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Fanny Marchiò, actor
Actor

Fanny Marchiò: Movies & Box Office

films
4
on screen
1944–1952
box office
$70.7K
Career at a glance

Fanny Marchiò's Career in Numbers

Fanny Marchiò's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Fanny Marchiò works in most and the milestones along the way. The filmography runs from Woman of the Mountains (1944) to The White Sheik (1952), and the 1940s were the busiest decade.

Fanny Marchiò Movies by Decade

  1. 1940s 2
  2. 1950s 2

The 1940s were Fanny Marchiò's busiest decade, with 2 films.

Fanny Marchiò Movies by Genre

  • Comedy 3
  • Romance 1

Comedy is the genre Fanny Marchiò has worked in most, with 3 films, ahead of romance (1).

Fanny Marchiò Career Milestones

Biggest box office hit
The White Sheik $70.7K worldwide
Newest film
The White Sheik 1952
4 credits

Fanny Marchiò Filmography: Every Movie

Every film Fanny Marchiò is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Fanny Marchiò: Questions & Answers

How many movies Fanny Marchiò has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Fanny Marchiò been in?

Fanny Marchiò is credited on 4 films, from 1944 to 1952. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Fanny Marchiò's highest-grossing movie?

The White Sheik (1952) is Fanny Marchiò's biggest box office hit, with $70.7K worldwide. Across every film with box office figures, Fanny Marchiò's movies have made $70.7K.

Fanny Marchiò's biggest hits

What is Fanny Marchiò's newest movie?

The most recent film on Fanny Marchiò's filmography is The White Sheik (1952), in the role of Marilena Alba Vellardi.

Who does Fanny Marchiò work with most often?

Fanny Marchiò shares the most films with Federico Fellini (2 films) and Giulietta Masina (2 films).

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