Yes, Madam! 1985

Senior Inspector Ng presides over a tense first victory in Hong Kong, stopping an armored car theft at the outset, but the city’s crime web proves broader and more dangerous than a single heist. In a parallel thread, a deal between a Westerner and an assassin spirals out of control: the assassin kills the Westerner, and two opportunists, Asprin and Strepsil, move in to lift the man’s passport. The scene is crowded with shifting loyalties and concealed motives, and it soon becomes clear that the dead Westerner carried far more than a simple identification—he held microfilm that exposes a far-reaching criminal network, with the most dangerous thread led by a crooked businessman known as Mr. Tin.

The revelation lands hard for Ng when she discovers the victim is Richard Nornen, a man she cared for deeply—an undercover operative whose death shakes her personally as well as professionally. The loss intensifies the urgency to recover the microfilm, because its contents could indict Tin and his accomplices and pierce the smoke screen around the city’s criminal infrastructure. The trail grows colder as the microfilm disappears into a game of cat and mouse between thieves and law enforcement, testing Ng’s resolve and pushing her to accept help from abroad.

To aid the Hong Kong authorities, Carrie Morris from Scotland Yard arrives with experience on high-stakes investigations and a sharper eye for the loose ends in this case. Morris’s presence adds an international dimension to the pursuit, as investigators try to locate the microfilm before Tin’s faction can erase any remaining evidence. The plot thickens when the microfilm resurfaces in the hands of petty thieves who know someone’s life could depend on its survival, and the authorities shift their focus to proving Tin’s guilt beyond a shadow of a doubt.

Meanwhile, Panadol—an operative with his own agenda—holds a critical piece of the puzzle: the passport that could unlock travel for those trying to flee justice. Panadol becomes a linchpin, and the authorities work to track him down at the airport, where a tense confrontation unfolds and Morris prevents a dangerous escape. Ng allows the suspect to leave the airport, but not onto a plane, turning the chase back toward Panadol and the microfilm’s ultimate fate. The exchange at the airport also reveals that Panadol knows more about Asprin and Strepsil than anyone suspects, tying their fates together in a web of deception.

As the case accelerates, Tin escalates his efforts, sending three thugs to seize the microfilm from Asprin and Strepsil. Strepsil, facing pressure, concedes the microfilm, and Ng and Morris close in on Tin’s lair. They discover that the microfilm Tin possesses is a counterfeit—Panadol’s fake—so the plan to arrest Tin collapses on a crucial technicality. Tin’s henchmen corner Panadol and brutalize him, removing him from the equation, while Asprin and Strepsil consider selling the real microfilm for a life-changing sum. The impending showdown moves toward Tin’s house, with Ng and Morris in close pursuit, hoping to recover the microfilm once for all.

The ensuing battle culminates in chaos: the microfilm is destroyed amid the skirmish, and Ng and Morris are briefly arrested for trespassing as the scene spirals out of control. The collapse of the evidence creates an opening for desperation and vengeance, and the mood darkens as the criminals’ grip tightens around the city’s fate. The final turn comes from an enraged Asprin, who, learning of Panadol’s death, grabs a police officer’s gun and shoots Mr. Tin(/actor/james-tien-chun) at the moment he seems poised to slip away, bringing a brutal, ironic close to Tin’s criminal ambitions and underscoring the film’s stubborn moral tension between law, loyalty, and revenge.