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Antonio Battistella, actor
Actor

Antonio Battistella: Movies & Box Office

films
4
on screen
1954–1966
box office
$102K
Career at a glance

Antonio Battistella's Career in Numbers

Antonio Battistella's films in numbers — as an actor, not counting appearances as themselves: when they were made, the genres Antonio Battistella works in most and the milestones along the way. The filmography runs from High School (1954) to Maigret at the Pigalle (1966), and the 1960s were the busiest decade.

Antonio Battistella Movies by Decade

  1. 1950s 1
  2. 1960s 3

The 1960s were Antonio Battistella's busiest decade, with 3 films.

Antonio Battistella Movies by Genre

  • Comedy 2
  • Crime 1
  • History 1

Comedy is the genre Antonio Battistella has worked in most, with 2 films, ahead of crime (1).

Antonio Battistella Career Milestones

First film
High School 1954
Biggest box office hit
High School $102K worldwide
Newest film
Maigret at the Pigalle 1966
4 credits

Antonio Battistella Filmography: Every Movie

Every film Antonio Battistella is credited on, newest first, with the role, the box office and the Movie Echo Score. Re-order the list to see the best-rated films or the biggest hits first.

FAQ

Antonio Battistella: Questions & Answers

How many movies Antonio Battistella has made, the biggest hit, the best-rated film, the award record and more, answered from the filmography above.

How many movies has Antonio Battistella been in?

Antonio Battistella is credited on 4 films, from 1954 to 1966. The filmography on this page lists every one of them, newest first, with the role and the Movie Echo Score.

What is Antonio Battistella's highest-grossing movie?

High School (1954) is Antonio Battistella's biggest box office hit, with $102K worldwide. Across every film with box office figures, Antonio Battistella's movies have made $102K.

Antonio Battistella's biggest hits

What is Antonio Battistella's newest movie?

The most recent film on Antonio Battistella's filmography is Maigret at the Pigalle (1966), in the role of Dr. Pasquier.

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