All Mine to Give 1957

Robert [Cameron Mitchell] Eunson and his wife Mamie arrive in the tiny logging village of Eureka, Wisconsin in 1856, invited there by Mamie’s uncle Will Jameson. The welcome is tempered by bad news: Will’s cabin burned to the ground and he has died, leaving the couple to start over in a place where the locals rally around them and the work of rebuilding begins in earnest. The town’s warmth is evident as neighbors turn out in force to help, and Robert takes to the hard, honest labor of tipping timber while Mamie faces an unspoken fear with quiet courage.

Mamie is heavily pregnant upon their arrival, and the midwife, Mrs. Pubmeister [Hope Emerson], becomes a steady presence as the Eunsons settle in. In a milestone moment that binds the family to the community, she delivers baby Robbie [Jon Provost], just after the cabin is finally completed. The arrival of Robbie marks a turning point for the young family, as Robert’s initial days in Eureka give way to a new routine and a growing brood.

Robert’s early years in Eureka are marked by hard work and small victories. He starts in a logging camp as a lumberjack, where his grit earns him respect and, after a clash of will with a cruel camp boss, he wins the trust of those around him. The tides of luck swing toward stability when he eventually establishes a successful boatbuilding business, a sign that the Eunsons are beginning to carve out a life of their own in this rugged frontier town.

Mamie’s world expands with the arrival of five more children: Jimmy [Stephen Wootton], Kirk [Tom Nolan], Annabelle [Patty McCormack], Elizabeth [Yolanda White], and Jane. The household grows into a bustling, busy home filled with the rough-and-tumble energy of boys and the grace of a growing family. For a time, happiness and steady work seem within reach, a quiet triumph in a land where survival is never guaranteed.

Tragedy, however, returns with the shadow of illness. Kirk is diagnosed with diphtheria, and the family is quarantined to protect the rest. While Kirk fights to recover, Mamie battles typhoid and grows weaker by the day. The family’s fragile balance is shattered when Kirk’s battle ends with a costly goodbye: the kiss he gives his father before departure proves fatal, and Robert succumbs soon after. Mamie, though exhausted, continues to contribute with quiet dignity as a seamstress, and Robbie—now the eldest—must shoulder increasing responsibility and become the steady anchor for his siblings.

In the wake of Mamie’s death, a heated question arises in Eureka: what should become of the children? Robbie and Jimmy, faced with the weight of the future, request one last day together—Christmas Eve—to say proper farewells to what remains of their family and their home. The townspeople consent, but Robbie has a plan that feels both brave and heartbreaking. He draws up a careful list of suitable homes for his sisters, each one chosen for a family that already has children, ensuring they will not be lonely. One by one, he delivers his siblings to the doors he has thoughtfully matched with caretakers, making sure each child finds a place where they can belong.

Jimmy takes Kirk to his new home, a quiet moment of shared affection amid the upheaval. Robbie remains stoic as he helps, even when the weight of the task becomes personal and heavy. The moment when he hovers by the tree outside the old homestead—the tree his father carved with the names of all the children—becomes a silent testament to memory and loss. The carving becomes a living archive of their family’s story, a stark reminder of what’s been left behind and what must go forward.

At last, the siblings are distributed, and the house grows emptier as the last baby, Jane, is handed over. Robbie’s farewell—an unspoken, profound goodbye to the life he knew—ushers in a solitary, brave final chapter. He stands at the doorway with a quiet resolve and asks for a new family to take his sister, then steps out into the cold future to work once more in the logging camps, carrying the weight of his family’s past into the road ahead.

In the end, the film lingers on the enduring themes of responsibility, resilience, and the enduring pull of family. A boy’s courage to safeguard his siblings, the kindness of a town that becomes an extended family, and the bittersweet truth that love often comes with hard choices—these threads weave through a story grounded in a mid-19th-century American landscape, where every day is earned and every goodbye carries the memory of those who shaped a life.