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Margaret Travolta, actor
Actor

Margaret Travolta: Movies & Box Office

films
3
on screen
1995–2010
box office
$7.77M
Career at a glance

Margaret Travolta's Career in Numbers

Margaret Travolta's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Margaret Travolta works in most and the milestones along the way. The filmography runs from Losing Isaiah (1995) to How to Make Love to a Woman (2010), and the 1990s were the busiest decade.

Margaret Travolta Movies by Decade

  1. 1990s 1
  2. 2000s 1
  3. 2010s 1

The 1990s were Margaret Travolta's busiest decade, with 1 films.

Margaret Travolta Movies by Genre

  • Romance 1
  • Horror 1
  • Drama 1

Romance is the genre Margaret Travolta has worked in most, with 1 film, ahead of horror (1).

Margaret Travolta Career Milestones

First film
Losing Isaiah 1995
Biggest box office hit
Losing Isaiah $7.6M worldwide
3 credits

Margaret Travolta Filmography: Every Movie

Every film Margaret Travolta is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Margaret Travolta: Questions & Answers

How many movies Margaret Travolta has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Margaret Travolta been in?

Margaret Travolta is credited on 3 films, from 1995 to 2010. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Margaret Travolta's highest-grossing movie?

Losing Isaiah (1995) is Margaret Travolta's biggest box office hit, with $7.6M worldwide, ahead of Hangman’s Curse (2003) ($168K). Across every film with box office figures, Margaret Travolta's movies have made $7.77M.

Margaret Travolta's biggest hits

What is Margaret Travolta's newest movie?

The most recent film on Margaret Travolta's filmography is How to Make Love to a Woman (2010), in the role of Mrs. Baker.

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