A Hazard of Hearts 1987
Directed by
John Hough
Made by
Gainsborough Pictures
A Hazard of Hearts Plot Summary
Read the complete plot summary and ending explained for A Hazard of Hearts (1987). From turning points to emotional moments, uncover what really happened and why it matters.
Sir Giles Staverley, Christopher Plummer, is a compulsive gambler who is duped into gambling away his home by his old rival, Lord Harry Wrotham, Edward Fox. As the debt spirals, Staverley reaches a desperate agreement: he will stake everything he has left against the hand of his daughter, Serena Staverley, and her trust fund of 80,000 guineas. The plan is steeped in old grudges and family pride, and even his deeply loved nephew, Nicholas, Neil Dickson, pleads for caution. Yet the gamble ends in a crushing defeat, and the house — and Serena — slip from Staverley’s grasp.
Unable to bear the ruin and the sight of his daughter’s distress, Staverley takes his own life, leaving Serena to face a precarious future. In the aftermath, Lord Justin Vulcan, Marcus Gilbert, a famously cool and precise gambler, steps in to challenge Wrotham for the house and the girl. He defeats Wrotham, bringing the property and Serena under his control, but with no clear plan for what to do next. The news reaches Serena through her uncle and cousin, Nicholas, who begs her to marry him to shield her from Vulcan’s hold. Serena, however, remains steadfast and refuses, explaining that the Staverleys have always paid their debts, and that her own life should not be dictated by fear or convenience.
Meanwhile, Isabel Gillingham, Fiona Fullerton, who is secretly in love with Vulcan, grows wary of the mystery surrounding Serena’s absence from society. Vulcan himself appears detached, insisting the victory has slipped his mind as days pass without a visit to the Staverley estate. When Isabel begins to suspect Serena’s influence, she watches with a mix of jealousy and curiosity, unsure whether Serena is a threat to her own social standing.
The plot thickens when Vulcan travels to meet Serena and discovers a younger, more captivating woman than he anticipated. He invites Serena to be a guest at Mandrake, his ancestral seaside home, much to the chagrin of Justin’s mother, Lady Harriet Vulcan, Diana Rigg, who fears the alliance could disrupt the delicate balance of power within the family and the estate. Lady Harriet’s resistance adds another layer of tension as Serena steps into a world of social maneuvering and hidden motives.
At Mandrake, Serena forms an unlikely friendship with Justin. He shares his deep affection for the place and guides her through the landscapes and customs of the house, teaching her about the sea, the history of Mandrake, and the subtle art of reading people who move in the shadowy world of gamblers and smugglers. Yet Serena’s innocence makes her vulnerable to the schemes of those who prey on trust and naivety, pulling her into a web of intrigue that includes danger, deception, and danger-laden encounters with highwaymen and other unscrupulous figures.
As tensions rise and secrets surface, a crisis emerges that tests the growing bond between Serena and Justin. They must navigate conflicting loyalties, power plays, and the weight of family debts as they confront their own feelings for each other. In the end, their relationship stands at a crossroads, forcing them to decide what kind of future they truly want and what they are willing to risk for love, loyalty, and a chance at a new life together.
Old loyalties, new alliances, and the ever-present lure of riskingly high stakes shape a tale where romance and danger intertwine, and where two young souls must decide whether to trust one another enough to face a future shaped by the shadows of the past. Old Vulcan shows up as a forceful presence in the background, reminding everyone that the past has a way of returning to test the promises of the present.
A Hazard of Hearts Timeline
Follow the complete movie timeline of A Hazard of Hearts (1987) with every major event in chronological order. Great for understanding complex plots and story progression.
Gambling trap: Staverley's downfall
Sir Giles Staverley, a compulsive gambler, is tricked into gambling away his home by his old adversary Lord Harry Wrotham. Wrotham stakes Staverley's daughter's hand and her trust fund of 80,000 guineas in a final, fatefully arranged gamble. Staverley agrees to the terms, and the house drains his fortune.
Staverley's suicide
Unable to face his daughter Serena after the loss, Staverley takes his own life, a desperate act that shatters the family. His death leaves Wrotham in control of the situation and casts a shadow over Serena's future. The tragedy triggers a chain of consequences that propel the plot forward.
Vulcan's victory and new possession
Lord Justin Vulcan accepts Wrotham's challenge and gambles for the house and Serena herself. He defeats Wrotham, winning both the property and Serena as his prize. Now in possession of the house and the girl, Vulcan confronts the responsibilities and uncertainties of his new possession.
Nicholas's plea to Serena
Nicholas, Sir Giles's nephew and Serena's cousin, rushes to Serena's side with a plea that she should marry him to protect her from Vulcan's influence. Serena refuses, asserting that the Staverleys have always paid their debts and that her autonomy matters more than a forced alliance. The moment cements her independence and foreshadows the clashes to come.
Vulcan's neglect and social tension
Vulcan appears outwardly triumphant but neglects the Staverley estate for several days, claiming the victory slipped his mind. This absence fuels rumors and heightens Isabel Gillingham's jealousy, as she loves Vulcan and watches Serena with suspicion. The social tension behind the scenes begins to shape the young heiress's fate.
Isabel's jealousy and social stakes
Isabel Gillingham, madly in love with Vulcan, grows jealous of Serena as the newcomer captivates attention and questions drift within their circle. She resents Serena's arrival and the changing dynamics around Vulcan and the estate. The jealousy adds a layer of danger to the unfolding drama.
Serena goes to Mandrake
After meeting Serena, Vulcan realises she is younger and more attractive than he had imagined. He installs her as a guest at Mandrake, his ancestral home by the sea, despite opposition from Lady Harriet Vulcan. The move marks a turning point, placing Serena at the center of a new social and emotional landscape.
Serena's Mandrake debut
Serena settles into Mandrake and begins navigating a tight web of intrigue and social expectations. Vulcan begins to acquaint her with the house and its sea-bound surroundings, guiding her through the unfamiliar world. The arrangement pulls Serena further into the orbit of Mandrake and its secrets.
Serena and Justin's friendship
Serena and Justin form an unexpected friendship and mutual respect. He teaches her about Mandrake, its history, and the coast, helping her understand the place she now inhabits. Their bond grows as they share insights and navigate the looming dangers together.
Intrigues around Mandrake
Serena becomes drawn into intrigues involving corrupt gamblers, violent smugglers, and highwaymen. She must maintain her dignity amid manipulation and peril, testing her resilience and sense of self. The peril intensifies as the plot surrounding Mandrake tightens its grip.
Crisis and confronting feelings
A crisis forces Serena and Justin to confront their feelings for each other. The emotional tension runs parallel to the external threats, threatening to derail their safety. They must decide how their bond will survive the pressures of society and peril.
Open-ended future
With the romance and danger converging, the story leaves their future open, suggesting that loyalty, courage, and love will shape what happens next at Mandrake. The outcome depends on how they navigate the debts, schemes, and loyalties that still bind the Staverleys and Vulcan. The ending centers on resilience in a world dominated by gamblers and intrigue.
A Hazard of Hearts Characters
Explore all characters from A Hazard of Hearts (1987). Get detailed profiles with their roles, arcs, and key relationships explained.
Serena Staverley (Helena Bonham Carter)
Serena is a young, cultured heiress whose initial naiveté is tempered by the brutal world of gambling and social intrigue. She moves from guarded reliance to quiet resilience as she navigates manipulation, rivals, and the courtship games that determine her fate. Despite pressure, she remains loyal to family and true to her evolving sense of self.
Lord Justin Vulcan (Marcus Gilbert)
A cool-headed, calculating gambler who wins the house and Serena, yet struggles with how to wield his power. He is attached to Mandrake and its sense of control, even as he grows to care for Serena beyond wealth. His restraint and strategic mind keep the drama tight, while hints of tenderness suggest a deeper bond.
Sir Giles Staverley (Christopher Plummer)
A compulsive gambler whose losses threaten the family’s fortune, driving the Staverleys toward ruin and tragedy. His debt-ridden world exposes the fragility of lineage and the high price of gambling. His ultimate act catalyzes the remaining characters’ scramble to preserve or redefine their lives.
Lady Harriet Vulcan (Diana Rigg)
A sharp, socially adept matriarch who guards the family’s interests and reputation. She resists Serena’s inclusion in society and steers marriage politics to protect status. Her quiet scheming aims to preserve the Vulcan name, balancing concern with a steely, strategic edge.
Lord Harry Wrotham (Edward Fox)
A seasoned gambler and old adversary who orchestrates the house-for-hand wager. He thrives on manipulation and risk, treating people as chess pieces in a larger game of fortune. His schemes ignite the drama and test every character’s loyalty and resolve.
Isabel Gillingham (Fiona Fullerton)
In love with Vulcan, Isabel’s affections become a rival to Serena as jealousy and social competition seep into the mansion. She embodies the era’s pressure to climb socially, forcing others to choose between personal happiness and public perception.
A Hazard of Hearts Settings
Learn where and when A Hazard of Hearts (1987) takes place. Explore the film’s settings, era, and how they shape the narrative.
Time period
19th century
Set in a rigid, aristocratic era where fortunes hinge on bloodlines and high-stakes bets. Debt, honor, and reputation govern a class-bound world, with social rituals dictating choices more than personal desire. The period’s proprieties pressure characters to uphold appearances even as hearts rebel.
Location
Mandrake, Staverley estate
The action centers on Mandrake, a seaside manor adjacent to the Staverley estate, where salons, gambles, and social maneuvering unfold. The estate's opulence masks a web of debt and betrayal that pulls characters into reckless decisions. The proximity to the sea shapes plots from smugglers to highwaymen, adding a constant undertone of danger.
A Hazard of Hearts Themes
Discover the main themes in A Hazard of Hearts (1987). Analyze the deeper meanings, emotional layers, and social commentary behind the film.
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Gambling Debt
Gambling is the engine driving the plot and the fate of the houses involved. Lords and heirs wager wealth, homes, and marriages, creating a web of obligation and risk. Debts spiral beyond control, forcing characters to rationalize immoral bets and confront the consequences. The story probes whether luck can redeem honor or deepen ruin.
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Forbidden Love
Serena and Justin form a fragile bond that defies strict social rules. Their budding romance challenges class boundaries, marriage arrangements, and guardian controls. Rivalries and jealousy from Isabel test the couple’s endurance and commitment. The narrative asks whether true feeling can survive the pressures of reputation and duty.
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Social Codes
The plot is propelled by the pressure to preserve family honor and status. Public appearances, matchmaking, and public perception shape decisions as much as personal happiness. Alliances and rivalries are negotiated behind closed doors, with the cost of scandal measured in losses of fortune and favor. Violence and intrigue intrude as the consequences of rigid conventions.
A Hazard of Hearts Spoiler-Free Summary
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In a world where aristocratic privilege is measured by the roll of a die, Sir Giles Staverley lives on the edge of fortune and ruin. The opulent estates and grand salons of the upper class serve as a backdrop for a gambling culture that is as much a social ritual as it is a deadly game. Within this high‑stakes arena, reputation is wagered as freely as coin, and every decision carries the weight of family honor.
Staverley’s compulsive love of dice draws him into a desperate contest with his old rival, Lord Harry Wrotham. In a moment of frantic pride, the gambler stakes everything he has left, including the future of his beloved daughter, Serena Staverley. The gamble spirals beyond his control, leaving his estate and his family’s fate hanging in the balance. The loss strikes at the core of his identity, and the resulting shame drives him to a tragic end, leaving Serena to confront an uncertain destiny amidst the remnants of a shattered legacy.
Witnessing the fallout, Lord Justin Vulcan—a figure renowned for his cool precision at the gaming table—steps forward, pledging to shield Serena from the fallout of the duel’s outcome. He issues his own challenge to Wrotham, putting the very grounds of Staverley Court and Serena’s future on the line. Around them, a cast of close relatives and acquaintances—Nicholas, the earnest nephew; Isabel Gillingham, whose affection for Vulcan colors her curiosity; and Lady Harriet Vulcan, whose own ambitions whisper through the corridors—add layers of personal tension and expectation.
The film unfolds with a tone that blends brooding elegance and nervous anticipation. The elegant estates, the clink of dice, and the ever‑present undercurrent of risk create a world where love, loyalty, and power are all measured against the odds. Against this backdrop, the characters must navigate their intertwined desires and obligations, hinting at a story where the stakes are as emotional as they are material.
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