
A young woman fights to keep her rapist from gaining custody of her daughter.
Does You Can’t Take My Daughter have end credit scenes?
No!
You Can’t Take My Daughter does not have end credit scenes. You can leave when the credits roll.
Explore the complete cast of You Can’t Take My Daughter, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Hunter Burke
Demetri

Linda Boston
Chickie

Kirstie Alley
Suzanne

Jason Burkey
David

Roscoe Orman
McDevitt

Tia Hendricks
Letty

Jay DeVon Johnson
Judge Garrett

Lyndsy Fonseca
Amy Thompson

Michael Woods
Jim Pike

Rico Ball
Officer Morgan

Greg Dorchak
Bob Moss

Chantal Maurice
ER Nurse

Diane Robin
Lawyer

Max Bickelhaup
Detective Bradley

Elissa Kapneck
Ashley

Wil J. Jackson
Investigator

David Raizor
Judge Bonner

Jared Simon
Attorney

Shannon Coulter
Officer Bryant

CC Castillo
Doctor Karla

Madison Johnson
Maddy Thompson

Aerica D'Amaro
Delivery Nurse

Olaolu Winfunke
Stephenson Fisher

Hart Morse
Owen

Kimberly Raven
Teacher

Langley Cornwell
Lawyer

John A. Rhodes
Mr. Rosemead, Private Investigator
Discover where to watch You Can’t Take My Daughter online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like IMDb, TMDb, Rotten Tomatoes or JustWatch.
See how You Can’t Take My Daughter is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where You Can’t Take My Daughter stands among top-rated movies in its genre.
You Can’t Take My Daughter elicits a polarized response that hovers between earnest storytelling and flawed execution. While several viewers commend its true‑crime premise and occasional gripping moments, many criticize its uneven direction, implausible scenarios, and inconsistent performances. The film’s relevance to contemporary debates is acknowledged, yet its narrative and technical shortcomings limit broader appreciation. Consequently, the movie lands in a middling range that reflects both its ambitions and its deficiencies.
The Movie Echo Score Breakdown for You Can’t Take My Daughter
Art & Craft
In terms of art and craft, the film struggles with direction and production quality. Reviewers cite poorly written scenes, questionable editing, and a lack of visual cohesion, labeling it among the worst directed works they have seen. Some audience members note occasional realism that keeps attention, but the dominant perception points to amateurish execution that hampers overall impact.
Character & Emotion
When evaluating character and emotional depth, performances generate mixed reactions. Certain viewers praise Lyndsy Fonseca’s nuanced portrayal and describe the acting as compelling enough for repeat viewings. Conversely, many criticize Kirstie Alley’s portrayal as caricatured and deem other performances trite, resulting in a net impression of uneven acting that dilutes the film’s emotional resonance.
Story & Flow
The story and flow receive divergent feedback from audiences. Positive comments highlight the film’s basis in a real case, its tension, and an engaging premise that sustains interest. However, a substantial portion of reviewers condemn the plot as implausible, poorly paced, and at times factually inaccurate, leading to a perception of a narrative that is both compelling and flawed.
Sensory Experience
Sensory experience receives relatively neutral commentary, as few reviewers address soundtrack, sound design, or visual style directly. Some note the film’s realistic aesthetic and moments that feel immersive, but the lack of specific praise or criticism suggests an average execution that neither stands out nor detracts significantly from the viewing experience.
Rewatch Factor
Rewatch factor appears modestly positive among a subset of viewers. Several participants express intent to watch the film again, citing its true‑story intrigue and occasional edge‑of‑the‑seat moments. Yet the strong criticisms from other reviewers temper enthusiasm, resulting in a mixed but slightly favorable view of the movie’s lasting appeal.
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