Tahei, a wealthy merchant, arrives at the Kinokuni brothel offering to pay to free Koharu. Koharu accuses him of spreading rumors about Jihei's wealth. The madam informs him Koharu already has a client for the night, a samurai.
The samurai's visit and Koharu's plan
The samurai arrives; Koharu explains her contract and her plan to commit shinjū with Jihei. The samurai discourages suicide and pledges to help pay off the contract; the two head to bed.
Jihei overhears and confronts Koharu
Jihei overhears Tahei loudly discussing Koharu's samurai client at a bar. He rushes to the Kinokuni brothel to confront Koharu. He tries to stab the samurai through a window, but the samurai ties Jihei's arm to the window and leaves him.
Tahei mocked; Magoemon in disguise
Tahei is mocked by the crowd after Jihei is restrained; the samurai, Jihei's brother Magoemon in disguise, appears and reprimands Tahei for lying. He encourages Jihei to kick Tahei, and a mob surrounds Tahei and drives him from town.
Revelation of Magoemon and Koharu's fraud
Back inside, Jihei learns the samurai is his brother Magoemon in disguise. He begs for forgiveness and Koharu is chastised for seducing him. Magoemon reveals Koharu's fraud and finds a letter from Osan to Koharu, though he does not tell Jihei.
Gozaemon's pressure and divorce demand
A few weeks later, Osan's mother reports that Gozaemon intends to take Osan back. She asks Jihei to give a written oath that he is no longer involved with Koharu. Gozaemon arrives and orders a divorce; Jihei refuses, Osan is dragged away, and Jihei tears his shop apart in despair.
Osan's funds to help Koharu
Osan secretly contributes money to help Koharu, giving 80 ryō from a hidden stash and instructing Jihei to pawn the rest to secure Koharu's freedom from the contract.
Lovers reunite and plan death
Jihei finds Koharu back at the Kinokuni, and the lovers flee to a graveyard where they make love. Koharu urges Jihei to kill her and then die elsewhere; Jihei cuts his topknot to become a priest, and Koharu proclaims herself a nun.
Dawn and the murder-suicide begins
They hear the Daicho Temple bell at dawn and move into the wilderness. The pair prepare for their deaths, with Koharu’s insistence on a final act of farewell and Jihei’s resolve to join her.
Final tableau: death under the bridge
Jihei kills Koharu, then hangs himself with her obi on a lone torii as a kuroko assists. The final shot shows them lying opposite one another on a mat beneath a bridge, echoing the opening scene of the film.
Explore all characters from Double Suicide (1969). Get detailed profiles with their roles, arcs, and key relationships explained.
Koharu / Osan — Shima Iwashita
A captivating courtesan bound by a five-year contract at the Kinokuni brothel, torn between Jihei's love and the life she cannot escape. She schemes to free herself, yet her choices push the couple toward the ultimate act of shinjū. Her longing for autonomy clashes with the social realities of Edo-era Osaka.
Jihei — Kichiemon Nakamura II
A paper merchant in Tenma who betrays his wife Osan by pursuing Koharu. He is driven by love and pride, yet hampered by poverty and obligation. His attempts to reconcile desire with duty lead to escalating tensions and a fatal finale.
Magoemon — Yūsuke Takita
Jihei's brother who appears in disguise as a samurai, watching over Koharu and Jihei. He intervenes in the couple's fate, revealing hidden motives and challenging loyalties within the family.
Tahei — Hōsei Komatsu
A wealthy merchant who offers to pay off Koharu's contract, exposing how money can manipulate love and freedom. His presence intensifies the conflict between wealth and personal happiness.
Osan's Mother — Shizue Kawarazaki
Osan's mother, anxious about family honor and Gozaemon's plans to reclaim Osan. She navigates the fragile line between filial duty and protective instinct.
Learn where and when Double Suicide (1969) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
Edo period (1603-1868)
The narrative situates itself in a tightly structured, class-conscious urban Japan. Merchants and samurai navigate debt, loyalty, and social expectations, with personal choices constrained by reputation and family honor. Prostitution and contract-binding arrangements reveal the precarious economies of the era. The period's rituals and public ceremonies amplify the tragedy of intimate decisions.
Location
Tenma, Osaka; Kinokuni brothel
The action unfolds in the Tenma district of Osaka, a crowded mercantile hub where paper merchants mix with teahouses and lodging houses. The Kinokuni brothel sits at the center of a closed economy of contracts, debts, and social maneuvering. The urban setting highlights the precarious lives of courtesans and their patrons, governed by wealth and reputation. This Edo-period landscape frames the film's tensions between love, obligation, and survival.
Discover the main themes in Double Suicide (1969). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Love vs Duty
Jihei's passion for Koharu collides with his obligations to Osan and the expectations of a husband and provider. Koharu's longing to escape the brothel tests the boundaries of loyalty and social propriety. Their romance pushes them toward the radical act of shinjū as a final assertion of choice. The conflict between private desire and public duty drives the film's tragedy.
💰
Wealth and Control
A wealthy merchant's attempts to buy Koharu expose how money wields power over love, fate, and freedom. The Kinokuni contract system binds Koharu to a life she despises, illustrating how economic forces shape intimate opportunities. Tahei's bravado contrasts with Jihei's lack of funds, fueling jealousy and desperation. The film portrays money as a social lever that can seal destinies.
🎭
Deception and Truth
Magoemon's disguise as a samurai uncovers hidden motives and secret loyalties. Letters and overheard conversations mislead Jihei, fracturing trust between lovers and kin. Osan's quiet scheming and Koharu's public facade reveal the fragility of personal truth in a world ruled by appearances. The narrative continually tests who can be trusted and what counts as truth.
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Tragic Endings
The lovers' decision to die together culminates in a stark, ritual shinjū that embodies the era's dramatic code of honor. Koharu and Jihei's deaths underscored the costs of defiance against social constraints. Osan and Gozaemon's tensions foreshadow the consequences of infidelity and debt on families. The final image leaves a haunting meditation on love, loss, and the price of escape.

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Discover the spoiler-free summary of Double Suicide (1969). Get a concise overview without any spoilers.
In the bustling Tenma district of 18th‑century Osaka, a world of strict etiquette and unyielding commerce shapes every breath. The city’s narrow streets echo with the clatter of paper presses, and the smell of ink and lantern oil hangs over tea houses where merchants negotiate fortunes under the watchful eyes of clan elders. Within this ordered yet stifling society, the tone is one of restrained longing, where personal desire is measured against duty, and the quiet desperation of the heart swells beneath polished propriety.
Jihei, a diligent paper‑mill owner, carries the weight of a respectable family and a modest shop that feeds his wife and children. His marriage to Osan is anchored in tradition, and his role as a provider demands unwavering focus. Yet the rhythm of his life is unsettled when he encounters Koharu, a celebrated courtesan whose presence radiates both allure and melancholy. Their connection ignites an obsession that pulls Jihei away from his measured existence, beckoning him toward a world where love and freedom seem attainable only through extraordinary sacrifice.
Koharu, bound by a five‑year contract to the Kinokuni brothel, yearns to escape the confines of her profession. Jihei’s infatuation quickly transforms into a determined, if uneasy, resolve to purchase her freedom—a goal that threatens to unravel the fragile balance of his business and household. The stakes rise as his aspirations clash with the rigid expectations of his community, hinting at a tension that could upend both his reputation and his family’s stability.
As the characters navigate the delicate dance between societal expectations and personal yearning, the film immerses the viewer in a richly textured portrait of Edo‑era Japan. The atmosphere is heavy with unspoken longing, and every interaction carries the potential to tip the scales between duty and desire, leaving the audience poised on the edge of an inevitable, yet uncertain, reckoning.
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