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Guillermo García, actor
Actor

Guillermo García: Movies & Box Office

films
5
on screen
2009–2016
box office
$10.2M
Career at a glance

Guillermo García's Career in Numbers

Guillermo García's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Guillermo García works in most and the milestones along the way. The filmography runs from Venezzia (2009) to The Bribe of Heaven (2016), and the 2010s were the busiest decade.

Guillermo García Movies by Decade

  1. 2000s 1
  2. 2010s 4

The 2010s were Guillermo García's busiest decade, with 4 films.

Guillermo García Movies by Genre

  • Drama 3
  • Sci-Fi 1
  • Romance 1

Drama is the genre Guillermo García has worked in most, with 3 films, ahead of sci-fi (1).

Guillermo García Career Milestones

First film
Venezzia 2009
Biggest box office hit
The House at the End of Time $4.59M worldwide
Newest film
The Bribe of Heaven 2016
5 credits

Guillermo García Filmography: Every Movie

Every film Guillermo García is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Guillermo García: Questions & Answers

How many movies Guillermo García has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Guillermo García been in?

Guillermo García is credited on 5 films, from 2009 to 2016. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Guillermo García's highest-grossing movie?

The House at the End of Time (2013) is Guillermo García's biggest box office hit, with $4.59M worldwide, ahead of My Straight Son (2012) ($4.23M). Across every film with box office figures, Guillermo García's movies have made $10.2M.

Guillermo García's biggest hits

What is Guillermo García's newest movie?

The most recent film on Guillermo García's filmography is El Inca (2016), in the role of Taxi passenger.

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