Skip to content
What's After the Movie?
Drama

Yes (2025): Cast & Ratings

Yes (2025) movie poster

Yes is a 2025 drama directed by Nadav Lapid, starring Aleksey Serebryakov as Big Billionaire, Sharon Alexander and Naama Preis. It runs 2 hours 29 minutes. Critics gave it 92% on Rotten Tomatoes, and IMDb users rate it 6.4/10.

IMDb rating
6.4/10
Rotten Tomatoes
92%
Echo Score
65
Loading streaming availability…
Yes (2025) movie poster
Released
Runtime
2h 29m (149 min)
Director
Nadav Lapid
Genre
Drama
Original language
Hebrew
After the credits
No No extra scene
The story

What Is Yes About?

The premise of Yes without spoilers.

Following the events of October 7th, a jazz musician and his dancer wife struggle financially in Israel. They find a precarious means of survival by providing art, solace, and entertainment to the nation's elite. As they navigate this challenging landscape, the musician is entrusted with a significant task: composing a new national anthem for the country.

Loading streaming availability…
Cast & crew

Yes Cast & Characters

Aleksey Serebryakov leads the cast as Big Billionaire, with Sharon Alexander as Avinoam and Naama Preis as Leah. Directed by Nadav Lapid; 8 actors are credited in all.

Also Starring in Yes

· 4 more
From the director

More from Nadav Lapid

More films directed by Nadav Lapid, best-rated first: Policeman, Synonyms, Ahed's Knee and The Kindergarten Teacher.

Full filmography
Ratings

Yes Reviews & Ratings

Critics gave Yes 92% on Rotten Tomatoes, and IMDb users rate it 6.4/10. Our Echo Score gives it 65/100, strongest in sensory experience (80) and weakest in rewatch factor (48).

65 /100

Yes Echo Score Breakdown

Yes! is an ambitious, politically charged film that polarizes viewers through its maximalist style and overt messaging. Critics laud its daring visual composition and urgent satire, while some note a lack of narrative clarity and repetitive emphasis. The user review highlights overacting and limited rewatch value, underscoring the film’s uneven execution. Consequently, the movie delivers a potent but uneven experience that resonates chiefly with audiences attuned to its political stance.

Our own 0–100 rating, built from five aspects: art, character, story, the sensory experience and how well a film rewatches.

  • Art & Craft 78

    ART: The direction embraces a maximalist, almost chaotic aesthetic, employing bold color palettes and rapid editing to amplify the film’s agitprop tone. Critics commend the striking visual composition and the audacious production design, yet some note a lack of clarity and repetitive framing that undermines cohesion. The user’s criticism of theatrical set pieces further points to uneven craftsmanship, resulting in a mixed assessment of the film’s artistic execution.

  • Character & Emotion 55

    CHARACTER: Performances aim for heightened intensity, mirroring the film’s polemical intent. While several critics acknowledge the energetic delivery and the ensemble’s ability to convey collective rage, no specific praise for nuanced portrayal emerges. The user review condemns the overacting as theatrical and disengaging, describing it as a primary flaw. Consequently, character work is perceived as forceful yet lacking depth, yielding a modest character score.

  • Story & Flow 62

    STORY: The narrative unfolds in three movements, blending musical tragedy with satirical commentary. Critics appreciate its provocative ideas and the urgency of its political message, though some note occasional meandering and a lack of narrative focus. The negative critic highlights repetitive premises, and the user describes the plot as on‑the‑nose and propagandistic. Overall, the story is seen as conceptually bold yet unevenly structured, reflecting a mixed reception.

  • Sensory Experience 80

    SENSORY: The film’s soundscape is confrontational, employing an aggressive score and loud, discordant effects that reinforce its polemical thrust. Visually, the cinematography adopts a frenetic, maximalist style, punctuated by stark color contrasts and rapid cuts. Critics remark on the sensory overload as both powerful and purposeful, while no specific sensory complaints arise. This immersive, albeit overwhelming, approach contributes to a strong sensory impression.

  • Rewatch Factor 48

    REWATCH: The film’s incendiary message and visceral style aim to provoke repeated engagement, yet its heavy-handed execution limits replay appeal. Critics emphasize its polarizing impact but do not explicitly endorse multiple viewings. The user explicitly states zero rewatchability, citing overacting and a predictable plot as deterrents. Consequently, the movie’s lasting appeal appears constrained, resulting in a modest rewatch factor.

Videos

Yes Trailers & Videos

2 videos: 1 trailer and 1 featurette.

Official Trailer [Subtitled]
  • Featurette Justine Triet's reaction to YES directed by Nadav Lapid [Subtitled]
Details

Yes Also Known As

4 alternative titles, including “כן” and “Tak”.

Also known as
  • כן
  • Tak
  • Oui
  • 예스!

Seen Yes?

FAQ

Yes FAQ: Cast, Runtime & Release Date

Runtime, release date, director, cast, ratings, post-credit scenes and language of Yes, each answered in a sentence.

How long is Yes?

Yes runs 2 hours 29 minutes (149 minutes).

When was Yes released?

Yes was released on May 22, 2025.

Who directed Yes?

Yes was directed by Nadav Lapid.

More films by Nadav Lapid

Who is in the cast of Yes?

Yes stars Aleksey Serebryakov as Big Billionaire, Sharon Alexander as Avinoam and Naama Preis as Leah, among 8 credited actors.

How is Yes rated?

Yes has 6.4/10 on IMDb, 92% on Rotten Tomatoes, 63% on TMDB and 3.5/5 on Letterboxd.

Does Yes have a post-credit scene?

No. Yes has no extra scene during or after the credits.

What language is Yes in?

The original language of Yes is Hebrew.

Coming soon to your phone

The Plot Explained Movie Summary App

From blockbusters to hidden gems: plot summaries, endings explained and timelines on your phone. Save your favorites and never miss a twist again.

Be the first to know when it launches. Your email stays private, always. Learn more about the app