Directed by

Lev Kulidzhanov
Made by

Gorky Film Studios
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SDRead the complete plot summary and ending explained for Crime and Punishment (1970). From turning points to emotional moments, uncover what really happened and why it matters.
Rodion Raskolnikov, Georgi Taratorkin in the role of an impoverished former law student, murders an elderly pawnbroker and, in a troubling turn, her innocent sister. He acts partly to secure money and partly to test a controversial theory—that “extraordinary men” can disregard the moral constraints that bind ordinary people. Although he hopes to evade detection, his status as a regular client of the victim draws standard police attention, and his evasive explanations only raise suspicions.
The case draws the eye of a perceptive detective, Porfiry Petrovich, Innokentiy Smoktunovskiy. As the investigation unfolds, Raskolnikov’s mental state grows more fragile, his guilt and paranoia feeding a cycle of tense, defensive outbursts that keep the investigation alive. The tension between motive and method lingers as the authorities press on with their inquiries, and the line between truth and self-deception becomes increasingly blurred.
Meanwhile, the city becomes a backdrop for his personal upheavals: his mother and sister arrive, and two older suitors for his sister Avdotya Romanovna—Razumikhin Aleksandr Pavlov and Luzhin Vladimir Basov—enter the picture. The narrative is further darkened by Marmeladov, a downtrodden drunkard Yevgeni Lebedev, who dies in an accident and leaves behind his daughter, Sonia Marmeladova Tatyana Bedova. Sonia’s hardship—forced into prostitution to support her family—casts a stark light on mercy, suffering, and dignity amid desperation.
As guilt gnaws at him, Raskolnikov’s encounters with Sonia become a lifeline. Her selfless kindness and steadfast faith offer him a glimmer of redemption, and she ultimately persuades him to confess, promising to stand by him even if exile to Siberia awaits. The moral and emotional struggle unfolds with quiet intensity, watching a troubled mind wrestle with right and wrong, guilt and grace, until the moment of confession arrives.
Despite the fear and internal turmoil, the culmination remains one of tempered hope: Raskolnikov submits to the authorities, his confession framed not by bravado but by a dawning sense of responsibility, with Sonia by his side as a beacon of spiritual salvation and a reminder of humanity’s ability to seek redemption even in the bleakest of circumstances. The film lingers on the fragile possibility that grace and accountability can coexist, offering a path forward for a man haunted by his own theory and the consequences of his acts.
Follow the complete movie timeline of Crime and Punishment (1970) with every major event in chronological order. Great for understanding complex plots and story progression.
Raskolnikov contemplates crime and a theory
Rodion Raskolnikov, a poor former law student, contemplates murdering the old pawnbroker to gain money and test his theory that extraordinary men are above conventional morality. He weighs the potential benefits against the moral costs, setting the plan in motion. The seeds of the crime are planted in his desperate mind.
Pawnbroker and sister murdered
Raskolnikov carries out the killings of the pawnbroker and her innocent sister, Lizaveta, in their shared apartment. The double murder is brutal and shatters his sense of safety. He takes money and attempts to slip away, hoping the crime will be undetected.
Aftermath and concealment
The killer experiences a mix of relief and panic as he pockets cash and tries to erase evidence. He wrestles with his conscience and fear of discovery, all while hiding among his acquaintances. The weight of the crime begins to press on him.
Investigation begins; suspicion grows
Despite his attempts to appear normal, Raskolnikov becomes a person of interest as the police harden their case against the unknown killer. His regular visits to the victim's shop mark him as a potential suspect in the minds of investigators. The case tightens around him as clues accumulate.
Porfiry Petrovich's questioning
Detective Porfiry Petrovich engages Raskolnikov in a tense exchange, using sharp questions and psychological games. Raskolnikov's defensive outbursts betray his anxiety and push the investigation in his direction. The cat-and-mouse dynamic reveals the detective's keen intuition.
Family arrival and new pressures
Raskolnikov's mother and sister arrive in the city, bringing emotional strain and new expectations. The family visits and fears about Dunya's future heighten the tension around the crime. The home atmosphere grows crowded and unsettled as loyalties collide.
Dunya’s suitors arrive
Two older suitors for Dunya—Luzhin and Svidrigailov—arrive, vying for her hand in marriage. The competition adds social pressure on Raskolnikov and complicates family dynamics. The looming choices for Dunya highlight the consequences of the crime.
Marmeladov's tragedy and Sonia's life
Raskolnikov meets Marmeladov, a drunken clerk, whose death affects the family. Sonia, Marmeladov's daughter, becomes a symbol of hardship and virtue, forced into prostitution to support her family. The encounter deepens Raskolnikov's empathy and sets Sonia on a pivotal role.
Sonia becomes a lifeline
Sonia offers kindness, faith, and moral support to Raskolnikov, giving him a glimmer of redemption amidst guilt. He begins to see her as a path to moral rescue rather than simply a burden. Her steadfast compassion provides a rare anchor in his turbulent life.
Guilt and paranoia deepen
Raskolnikov's mental state deteriorates under guilt and fear. He experiences feverish moments, shifting loyalties, and a growing sense of isolation from society. The inner turmoil hardens into a resolve to face the truth.
Sonia urges confession
Facing mounting inner turmoil, Sonia pushes him toward confession, insisting that truth and faith offer a route to salvation. She promises to stand by him even if exile awaits. Her influence reframes his understanding of dignity and responsibility.
Confession to the authorities
Overwhelmed by fear and moral conflict, Raskolnikov finally admits his crime to the police. The act marks a turning point as he chooses confession over continued deception. The walls close in as the legal consequences loom.
Exile to Siberia begins
Raskolnikov's confession leads to his arrest and exile to Siberia, with Sonia at his side as a beacon of hope for spiritual salvation.
Hope and redemption with Sonia
In exile, Sonia remains by his side, offering faith and love that promise a path to redemption. The story closes with a glimmer of spiritual salvation as they navigate a harsh new life together.
Explore all characters from Crime and Punishment (1970). Get detailed profiles with their roles, arcs, and key relationships explained.
Rodion Raskolnikov (Georgi Taratorkin)
An impoverished former law student who murders a pawnbroker as a bold test of his theory that extraordinary men are above conventional morality. This act plunges him into guilt, paranoia, and a spiraling moral crisis that Sonia eventually helps resolve through confession.
Porfiry Petrovich (Innokentiy Smoktunovskiy)
A clever detective who suspects Raskolnikov and uses psychological insight and misdirection to draw out the truth. He represents the relentless, patient face of law that slowly closes in as Raskolnikov's nerves fray.
Sonya Marmeladova (Tatyana Bedova)
A selfless, compassionate woman who endures hardship to support her family. Her faith and kindness become a lifeline for Raskolnikov, offering forgiveness and a path toward confession and redemption.
Marmeladov (Yevgeni Lebedev)
A drunken clerk whose downfall and tragic fate underline the consequences of poverty and desperation. His death and the burden on his daughter Sonya catalyze the emotional stakes of the story.
Avdotya Romanovna (Viktoriya Fyodorova)
Raskolnikov's sister, who travels to the city and becomes entangled in the social maneuvering around marriage and status. She embodies resilience in a perilous social landscape.
Luzhin (Vladimir Basov)
One of the older suitors vying for Avdotya's hand, his presence introduces manipulation and social pressure. His role heightens the conflict between affection, pride, and moral choices in the family drama.
Learn where and when Crime and Punishment (1970) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1860s
Set in Imperial Russia during the mid-19th century, the narrative unfolds in a city of stark social contrasts. Poverty, ambition, and rigid social codes collide under a developing legal system. The era’s surveillance and bureaucracy magnify the detective’s pursuit of a killer and the pressure on a troubled mind.
Location
Saint Petersburg, Russia
Saint Petersburg serves as a grand yet gritty backdrop for crime and moral conflict. Its stately boulevards, crowded markets, and tenement streets reflect a society split by wealth and poverty. The city’s atmosphere heightens the tension between law, conscience, and the search for truth.
Discover the main themes in Crime and Punishment (1970). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🧭
Moral Dilemma
Raskolnikov’s theory that some people are above moral constraints prompts a murder to test his belief in extraordinary men. The story asks whether ends can justify means and how society defines justice versus personal conscience. As guilt gnaws at him, rationalizations clash with emotional reality, driving the investigation and inner turmoil.
🙏
Redemption
Sonia embodies mercy and faith, offering a counterexample to Raskolnikov’s cruelty. Her unwavering kindness and spiritual outlook plant the seeds of repentance. Her influence leads him toward confession and the possibility of spiritual salvation beyond punishment.
💸
Poverty
Poverty frames every major choice, from the initial murder to the family pressures and social expectations. The film juxtaposes the opulence of the city with the desperation of the poor who crowd its edges. This economic divide intensifies moral conflict and motivates characters’ actions.

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Explore the mobile appDiscover the spoiler-free summary of Crime and Punishment (1970). Get a concise overview without any spoilers.
In the sweltering, oppressive atmosphere of St. Petersburg, Rodion Raskolnikov lives a life of seclusion and mounting psychological pressure. As an impoverished former law student, he isolates himself from society, nursing a radical and dangerous theory: that “extraordinary” men possess the innate right to transcend moral laws for a greater purpose. This conviction separates him from the humanity around him, driving him toward a desperate test of his own philosophy. The city’s slums and stifling streets form a backdrop that mirrors his internal chaos, creating a world where poverty and intellectual arrogance collide with unsettling consequences.
Raskolnikov’s ideological experiment leads to a violent confrontation with a pawnbroker, an act that shatters his composure rather than cementing his superiority. While he attempts to evade detection, his status as a client draws the attention of the authorities, specifically Porfiry Petrovich, a shrewd and intuitive investigator. The investigation becomes a tense psychological duel, with Raskolnikov’s erratic behavior and defensive pride serving as the very clues that keep suspicion alive. He struggles to maintain his footing, his mental state unraveling as the line between his grandiose theory and the reality of his guilt begins to blur.
The turmoil is further compounded by the arrival of his mother and sister, Avdotya Romanovna, whose presence brings unwelcome complications and the weight of familial expectation. As suitors and acquaintances circle his family, Raskolnikov finds himself crossing paths with Sonia Marmaladova, a tragic figure forced into hardship by circumstance. Her unwavering faith stands in direct opposition to his nihilism, offering a stark contrast to the moral void he has created for himself. The narrative weaves these disparate threads into a tight exploration of a mind at war with itself, setting the stage for a profound struggle between pride and the possibility of redemption.
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