Directed by

Sergio Leone
Made by
Paramount Pictures
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Read the complete plot summary and ending explained for An Almost Perfect Affair (1979). From turning points to emotional moments, uncover what really happened and why it matters.
Hal Raymond, a young tyro filmmaker fresh from graduate school, arrives in France to attend the Cannes Film Festival, where he hopes to sell a movie he has made about the life and times of famed murderer Gary Gilmore. Unbeknownst to him, he has failed to observe the proper bureaucratic procedures when bringing his film reels into the country, which forces customs officials at Nice Airport to seize them until further notice. In another queue at the airport is Maria Barone, a glamorous former actress and the wife of leading Italian film producer Freddie Barone. Maria’s dog Mortimer is also retained at customs, after she is found to have concealed the animal in her hand luggage.
The following day, Hal returns to the airport to attend an interview at the customs agency with Lt. Montand, who tells him that the reels will not be released until the film censor has viewed them, which may not happen for another month. Leaving the office in a fury, Hal bumps into Maria, who has just been reunited with her dog. Informing her of his plight, she encourages him to persevere. The following day, Hal again encounters Maria in the lobby of the Hotel Carlton and invites her to lunch. Charmed by the young man’s attention, Maria reckons that she can persuade her husband to contact the customs authorities and intervene on Hal’s behalf. She then takes Hal to meet Freddie, who graciously agrees to phone the airport immediately.
In gratitude, Hal invites them both to a party in Nice being hosted by his friend, Andrew Jackson – a sardonic director-producer, in town to publicize his own blaxploitation film. Although a visibly flustered Maria declines the invitation, when the party is in full swing later that evening she suddenly turns up unannounced. Hal and Maria dance and talk, later going back to Hal’s room at the local Novotel to make love. Lying in bed afterwards, Maria admits that this is the first time she has cheated on her spouse. Unimpressed by Hal’s spartan accommodation, back in Cannes the next day she arranges to meet him at the Palm Beach casino, where she wins big at craps – enough money for her to book Hal into a fancy boutique hotel further along the coast. As they are entering the hotel Hal spies Montand sitting at a nearby restaurant, who delivers the good news that the censor will now view his film.
Hal and Maria then enjoy a blissful day out in the country, at the end of which he complains about not being able to spend an entire night with her. Although distressed at having to deceive her husband, Maria asks Freddie if she can spend two days away in Paris prior to his film’s gala premiere – a request to which the latter agrees without complaint. Hal, meanwhile, having already found that Jackson has muscled in on his film and taken control of its publicity campaign – including changing the title from the bland Choice of Ending to the more lurid Shoot Me Before I Kill Again – now has to endure the censor’s screening before he and Maria can meet for their planned few days together. After nervously introducing it to a seemingly nonplussed audience, Hal finds his film has inspired positive reactions – Jackson pronounces it “sensational”, while Montand agrees that the film can finally be brought into the country. But Maria, who is also in attendance, is much less enthusiastic about what she has seen, and upon being forced to reveal her true feelings afterwards she and Hal have a row, causing him to abandon her and hitchhike alone back to Cannes.
Hal is overcome with remorse by the next morning and returns to the Carlton, where he is able to follow Maria’s limousine as it heads to the Barone family yacht for an outing prior to Freddie’s evening gala premiere. Pursuing her onto a speedboat, Hal manages to separate Maria from her companions and drives the boat out into the middle of the bay, where it runs out of fuel. In an effort to prove his love, he throws his precious film reels into the water. Maria is unimpressed, however, pointing out that he still has the original 16mm negative, so the gesture means nothing. Only after Hal begrudgingly proclaims out loud that he loves her more than his film are the two reconciled. Eventually whisked away to attend the gala premiere by her security detail, Maria leaves Hal to make his own way back to the shore. Realizing that Maria is set to leave the festival for good after the premiere is over, once on land Hal persuades Jackson to drive him to the airport. There he stops Maria and Freddie before they board their private jet. Maria explains that, although she loves him, she needs someone who considers her “more important than anything”. After the jet has taken off into the night sky, Jackson improves Hal’s mood by informing him that his film has been included in a package deal, and hands him a contract to sign.
Follow the complete movie timeline of An Almost Perfect Affair (1979) with every major event in chronological order. Great for understanding complex plots and story progression.
Hal's arrival and reels seized
Hal lands in France for Cannes with a film about Gary Gilmore. At Nice Airport, customs seize his reels because he failed to observe the required procedures. Maria Barone's dog Mortimer is also kept in customs, catching Hal in a broader snafu.
Customs interview and waiting game
Hal must return to the customs office to face an interview with Lt. Montand. He learns the reels won't be released until the film censor has viewed them, a process that could take a month. In the crowd, he runs into Maria, who sympathizes and urges him to persevere.
Maria offers encouragement at Hotel Carlton
In the Hotel Carlton lobby, Hal encounters Maria again and invites her to lunch. She believes she can persuade her husband, Freddie Barone, to intervene with the authorities on Hal's behalf. The two begin to see each other as a potential ally against the bureaucratic delay.
Maria introduces Hal to Freddie Barone
Maria takes Hal to meet Freddie Barone, who agrees to phone the airport to help push the process along. This contact offers Hal a glimmer of hope despite the red tape. Hal senses a potential breakthrough, but remains wary.
Party in Nice with Andrew Jackson
Hal invites Maria to a party hosted by their friend Andrew Jackson, a sardonic director-producer promoting his own blaxploitation film. Maria initially declines, but she arrives unannounced later in the evening. The social setting becomes a test of their growing chemistry.
Intimate night at the Novotel
Hal and Maria dance and talk, then retreat to Hal's Novotel room to make love. Maria confesses that this is her first affair, which unsettles Hal. The encounter deepens their complicated relationship amid the Cannes backdrop.
Maria's casino windfall funds Hal's hotel
The next day, Maria wins big at the Palm Beach casino, providing enough money to book Hal into a nicer boutique hotel along the coast. The windfall also signals her growing willingness to invest in Hal's career and ambitions. The couple continues their risky liaison against the backdrop of the festival.
Countryside outing and Paris request
They enjoy a blissful day out in the countryside, but Hal laments not being able to spend an entire night with Maria. She asks Freddie for two days away in Paris before the gala premiere, and he agrees without complaint. The arrangement foreshadows the pressures of their affair.
Censor screening and conflicting feelings
Jackson's publicity hustle is evident as Hal endures the censor's screening. The audience reaction is positive; Jackson calls it sensational and Montand approves its release. Maria's enthusiasm wanes, and after the screening she and Hal have a quarrel that ends with Hal walking away.
Speedboat reconciliation on the bay
Back at the coast, Hal follows Maria's limousine to the Barone yacht, then onto a speedboat for a private moment. The boat runs out of fuel, so Hal sacrifices his film reels by tossing them into the water to prove his love. Maria points out that he still has the original negative, but he proclaims his love more strongly than the film, and they reconcile.
Gala premiere and parting ways
They are whisked away by security to Freddie's gala premiere, but Maria leaves Hal to return to the shore. Hal watches from the sidelines as she moves toward the opening night, signaling the end of their liaison for the moment. The emotional tension between art and romance remains unresolved.
Airport confrontation and contract offer
After the premiere, Hal heads toward the airport to intercept the couple as they board a private jet. He stops Maria and Freddie briefly, and Maria explains she needs someone who considers her more important than anything. The jet takes off, and Jackson reveals that Hal's film is included in a package deal, presenting him with a contract to sign.
Explore all characters from An Almost Perfect Affair (1979). Get detailed profiles with their roles, arcs, and key relationships explained.
Hal Raymond (Keith Carradine)
A young, idealistic filmmaker fresh from film school, Hal is driven to make his mark with a controversial project. He is passionate about his art but often naïve about industry gatekeepers, and his romance with Maria reveals a vulnerability beneath his ambition.
Maria Barone (Monica Vitti)
A glamorous former actress and Freddie's wife, Maria exudes charm and social savvy. She uses her influence to push Hal's project forward while seeking genuine connection, navigating the festival's politics with wit and restraint.
Freddie Barone (Raf Vallone)
A powerful Italian film producer with a taste for prestige, Freddie wields significant influence over festival publicity and negotiations. He is sophisticated and protective of his wife, complicating Hal's ambitions and Maria's desires.
Lt. Montand (Henri Garcin)
A stern customs officer who delays Hal's film by enforcing bureaucratic rules until clearance is granted. He represents institutional gatekeeping, testing Hal's patience and resolve.
Andrew Jackson (Self)
A sardonic director-producer in town to publicize his own blaxploitation film. He serves as a foil to Hal's earnestness, highlighting the pressures of festival publicity and personal ambition.
Monte Hellman (Monte Hellman)
A cameo by the director playing himself at the Cannes Film Festival, adding meta-commentary on the filmmaking world and the festival circuit.
Learn where and when An Almost Perfect Affair (1979) takes place. Explore the film’s settings, era, and how they shape the narrative.
Location
Cannes, Nice, Paris
The story unfolds along the French Riviera, centering on Cannes and Nice during the Cannes Film Festival. The area is renowned for glamorous festival season, luxury hotels, beaches, and celebrity sightings. Key scenes take place around the Carlton Hotel, the Palm Beach casino, and a Barone family yacht, highlighting the opulent festival atmosphere.
Discover the main themes in An Almost Perfect Affair (1979). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
❤️
Love vs Career
Hal's devotion to Maria pits personal longing against the pressures of his fledgling film project. Maria negotiates the festival's social web, showing how relationships can be leveraged for influence. The arc explores how romance can conflict with professional ambition in a world ruled by publicity.
🎬
Censorship
The reels are held up by officials until the censor approves, illustrating gatekeeping over artistic work. Publicists and producers manipulate promotion and titles to maximize appeal, blurring the line between art and marketing. The censor's screening becomes a crucial test for Hal's integrity and vision.
🛥️
Glamour
The Cannes milieu is saturated with luxury, yachts, and high-society parties, painting a picture of celebrity culture at its brightest. Characters maneuver through wealth and influence, where reputation can trump talent. The setting underscores both the allure and costs of living in the festival spotlight.

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Explore the mobile appDiscover the spoiler-free summary of An Almost Perfect Affair (1979). Get a concise overview without any spoilers.
In the glittering swirl of the Cannes Film Festival, a world where art and ambition collide, a young filmmaker arrives with nothing but his idealism and a fiercely personal project. The streets pulse with the promise of discovery, the beaches echo with whispered deals, and every soirée feels like a gamble for lasting recognition. Against this backdrop of sun‑kissed luxury and relentless expectation, the film’s tone balances sensual intoxication with the cool, clinical precision of the industry’s machinery, creating a space where desire can be both a muse and a threat.
Hal Raymond, fresh from graduate school and convinced that true cinema must be untainted by compromise, steps onto the Riviera seeking a breakthrough for his daring debut. He carries the earnest weight of a creator who believes his work can change the conversation, and his relentless focus on the art itself isolates him from the glamorous distractions that surround him. Across the same circuit, Maria Barone moves with the poise of a former star married to a powerful Italian producer; she is both a fixture of the festival’s elegance and a woman whose own aspirations have fallen silent behind her husband’s successes.
When the paths of the uncompromising auteur and the disenchanted film royalty intersect, an intense, fleeting connection ignites. Their chemistry is electric, fueled by a shared hunger for something beyond the roles they have been cast in—whether it be artistic purity, a sense of relevance, or an escape from the gilded cages of fame. As they navigate the seductive lure of success, jealousy and ambition begin to etch subtle cracks into their newfound romance, hinting at a volatile mix of personal drive and the intoxicating promise of the spotlight that will test the limits of both love and devotion.
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