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Anton Yelchin, actor
Actor · Best movies

The Best Anton Yelchin Movies, Ranked

36 credits from 2000 to 2019, ranked by the Movie Echo Score — a blend of critic reviews, audience ratings and lasting impact. Thoroughbreds (2018) comes out on top with a score of 75. The biggest box office hit is Terminator Salvation (2009) with $371M worldwide. Below: the best films by genre and by decade, the most awarded and the newest releases.

Full Anton Yelchin profile & filmography

One pick per genre

The Best Anton Yelchin Movie in Every Genre

The best-rated film in each genre Anton Yelchin has worked in, the genres with the most films first. Drama leads with 14 films, and Thoroughbreds (2018) is the pick of them.

FAQ

The Best Anton Yelchin Movies: Questions & Answers

The best-rated, highest-grossing, most awarded and newest Anton Yelchin films, answered from the rankings on this page.

What is the best Anton Yelchin movie?

Thoroughbreds (2018) is the best-rated Anton Yelchin film, with a Movie Echo Score of 75, ahead of Porto (2017) (58) and Rememory (2017) (53). The Movie Echo Score blends critic reviews, audience ratings and how well a film has lasted.

Thoroughbreds: cast, ratings & box office

What is the highest-grossing Anton Yelchin movie?

Terminator Salvation (2009) made the most at the box office, with $371M worldwide, followed by Star Trek Beyond (2016) with $343M. Together, Anton Yelchin's films with box office figures have made $821M.

Which Anton Yelchin movie won the most awards?

Star Trek Beyond (2016) is the most decorated Anton Yelchin film, with 1 win from 6 nominations across the Oscars, Golden Globes, BAFTA and the other ceremonies in the awards database.

What is the best Anton Yelchin drama movie?

Thoroughbreds (2018) is the best-rated of Anton Yelchin's drama films, with a score of 75. In other genres: You and I (romance), Terminator Salvation (action) and Rememory (sci-fi).

What is the newest Anton Yelchin movie?

The newest film on Anton Yelchin's filmography is Love, Antosha (2019), with Anton Yelchin as Self.

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