All My Friends Hate Me 2022

The ending of All My Friends Hate Me is a chaotic unraveling of Pete’s suspicions and past traumas. Throughout the weekend, Pete’s paranoia about his friends’ intentions and Harry’s true identity grows intense, fueled by a series of practical jokes that make him question what is real. In a climactic revelation, Pete admits to a deeply buried guilt: as a teenager, he and a friend had pranked a young girl with a dog noise and plastic bag, which ultimately led to her tragic death due to her mental illness. He believes that her brother—the person he now suspects Harry to be—has returned for revenge. However, the truth is far more mundane and unsettling: Harry isn’t Plank, as Pete hypothesizes, but actually the real Plank, an old college friend, who has been orchestrating the chaos as a form of psychological revenge. The bizarre, staged incidents, from the fake public death threats to the fake Pete, reveal how much the weekend was a series of elaborate pranks designed to break Pete’s trust and expose his inner fears.

In the end, it’s George who finally confronts Pete’s twisted mindset, pointing out that Pete’s paranoia and insecurities created much of the chaos himself. Pete’s distrust in his friends and himself culminates in him lashing out violently and attacking Plank, which signifies his complete breakdown. The film closes with Pete and Sonia driving away, where Pete, in emotional turmoil, asks if she still wants to marry him. Sonia’s joking response that she’s just kidding surprises Pete, but the uncertainty remains—highlighting how Pete’s paranoia and inability to truly trust others have damaged his relationships. The ending leaves the audience questioning whether Pete’s unraveling was driven by external manipulation or internal fears, illustrating the delicate boundary between perception and reality in the chaos of his mind. Ultimately, Pete’s downfall emphasizes how suspicion and unresolved guilt can distort reality, leading to an irreversible breakdown of trust and connection.

In the idyllic countryside, Pete returns from a short stint volunteering at a refugee camp, eager for a much‑needed break. He’s headed to a rustic estate for a weekend birthday celebration, a reunion with the college friends who once defined his social world. The setting—a secluded manor surrounded by rolling fields—promises both comfort and the chance to unwind, yet the lingering edge of his anxiety hints that the weekend may tug at old insecurities.

The gathering brings together a quirky mix of personalities. George, the laid‑back host, welcomes his wife Fig, whose calm presence belies a sharp wit. Archie, ever the provocateur with a penchant for excess, fuels the evening’s rib‑tickling banter, while Claire, an ex‑girlfriend with an unspoken history, adds a subtle undercurrent of unresolved chemistry. The group’s dynamic, built on years of shared jokes and inside references, begins to drift into a more unsettling rhythm as pranks grow louder and the line between light‑hearted teasing and something more pointed begins to blur. A stranger named Harry appears unexpectedly, his eccentric charm further unsettling the fragile equilibrium.

As the night unfolds, Pete finds himself caught between the comfort of familiar faces and the growing suspicion that the revelry may be masking something less benign. The film’s tone balances dark comedy with a creeping sense of unease, inviting viewers to wonder whether the escalating antics are genuine mischief or a twisted test of friendship. This tension sets the stage for a weekend that will challenge the bonds of the group and push Pete to confront the fragile hold he has on reality, all while the countryside backdrop silently watches the drama unfold.