Bastard, Go and Kill 1971

Western

Runtime

97 mins

Language

Italian

Directed by

Gino Mangini

Made by

Sal Cinque

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Bastard, Go and Kill Plot Summary

Read the complete plot summary and ending explained for Bastard, Go and Kill (1971). From turning points to emotional moments, uncover what really happened and why it matters.

The young Mexican peon Chako, George Eastman, is hunted and nearly hanged by a band of Americans after the seduction of Susanna, Scilla Gabel. He manages to slip away and return to Mexico, where a seasoned bounty hunter named Slim trails him, determined to collect the reward. Although Slim closes in and captures Chako, the quick-witted young man outsmarts him, leaving the hunter stranded in the desert.

Chako arrives in San Rosario, where he is welcomed as a hero by many, though not everyone shares that view. The jealous Asuncion, Antonella Steni, sees the situation differently and has Chako thrown into prison. A corrupt local official, taking a higher payoff from the visiting American, further twists the fates of everyone involved, intensifying the pressure on the town.

Meanwhile, the powerful landowner Don Felipe Antonio de Martinez, Furio Meniconi, faces trouble when two men block access to his shops. He tasks the loyal henchman Sanchez, Franco Lantieri, with doing the dirty work and then blaming Chako for the crimes. The injustice sticks, and Chako winds up back behind bars, fueling a deeper conflict in the community.

A big party and the ensuing chaos give Slim a chance to move. He frees Chako and aims to preempt the murder gang led by Cherokee, a hired killer played by José Manuel Martín. The two men—one a hunter, one a fugitive—form an uneasy alliance and begin to dismantle the web of scheming around them.

In the climax, Slim and Chako work together to shut down Sanchez, who has already murdered Don Felipe. Order starts to return to the area as justice edges closer. Slim hands Sanchez over to the authorities, and Chako is brought to Asuncion, setting the stage for a resolution that seeks peace after a long, tense struggle.

Bastard, Go and Kill Timeline

Follow the complete movie timeline of Bastard, Go and Kill (1971) with every major event in chronological order. Great for understanding complex plots and story progression.

Hunted after Susanna's seduction

Chako becomes the target of a violent group of Americans who mistake his presence and Susanna's seduction for a crime and threaten to hang him. He fights for his life and escapes, fleeing toward the border into Mexico. The near-hanging sets up the deadly hunt that drives the plot.

early evening Mexico–US border region

Chako escapes and returns to Mexico

Chako slips away from the mob and makes it back into Mexican territory, escaping the immediate danger. His escape marks a temporary reprieve in the pursuit but not the end of the trouble he will face. The event signals the shifting power dynamics as he enters San Rosario later.

soon after Mexico

Slim closes in on the fugitive

Slim the bounty hunter tracks Chako, determined to collect the premium on the fugitive. He captures him, but Chako outsmarts him and leaves Slim stranded in the desert.

shortly after pursuit Desert

Chako arrives in San Rosario as a hero

Chako enters San Rosario where locals hail him as a hero and celebrate his defiance. Asuncion resents the acclaim and sees him as a threat to her influence.

soon after arrival San Rosario

Asuncion manipulates and he lands in jail

Asuncion uses her power to throw Chako in jail, exploiting jealousy and local politics to position him as a problem for the town. The move demonstrates how fragile order is when personal motives trump justice.

soon after San Rosario jail

Corrupt official profits from the American arrival

A corrupt official accepts a higher payoff from the visiting American and leverages it to pressure the case against Chako. This bribery reveals the depth of corruption threatening any fair justice in San Rosario.

the moment the American arrives San Rosario

Don Felipe's conflict and Sanchez's dirty work

Don Felipe faces disruption to his shops, with two men standing in his way. Sanchez carries out the dirty work and then tries to pin the crime on Chako, inflaming tensions in the town.

during a tense stand-off Don Felipe's shops

Chako is jailed again amid the schemes

Chako is jailed once more as schemes weave through San Rosario and threaten to derail any effort at peace. The repeated imprisonment shows how easily justice can be manipulated by those with power.

during the ongoing tensions San Rosario jail

A party distraction frees Chako

During a grand party, Slim uses the distraction to free Chako and accelerate the confrontation with the hired killers. The disruption shifts the balance of power in favor of the protagonists.

during a large party San Rosario

Slim and Chako team up against Sanchez and the Cherokee threat

The unlikely duo forms an alliance to shut down Sanchez's operation and to counter the looming Cherokee murder gang. They plan tactically and move to reclaim control of the town.

immediately after the breakout San Rosario

Sanchez murders Don Felipe, escalating the conflict

Sanchez kills Don Felipe, dramatically raising the stakes and forcing Slim and Chako to act. The murder catalyzes their bid to restore order and protect the town from further violence.

aftermath of the party Don Felipe's estate

Final delivery: Sanchez to prison, Chako to Asuncion

Slim delivers Sanchez to prison and escorts Chako to Asuncion, cementing a fragile settlement in San Rosario. The two heroes ride away with the sense that peace has returned, at least for now.

end of film San Rosario

Bastard, Go and Kill Characters

Explore all characters from Bastard, Go and Kill (1971). Get detailed profiles with their roles, arcs, and key relationships explained.

Tobia Velasquez (Jesús Guzmán)

A young Mexican peon who becomes the center of a high-stakes chase after being seduced by Susanna. He endures peril, escapes capture, and returns to San Rosario where his status as hero is contested by others. Resourceful and resilient, Tobia navigates jail, public perception, and shifting loyalties to influence the town's fate.

🏜️ Frontier 🎯 Protagonist 💪 Resilient

Chaco (George Eastman)

A cunning figure caught between pursuit and power, he moves through desert and town with tactical smarts. His arrival in San Rosario as a celebrated yet controversial figure exposes the town’s divisions. He partners with Tobia at crucial moments to confront the murderers and restore some order.

🧭 Survivor 🎭 Antihero 🏜️ Frontier

Susanna (Scilla Gabel)

A young woman whose seduction kickstarts the central conflict, triggering pursuit and suspicion. Susanna's actions set events in motion and complicate loyalties among the townspeople. Her role as catalyst highlights themes of desire and social leverage in a lawless setting.

💘 Love interest 🕵️‍♀️ Seduction 🎭 Catalyst

Don Felipe Antonio de Martinez (Furio Meniconi)

The powerful landowner whose interests drive violence and obstruction. His influence helps shape rivalries and the movie’s conflict, and his murder becomes a turning point in the struggle for control. Don Felipe embodies the corrupt, money-driven aspect of frontier society.

🏰 Landowner 💰 Power ⚔️ Violence

Sanchez / Manolo Cortez (Franco Lantieri)

A ruthless henchman who does the dirty work for Don Felipe and then attempts to shift blame. His actions escalate the conflicts, culminating in the violence that threatens Tobia and the town. Sanchez embodies the criminal underworld that fuels the narrative arc.

🗡️ Henchman 💥 Violence ⚖️ Crime

Cherokee (José Manuel Martín)

A hired enforcer connected to the criminal network destabilizing San Rosario. Cherokee's presence heightens the danger facing Tobia and his allies as the murder gang closes in. He represents the instrumental violence of a profit-driven frontier.

🗡️ Enforcer 🏛️ Crime 🧭 Threat

Asuncion Juanita Maria Magdalena Hermadariz (Antonella Steni)

A jealous rival who views Tobia's hero-worship with suspicion. Asuncion's stance reveals social tensions and gender dynamics in the town, influencing how others perceive Tobia and the unfolding events. Her perspective adds a layer of personal conflict to the broader power struggle.

👁️ Jealousy 💬 Gossip ⚖️ Social tension

Sgt. Hernandez (Remo Capitani)

A police sergeant involved in enforcing order amid chaos and corruption. His presence underscores the tension between official authority and criminal manipulation. He represents the law's attempt to navigate frontier violence.

🛡️ Authority ⚖️ Law 🧭 Order

Cpl. Manuel (Thomas Rudy)

A military corporal whose loyalties and actions reflect the unstable alliances in San Rosario. He becomes entangled in the town's power dynamics as the conflict escalates. His role highlights the blurred lines between soldiers and criminals on the frontier.

🎖️ Military 🗡️ Coercion 🔎 Loyalty

Timothy - Drunk (Pipino Desiderio)

A minor but atmospheric presence, Timothy embodies the rough-and-ready frontier culture. His drunken presence punctuates scenes of lawlessness and social decay, providing contrast to the main action. He helps set the tone of a town where danger lurks in everyday life.

🍺 Drunk 🕳️ Minor role 🎭 Atmosphere

Bastard, Go and Kill Settings

Learn where and when Bastard, Go and Kill (1971) takes place. Explore the film’s settings, era, and how they shape the narrative.

Time period

Late 19th century

The story unfolds in a grim frontier setting filled with saloons, prisons, and improvised justice. Bounty hunting, shifting loyalties, and the rough logic of survival define the era. The social dynamics reflect a period when wealth and authority could bend the law.

Location

San Rosario, Mexico

San Rosario is a dusty frontier town in Mexico where landowners, officials, and outlaws clash. The surrounding desert and rough streets shape daily life, surveillance, and sudden violence. The town becomes a focal point for factions seeking control over shops, prisoners, and respect.

🏜️ Frontier town 💰 Power struggles 🧭 Border region

Bastard, Go and Kill Themes

Discover the main themes in Bastard, Go and Kill (1971). Analyze the deeper meanings, emotional layers, and social commentary behind the film.

🗡️

Revenge

Pursuit and retaliation drive the plot as characters unleash and respond to violence. Alliances are formed and broken in the wake of conflicts sparked by past harms. The story shows how revenge can catalyze justice but also perpetuate further bloodshed.

⚖️

Corruption

Officials and power brokers exploit the chaos for personal gain, blurring lines between law and manipulation. Money and influence often override formal justice, shaping outcomes more thanRegistry the letter of the law. The narrative exposes how bribes and favors tilt the balance of power.

🏜️

Frontier

The harsh landscape functions as a character itself, testing endurance and shaping decisions. Survival and loyalty are constantly weighed against scarcity and danger. The setting highlights the moral ambiguity of life on the edge of civilization.

🤝

Alliance

Unlikely collaborations emerge as former rivals join forces against a common threat. Trust is fragile and built through shared danger and necessity. The narrative suggests that strategic partnership can prevail over brute force.

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Bastard, Go and Kill Spoiler-Free Summary

Discover the spoiler-free summary of Bastard, Go and Kill (1971). Get a concise overview without any spoilers.

In the sun-scorched, unforgiving landscapes of the border country, the film plunges viewers into a gritty Western world where justice is a rare commodity and survival is the only law that truly matters. Chaco, a young Mexican peon on the run from just about everyone, navigates this treacherous terrain with a price on his head. Wrongly accused and framed for the killing of a couple of Mexican cattlemen, he embodies the struggle of the innocent caught in a web of deceit. Though he maintains his innocence, the substantial evidence against him paints a target on his back, making his plea a difficult sell in a region quick to judge.

Hot on his trail is Slim, a seasoned bounty hunter determined to collect the reward, representing the cold, hard pragmatism of the frontier. The dynamic between the hunter and the hunted is charged with a friction that promises more than a simple chase. In a society where corruption seems to bleed into the dusty streets and the truth is easily buried, the lines between right and wrong blur, creating a tense atmosphere where anyone might be an enemy. The narrative sets the stage for a gritty exploration of moral ambiguity, challenging the characters to decide what they stand for when pushed to their limits.

The story takes a compelling turn when the fugitive manages to escape custody, setting the stage for an unexpected and uneasy alliance. Bound by a shared goal but separated by their motives, Chaco and the reluctant Slim must navigate a landscape filled with hidden dangers and powerful adversaries. As they set out to track down the true killers, the film weaves a tale of reluctant cooperation and suspense, leaving the audience to wonder if this fragile partnership can withstand the weight of the conspiracy they seek to unravel.