Class of 1999 II: The Substitute 1994

John Bolen Sasha Mitchell is the new substitute teacher at a high school in Bend, Oregon, starting off with a stark wake‑up call to chaos. When he spots a group of punks ditching class, he confronts them with a calm, controlled intensity that quickly escalates. The lead punk pulls a knife, and John responds with decisive martial arts moves that leave the students reeling. The school’s principal threatens to fire him for the morning’s violence, but the confrontation takes a darker turn as John ends the principal’s life by breaking his neck. What follows is a tense standoff as the aggrieved punks wait in their car for the day to end, plotting revenge. John takes the situation into his own hands, chaining the classroom doors shut and hurling a grenade into the car to ensure there’s no escape, a brutal act that marks him as something far more dangerous than a typical substitute teacher.

That same day, a late dinner scene in John’s car is interrupted by a strange impulse: a commercial for a military museum in Monroeville, California. The thought of history, warfare, and discipline lures him forward, a lure that will entangle him with new players in a different town. In Monroeville, Jenna McKenzie Caitlin Dulany is under pressure from school administrators after witnessing gang leader Sanders Gregory West pull a weapon on a student. Sanders’ harassment escalates, and Jenna’s protector, her boyfriend Emmett Grazer Nick Cassavetes, is always there to intervene, though Jenna wonders why she can’t live without constant protection. Emmett, a hobbyist and curator of a small military museum, envisions a paintball competition to engage the students, while John quietly observes from the shadows, curious about Emmett’s world of gear and strategy.

When John arrives to teach his class, he encounters trouble in the form of the rebellious student Tiller. A dropped book becomes a trigger—John hits the floor as gunfire seems to echo in his head, identifying the book as Tiller’s. He sends the boy to the principal’s office, and Tiller, desperate for a high, retreats to the roof to take a hit of the drug known as “edge.” John follows, subdues Tiller, and pushes him off the roof as Tiller slides to a fatal end, slipping from the grip of life in a stark, brutal moment that echoes in the halls of the school.

The story continues with Jenna taking a jog the next day, only to be pressured and harassed again by Sanders and his gang. John makes another dramatic entrance to rescue her, and Sheriff Tom Yost Jack Knight notices John’s tattoo—an emblem of Special Forces—stoking questions about his past. The town’s air thickens with rumors as John’s presence becomes a catalyst for both protection and menace. In the background, G.D. Ash Rick Hill reports on Kennedy High School’s earlier tragedy—two years past when android instructors malfunctioned and killed students—adding a layer of mystery to John’s own supposed past.

As the days unfold, John becomes a teacher of military tactics to Jenna, dropping quotes and strategies that fascinate her while deepening the mystery around his true identity. He makes it clear that Jenna’s safety is a priority, and he pursues a member of Sanders’ gang with a cold precision, using martial arts and restraint to bind him to a wall and set him alight. The paintball day arrives with an ominous energy: John unleashes a ruthless, almost tactical campaign, taking aim at disruptive students and drawing the line between protector and aggressor. He confronts Sanders and his gang once more, and the showdown ends with John’s decisive moves—though Jenna’s world is about to fracture in an even bigger reveal.

In a pivotal confrontation, Jenna discovers the truth about John—he reveals that he is not merely a hardened fighter but the product of a dangerous legacy as a military android. The arrival of G.D. Ash makes the truth even more complex: while John initially appears to be an android, the story reveals that his supposed origins are tied to the creator of the killer android teachers, Dr. Bob Forrest, and that John’s body bears the armor of a new, nearly impervious suit. Ash’s attempt to subdue John ends in tragedy as Ash is killed, and the two find themselves in Emmett’s bunker, where John intends to end both his life and Jenna’s by triggering a bomb.

Emmett intervenes, saving Jenna and escaping, but John follows and shoots Emmett, leading to a final, climactic exchange. Jenna shoots John in the head, sending him tumbling back into the bunker where it explodes around him. In the aftermath, Jenna cradles Emmett, confessing her love as the bunker erupts into flame. The story closes with a quiet, unsettling scene: two days later, Jenna prepares for another day at school and, while on the phone with Emmett, discards her shirt to reveal the body armor she now wears—an armor inspired by Emmett’s museum, a symbol of protection born from the strange, deadly bond she shares with the man she loves and the danger they faced together.

Amid all the chaos, the characters remain drawn to a shared sense of duty and a longing for safety in a town that has learned to fear its own shadows. The film blends action, psychological tension, and a twist of science fiction lore to pose questions about identity, protection, and what it means to be a warrior in a world where violence can blur into weaponized memory. In this harsh landscape, the bonds between Emmett, Jenna, and John are tested to their limits, while the truth about John’s past and the armor he wears reframes every confrontation as a testament to resilience—and the uneasy hope that even in a place shadowed by danger, human connection can still endure.