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Marie-Claude Mestral, actor
Actor

Marie-Claude Mestral: Movies & Box Office

films
4
on screen
1972–2003
box office
$1.67M
Career at a glance

Marie-Claude Mestral's Career in Numbers

Marie-Claude Mestral's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Marie-Claude Mestral works in most and the milestones along the way. The filmography runs from The Pariah (1972) to Tristan (2003), and the 1990s were the busiest decade.

Marie-Claude Mestral Movies by Decade

  1. 1970s 1
  2. 1990s 2
  3. 2000s 1

The 1990s were Marie-Claude Mestral's busiest decade, with 2 films.

Marie-Claude Mestral Movies by Genre

  • Drama 2
  • Thriller 1
  • Romance 1

Drama is the genre Marie-Claude Mestral has worked in most, with 2 films, ahead of thriller (1).

Marie-Claude Mestral Career Milestones

First film
The Pariah 1972
Biggest box office hit
Tristan $1.67M worldwide
Newest film
Tristan 2003
4 credits

Marie-Claude Mestral Filmography: Every Movie

Every film Marie-Claude Mestral is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Marie-Claude Mestral: Questions & Answers

How many movies Marie-Claude Mestral has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Marie-Claude Mestral been in?

Marie-Claude Mestral is credited on 4 films, from 1972 to 2003. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Marie-Claude Mestral's highest-grossing movie?

Tristan (2003) is Marie-Claude Mestral's biggest box office hit, with $1.67M worldwide. Across every film with box office figures, Marie-Claude Mestral's movies have made $1.67M.

Marie-Claude Mestral's biggest hits

What is Marie-Claude Mestral's newest movie?

The most recent film on Marie-Claude Mestral's filmography is Tristan (2003), in the role of Madame Barsac.

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