Directed by

Udayakantha Warnasuriya
Made by

Dil Process Lab
Read the complete plot summary and ending explained for Bahubuthayo (2002). From turning points to emotional moments, uncover what really happened and why it matters.
Two young journalists, Lanti and Bunty, set out on a southern assignment to Kirindiwela to write a feature about devil dancing and exorcist rituals for a travel publication. The legend-soaked village hums with rumors of ancient spirits, and their investigation begins with a brush with a possessed woman who hysterially pursues them. They retreat into the jungle, where a small, seemingly quiet house appears as a beacon of refuge. Inside, they meet Elaris Appuhami, a village exorcist who reveals a strange hospitality, and Bunty, ever curious, snaps a photo of a pretty young girl named Tikiri, whom Elaris presents as his domestic helper. The moment is innocent enough, but it plants the seed of trouble that will pull them deeper into the village’s dark history.
When they wake to find Tikiri following them, the two journalists struggle to shake her off. Their attempts to send her away fail, and the situation grows desperate enough to seek help from the Chief Priest of the village temple. The priest delivers a chilling truth: Tikiri is not a mere girl—she is an evil spirit masquerading as a human, a revelation that stuns them into a wary fear. Elaris Appuhami’s earlier claim to keep Tikiri as his helper now reads differently, and the journalists plead for protection from this supernatural danger. The Chief Priest proposes a grim bargain: they will have to confront the nuisance only after months, when they will return to help raise a temple bell pole. Reluctantly, Lanti and Bunty accept the terms and bow to the plan, and the priest seemingly removes Tikiri from their path.
Back home, the trauma seems to fade as seasons pass. Three months slip by, and the obligation to return to the village to complete the bell is forgotten. Tikiri reappears, more determined than ever, and the house—along with their roommate Chaminda, their office colleagues, and even a local gang—falls under her malevolent influence. Their world spirals into chaos as Tikiri’s powers extend beyond a single haunting. In the midst of the escalating nightmare, a god in human form materializes, an alcoholic figure who surveys the scene with a mix of suspicion and confusion. The god’s human disguise makes it hard to discern what is real, but the journalists insist that Tikiri is no ordinary girl. Alcoholic God finally tries to intervene, but the moment he tests Tikiri with a magical instrument to see her true nature, the truth becomes undeniable: she is a devil.
The magical spectacle that Lanti and Bunty carry—an instrument that lets them visualize the true faces of spirits and humans—becomes essential as they navigate an increasingly perilous terrain. The god’s attempts to vanquish her falter, and Tikiri proves resilient, prompting the duo to reassess their approach. It all converges on a memory: the village bell and the temple they once paused. They hurry back to the temple, assembling a community effort to finish the bell tower, while the Chief Priest blesses them with holy water, a Pirith pan of Lord Buddha, and the promise that it can banish the evil once and for all. This holy water becomes a vital tool in their plan.
They return to a house that has become a dance floor for devils. With the holy water mixed into the water tank and the aid of the magical spectacles, they unleash a spray designed to reveal and expel the devils from the party. The devils scream and scatter, but Tikiri remains, stubborn and dangerous. Bunty manages to spit a small amount of holy water toward her, and she screams as she flees the home, banished at last. Yet a remaining drop of holy water gifts them a final chance: Lanti and Bunty roam the city with the spectacles, using the blessed liquid to confront remaining devils wherever they appear. As the credits roll, a final, eerie image lingers—a caged bat in the night.
Follow the complete movie timeline of Bahubuthayo (2002) with every major event in chronological order. Great for understanding complex plots and story progression.
Assignment kicks off in Kirindiwela
Two young journalists Lanti and Bunty arrive in Kirindiwela to write a feature on devil dancing and exorcist rituals. They chase rumors and begin shaping their travel piece as the village hums with legends. The first days establish the tone of mystery and danger that will follow.
Encounter with a possessed woman
Their investigation is interrupted when a woman possessed by a spirit hysterially pursues them through the streets. They retreat, unsettled, realizing the danger is more real than the legends. The incident marks the first brush with the village's supernatural history.
Refuge in a jungle house
Seeking safety, they flee into the jungle and find a small, quiet house that stands as a beacon of refuge. The place feels unsettled yet inviting, hinting at the village's hidden past. Inside, a sense that they are being watched grows stronger.
Meet Elaris Appuhami, the exorcist
Inside the house, exorcist Elaris Appuhami reveals his hospitality but also a troubling aura around the village rituals. He introduces Tikiri as his domestic helper, sparking the journalists' curiosity. The dynamic between the exorcist, Tikiri, and the outsiders begins to bind the plot.
Tikiri photographed by Bunty
Bunty, ever curious, snaps a photo of the pretty Tikiri, and the moment seeds a deeper intrigue about her role in the village. The image unsettles Lanti as unease creeps in about their host's motives. The shot becomes a symbol of hidden truths to come.
Tikiri follows them; escape attempt
Shortly after, Tikiri begins following the journalists wherever they go, and their attempts to shake her off fail. The line between host and haunting blurs as the public encounter becomes personal and threatening. The trio grows wary of a malevolent force masquerading as a helper.
Seeking help from the Chief Priest
Desperation pushes them to seek protection from the village temple's Chief Priest. He reveals a chilling truth: Tikiri is not a girl but an evil spirit disguised as a human. The revelation reframes their entire investigation and the stakes grow immeasurably higher.
Grim bargain: wait months to confront the nuisance
The Chief Priest proposes a grim bargain: they must return after months to help raise a temple bell pole, a task that will allow them to confront the evil with divine aid. The journalists reluctantly accept, hoping the delay will shield them. The plan suggests a cycle of time and ritual that might grant them power against Tikiri.
Three months pass; the memory fades
Back home, the trauma dulls and the obligation to return is forgotten as seasons slip by. Tikiri's presence lingers in the shadows, hinting that the danger has not disappeared. The village's dark history continues to echo in the journalists' lives.
Tikiri returns; house and colleagues fall under her influence
Three months since the bargain, Tikiri reappears with renewed force, taking control of the house, Chaminda as roommate, office colleagues, and even a local gang. The world around them spirals into chaos as her power expands beyond a simple haunting. An alcoholic god figure appears, watching the scene with confusion, adding a surreal layer to the nightmare.
The instrument reveals Tikiri's true nature
A magical instrument that lets them visualize the true faces of spirits and humans becomes essential as they confront the escalating menace. When the instrument peaks, it proves Tikiri is no ordinary girl but a devil in disguise. The god's intervention falters as the truth solidifies.
Return to the temple and finish the bell
Remembering the temple and its bell, they rush back to mobilize a community effort to finish the bell tower. The Chief Priest blesses the team with holy water and sacred ritual objects, promising to banish the evil once and for all. The plan grounds their courage in faith and tradition.
Exorcism at the house using holy water and spectacles
With holy water mixed into the house's water tank and the magical spectacles, they unleash a spray that reveals and expels the devils from the party. The devils scream and scatter, but Tikiri remains stubborn. Bunty's decisive move scatters the last resistance as Tikiri flees.
Final pursuit: citywide confrontations
A remaining drop of holy water gives them a final chance as they roam the city with the spectacles, confronting devils wherever they appear. The night ends on an eerie note, with a caged bat lingering as the credits roll. The duo's fight against darkness continues beyond the village and into the urban night.
Explore all characters from Bahubuthayo (2002). Get detailed profiles with their roles, arcs, and key relationships explained.
Lanti (Mahendra Perera)
A pragmatic journalist who travels with Bunty to Kirindiwela. He approaches the assignment with healthy skepticism but is gradually drawn into the village’s legends as the haunting intensifies. He relies on a magical instrument to reveal true faces, guiding risky decisions and keeping the duo alive.
Bunty (Rodney Warnakula)
The other journalist, quick-witted and curious, who snaps a photo of Tikiri and dives headlong into the mystery. He becomes entangled in the danger as Tikiri’s influence grows, yet remains loyal and audacious as they seek help. His impulsive curiosity pushes the investigation toward a dangerous confrontation.
Tikiri (Paboda Sandeepani)
A young girl who is revealed to be an evil spirit masquerading as a child. She exerts a malevolent cunning, manipulating the environment and people around her to advance the haunting. Her innocence is a mask that sustains the nightmare until the climactic exorcism.
Elaris Appuhami
The village exorcist who hosts the journalists and claims to keep Tikiri as his helper. His hospitality feels strange, hinting at a deeper involvement in the village’s dark history. His revelations propel the plot and raise questions about who truly controls the haunting.
Chaminda (Richard Manamudali)
The journalists’ roommate whose ordinary life becomes caught in the chaotic supernatural events. Chaminda is drawn into Tikiri’s widening influence, illustrating how supernatural forces can destabilize everyday relationships and spaces.
Alcoholic God (Vijaya Nandasiri)
A god in human form who surveys the chaotic scene with a mix of suspicion and confusion. His disguise makes it hard to discern reality, until he tests Tikiri with a magical instrument and the truth becomes undeniable. He represents a divine perspective caught between intervention and ambiguity.
Devil on the Bus (Anton Jude)
A demon manifested as the bus devil, foreshadowing the village’s dark forces and instilling fear beyond the village border. He embodies the reach of evil and the sense that danger travels with the characters. His appearance marks the beginning of the supernatural threat’s spread.
Street Devil (Sarath Chandrasiri)
A devil figure glimpsed on the streets, reinforcing the sense that malevolent forces inhabit public spaces as well as private ones. His appearances heighten the tension and remind the protagonists that danger lurks in everyday places.
Sakkara Gune (Srinath Maddumage)
A local figure whose presence threads through the village’s lore. He contributes to the atmosphere and history the journalists uncover, serving as part of the backdrop against which the exorcism unfolds.
Learn where and when Bahubuthayo (2002) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Kirindiwela, Sri Lanka
Kirindiwela is a rumor-soaked southern village where legends of devils and exorcists permeate daily life. Its jungle surrounds a modest house that becomes a gateway to supernatural events, drawing in outsiders. The village temple and its rituals anchor the community, shaping beliefs and fears alike. Visitors are pulled into a web of ancient lore that blurs lines between myth and reality.
Discover the main themes in Bahubuthayo (2002). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
🔮
Possession
Tikiri is revealed to be an evil spirit masquerading as a girl, turning a quiet village assignment into a nightmare. The exorcist's hospitality hides a deeper danger as the boundary between human and demon blurs. The journalists use a magical instrument to reveal true faces and confront the supernatural threat. The struggle culminates in a ritual that aims to banish the devils from the house.
🕯️
Ritual Faith
The village relies on temple rites, priests, and holy objects as lines of defense against dark forces. The plan to complete the temple bell pole becomes a communal act of protection as Tikiri's influence grows. The chief priest blesses the protagonists with holy water and sacred offerings, framing belief as a shield. Faith, ritual, and community converge to confront the haunting.
🔍
Investigation
Two journalists arrive to document devil dancing and exorcism rites, driven by curiosity and career ambitions. Their inquiry collides with local superstition as rumors swell into danger. They must balance skepticism with signs of supernatural power, using the magical spectacles as tools and symbols in their search for truth. The pursuit tests their resolve and exposes the complexities of belief in the village.

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Explore the mobile appDiscover the spoiler-free summary of Bahubuthayo (2002). Get a concise overview without any spoilers.
In the quiet hills of southern Sri Lanka, two eager reporters set out on a seemingly straightforward assignment: to capture the folklore of a remote village famed for its devil‑dancing rituals and age‑old exorcisms. Lanti brings a meticulous eye for detail, while Bunty carries a restless curiosity that often borders on mischief. Their partnership is a lively blend of disciplined inquiry and spontaneous humor, a dynamic that promises both conflict and camaraderie as they delve into a world where myth and daily life intertwine.
The village itself feels like a living tapestry of legend. Narrow lanes echo with whispered tales of restless spirits, and the locals—guardians of ancient customs—offer cryptic guidance that hints at unseen forces shaping their world. A charismatic village healer and a solemn temple priest provide the journalists with a glimpse into the delicate balance between reverence and fear that sustains the community. The atmosphere shimmers with a mix of rustic charm and an undercurrent of supernatural intrigue, inviting the audience to sense that something beyond the ordinary lingers just out of sight.
Against this backdrop, the reporters find themselves drawn into a subtle contest with an unnamed malevolent presence that the villagers speak of only in hushed tones. Their investigative instincts clash with the opaque rituals designed to keep such darkness at bay, forcing Lanti and Bunty to confront questions about belief, skepticism, and the price of uncovering hidden truths. The film balances light‑hearted banter with an eerie, folkloric suspense, setting the stage for a journey where the line between journalist and participant blurs, and where the true story may be far stranger than any headline.
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