Directed by

Hugo Fregonese
Made by

Robert Goldstein Productions
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Read the complete plot summary and ending explained for Black Tuesday (1954). From turning points to emotional moments, uncover what really happened and why it matters.
A violent con, Vincent Canelli, Edward G. Robinson escapes prison on the night of his execution. With the help of a phony newspaper reporter and Canelli’s girlfriend, Hatti Combest Jean Parker, who has planned the escape, the gang abducts five hostages: the prison priest, the prison doctor, one of the guards, the young reporter whose place has been taken by one of the gang, and the daughter of another guard. This young woman is kidnapped to force her father — who, unlike the guard who is taken hostage, always treats the death row inmates well — to facilitate the escape.
Another inmate, Peter Manning Peter Graves, is taken along because Canelli wants the large amount of stolen money Manning hid before going to jail. He killed someone during the robbery, and refuses to reveal to the authorities where the money is unless his death sentence is changed to a life sentence. All of the other death row inmates are taken along too, but Manning is injured badly in the escape. He is treated by the hostage prison doctor, Vic Perrin, and when he regains consciousness, is disturbed to learn that Canelli abandoned the other three inmates; they did not know the escape was going to happen, and have nowhere to go, and no one and nothing to help them in their escape, unlike Canelli. The search for these prisoners will dilute the pursuit of Canelli and make his escape easier. Manning and Hatti go to collect the money, but his wound reopens and a bank security officer spots the blood, recognizes Manning’s photo in the newspaper, and catches a glimpse of the getaway vehicle and its license plate.
The gang ends up at a hideout, but as they prepare to flee the country with the loot, they’re surrounded by police. Canelli threatens to kill hostages if he’s not given safe passage; he shoots and seriously injures one of the hostages, and murders the kidnapped prison guard to make his point. He then plans to throw the injured hostage down from the upper floor to his death. This is finally too much for Manning, and he ends up killing Canelli, then deliberately goes out to the police with his gun in his hand, rather than go back to death row.
Follow the complete movie timeline of Black Tuesday (1954) with every major event in chronological order. Great for understanding complex plots and story progression.
Escape on the night of execution
Vincent Canelli escapes from death row on the night of his scheduled execution, aided by his girlfriend Hatti and a phony newspaper reporter. They seize control of the prison wing and begin moving with several hostages as leverage for the escape. The breakout sets off a high-stakes chase from the moment the plan goes into motion.
Hostages abducted to secure passage
Canelli’s crew abducts five hostages to ensure safe passage: the prison priest, the prison doctor, a guard, the young reporter replaced by a gang member, and the daughter of another guard. The kidnappings increase pressure on authorities and complicate any attempt to thwart the plan. The captives become bargaining chips in the escape attempt.
Manning joins the escape, badly injured
Peter Manning, another death-row inmate, is taken along because Canelli wants the money Manning hid before jail. Manning is badly injured during the escape, adding a dangerous burden for the group. The escape momentum shifts as they contend with his wound and limited mobility.
Manning treated and discovers abandonment
The hostage prison doctor tends to Manning’s injuries, keeping him alive during the chaos. When Manning regains consciousness, he learns Canelli has abandoned the other three inmates, leaving them with nowhere to go. He realizes the escape has become a one-man race against capture.
Pursuit disperses, aiding the escape
The search for the missing inmates stretches police resources and paradoxically slows down the pursuit of Canelli. Manning and Hatti push forward toward the loot, hoping the distraction buys them time. The altered chase dynamics give Canelli a temporary advantage.
Money retrieval and a crucial sighting
Manning and Hatti go to collect the hidden money, hoping to complete the escape. A bank security officer spots Manning’s blood, recognizes his photo in the newspaper, and catches a glimpse of the getaway vehicle and license plate. The sighting triggers renewed police pursuit and coordination.
The hideout as a staging ground
The gang holes up at a hideout to finalize plans to flee the country with the loot. Tension builds as law enforcement closes in and the clock ticks toward departure. The group prepares for the next phase of their escape.
The siege begins and threats escalate
Police surround the hideout, and Canelli presses his advantage by threatening to kill hostages unless safe passage is granted. He shoots and seriously injures one hostage and murders the kidnapped prison guard to demonstrate resolve. The standoff intensifies into a life-or-death confrontation.
Desperate plan crosses a deadly line
Canelli proposes throwing the injured hostage from the upper floor to ensure a fatal outcome if demands aren’t met. Manning watches the brutality with growing resolve, realizing the plan has crossed a critical moral boundary. The siege tightens as violence escalates.
Manning turns the tables and surrenders
In a climactic turn, Manning shoots and kills Canelli, ending the immediate threat to the remaining captives. He then walks out toward the police with his gun in hand, choosing to face judgment rather than return to death row. The pursuit shifts from escape to accountability.
Aftermath and uneasy fates
With Canelli dead and the escape thwarted, authorities close in on the hideout and account for the hostages and gang members. The three other inmates who were abandoned during the escape are left with nowhere to go, underscoring the reckless nature of Canelli’s plan. Manning’s decision to surrender frames the resolution of the siege.
Resolution and the cost of escape
The loot is seized and the narrative closes on the consequences faced by the participants. Manning accepts responsibility and faces the legal system, while the remaining captives and authorities assess the damage done. The film ends on a somber note about the cost of violence in pursuit of freedom.
Explore all characters from Black Tuesday (1954). Get detailed profiles with their roles, arcs, and key relationships explained.
Vincent Canelli (Edward G. Robinson)
A violent con and the escape's mastermind, Canelli uses charm and coercion to pull off the breakout. He treats others as tools to reach freedom, displaying a ruthless, calculating nature. His willingness to threaten or harm hostages reveals his dangerous ruthlessness.
Hatti Combest (Jean Parker)
Canelli's girlfriend who organized the escape, navigating danger with nerve and resolve. Her loyalty is tested as the plan unfolds, balancing personal safety with the group's fate. She embodies a complex mix of determination and risk-taking.
Peter Manning (Peter Graves)
An inmate who hid a large sum of money and seeks a life sentence instead of death row. Injured during the escape, he becomes central to pursuing the loot and serves as a moral counterpoint to Canelli. Manning ultimately acts decisively and surrenders to the police.
Father Slocum (Milburn Stone)
The prison priest who bears witness to the prisoners' ordeal, highlighting moral tension amid the escape. His presence underscores themes of guilt, redemption, and humanity within confinement.
Reporter at Electrocution (Arthur Batanides)
A reporter covering the dramatic events surrounding the escape and its aftermath, illustrating how media frames a high-stakes crime story.
Bank Safe Deposit Box Guard (Edmund Cobb)
A guard linked to the bank's safety deposit boxes, drawn into the broader pursuit as the gang seeks the stolen money.
Learn where and when Black Tuesday (1954) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
1950s
Set in a mid-20th-century American backdrop typical of classic crime dramas. The era’s emphasis on capital punishment and procedural detail shapes the stakes and tension. The period ambiance amplifies the cat-and-mouse dynamic between fugitives and law enforcement.
Location
Prison (death row), City hideout, Bank/collection location
The story centers on a death-row prison and the surrounding urban environment where the escape unfolds. After breaking out, the action shifts to a tense pursuit through a city and a secret hideout as the gang chases the stolen money. A bank stop marks a turning point as authorities close in.
Discover the main themes in Black Tuesday (1954). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🗝️
Escape
An audacious prison breakout drives the plot, with Canelli manipulating others to secure freedom. Deception and shifting alliances create a volatile web of loyalties. The plan’s fragility shows how quickly trust can dissolve under extreme pressure.
⚖️
Justice
Capital punishment anchors the narrative stakes, highlighting the push-pull between law and mercy. The characters wrestle with whether justice can be tempered by circumstance or personal motive. Manning’s actions force a confrontation with the limits of the legal system.
💥
Loyalty
Relationships within the group are tested as fear and greed take hold. The escape exposes who stays true and who sacrifices others for survival. The finale centers on a painful reckoning about loyalty and accountability.

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Discover the spoiler-free summary of Black Tuesday (1954). Get a concise overview without any spoilers.
In a stark, mid‑century penitentiary where the clang of steel doors reverberates like a funeral drum, Vincent Canelli plots an audacious breakout on the very night his execution is set to take place. A figure built of raw menace and cunning, Canelli has spent his life mastering intimidation, and his final act is designed to be as theatrical as it is ruthless. The looming presence of the death‑row wing infuses the setting with a claustrophobic gravity, while the ever‑watchful guards and the institutional routines add a simmering tension that threatens to erupt at any moment.
Joining him unwillingly is Peter Manning, a notorious bank robber whose reputation for violence has already sealed his fate. Manning’s own brand of cold calculation collides with Canelli’s reckless bravado, creating a volatile partnership that hinges on a single, desperate objective. The two men, locked together by circumstance, must navigate a maze of locked cells, uneasy alliances, and the ever‑present risk of betrayal, all while bearing the weight of a looming deadline that promises no second chances. Their dynamic is a study in contrasts: Canelli’s flamboyant aggression meets Manning’s methodical, almost clinical approach, each pushing the other toward the edge of what they’re willing to become.
The world beyond the stone walls teeters on the brink of chaos, hinted at by the whispered promise of a hidden stash—loot from a past heist that could finance a fresh start elsewhere. The mere thought of that capital fuels a frantic urgency, casting every decision in a stark light of survival versus loyalty. The tone remains unrelentingly gritty, drenched in the shadows of a system that seems designed to crush hope, yet the pair’s resolve hints at a flicker of defiance. As the night stretches on, the prison’s cold corridors become a crucible, testing whether raw force or calculated cunning will shape the next chapter of their dangerous flight.
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