
After a catastrophic military disaster, the dead don’t simply rise—they hunt. The armed forces claim the walkers are harmless and slow, giving grieving families hope. When Ava (Daisy Ridley) penetrates a quarantine zone to find her missing husband, she discovers the truth: the undead are becoming violent and relentless, threatening everyone.
Does We Bury the Dead have end credit scenes?
No!
We Bury the Dead does not have end credit scenes. You can leave when the credits roll.
See current US streaming, rental, and purchase options for We Bury the Dead (2026) via JustWatch.
Explore the complete cast of We Bury the Dead, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.

Daisy Ridley
Ava

Brenton Thwaites
Clay

Chloe Hurst
Katie

Kym Jackson
Lieutenant Wilkie

Matt Whelan
Mitch

Mark Coles Smith
Riley

Nicola Bartlett
Woman on Plane

Kim Fleming
Briefing Colonel

Bruce Denny
Old Man in Chair

Kingsley Judd
Camper Van Dad

Steve McCall
Bogan

Dan Paris
Captain Vance

Matthew Parkin
Truck Driver

Elijah Williams
Bus Zombie

Deanna Cooney
Ava's First Partner

Salme Geransar
Private Clarkson

Luke Jai
Tarmac Cadet

Megan Hollier
Farm Girl

David Genat
Desperate Man

Jimmy Duncan
Vomiting Hipster
Discover where to watch We Bury the Dead online, including streaming platforms, rental options, and official sources. Compare reviews, ratings, and in-depth movie information across sites like TMDb, Wikipedia, Metacritic or JustWatch.
See how We Bury the Dead is rated across major platforms like IMDb, Metacritic, and TMDb. Compare audience scores and critic reviews to understand where We Bury the Dead stands among top-rated movies in its genre.
Overall, We Bury the Dead presents a modestly effective meditation on loss within a zombie framework, but its execution limits broader appeal. Critics commend the film’s emotional intent and occasional fresh moments, while many note its sluggish pacing and limited scares. Viewer reactions emphasize a lack of engaging narrative drive and technical polish. Consequently, the film settles into the mixed‑to‑negative region, delivering an experience that may resonate with a niche audience but struggles to sustain wider enthusiasm.
The Movie Echo Score Breakdown for We Bury the Dead
Art & Craft
Regarding art and craft, the film demonstrates competent direction and a restrained visual palette that suits its mournful tone. Cinematography occasionally captures the bleak landscape effectively, yet the low‑budget constraints result in uneven editing and a lack of visual originality. While some critics note a fresh sensibility in its presentation, the overall craftsmanship remains modest rather than standout.
Character & Emotion
When evaluating character and emotion, Daisy Ridley’s performance is frequently highlighted as a nuanced portrayal that conveys grief and maternal longing. Supporting roles, however, are perceived as underdeveloped, with back‑stories described as thin and lacking resonance. The emotional core thus rests heavily on the lead, creating an uneven ensemble that diminishes overall character depth.
Story & Flow
The story’s pacing is marked by a deliberate, slow‑burn approach that many reviewers find overextended, especially in the film’s latter half where momentum wanes. While the premise of mourning the undead offers an original thematic angle, plot progression suffers from repetitive sequences and limited suspense. Consequently, narrative engagement is mixed, balancing thoughtful moments with stretched exposition.
Sensory Experience
In terms of sensory experience, the film’s sound design and score aim for a muted, atmospheric quality that aligns with its somber mood. Nevertheless, critics and viewers note inconsistencies, such as accent-heavy dialogue and occasional flat audio mixing, which detract from immersion. Visual styling remains functional but lacks distinctive flair, rendering the overall sensory impact modest.
Rewatch Factor
The rewatch factor is limited by the film’s slow narrative rhythm and reliance on melancholy over sustained tension. Although some viewers appreciate its contemplative tone and occasional fresh ideas, the paucity of scares and repetitive sequences reduces incentive for repeat viewings. As a result, the movie offers modest replay value primarily for niche audiences.
61
Metascore
5.2
User Score
60
%
User Score
Read the complete plot summary of We Bury the Dead, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
After the United States detonates an experimental weapon off the eastern coast of Tasmania, the city of Hobart is destroyed and the island’s remaining residents are left fighting for survival. Some of the brain-dead victims later begin to regain motor function, turning violent as they wake. In the midst of this crisis, American physiotherapist Ava Newman volunteers to join an Australian military effort whose goal is to retrieve and dispose of the bodies left scattered across the island. She is assigned to the northern region, far from Woodbridge, where she tirelessly retrieves corpses and signals soldiers to kill any undead that rouse from their sleep.
On the road, Clay, another volunteer, teams up with Ava as they discover a motorcycle hidden in a garage. The pair make a bold, dangerous choice: abandon their unit and drive across Tasmania to search for Mitch, Ava’s husband, who was abroad on business in Woodbridge. The journey soon tests their resolve as they push into abandoned towns, empty stations, and the desolate landscapes between them. During a rest at an old petrol station, the two are ambushed by an undead creature, and their fate appears bleak until a lone soldier named Riley appears and pulls Ava to safety. Riley locks Ava in a toilet to question Clay, and Ava drifts into a sleep filled with memories of Mitch as the hours slip by.
When Ava wakes, she learns that Clay has run off. Riley offers to escort Ava to Woodbridge, but his plan shifts: he leads her to his home for a meal and a long, heavy conversation about the spouses who fell to the detonation. The two menacingly intimate moments give way to a disturbing request from Riley: Ava should wear his wife Katie’s clothes and dance with him. Ava, caught between fear and a desperate need for human connection, agrees and the two share a fraught dance and a fragile fantasy of being each other’s partners. The tension spikes when Riley discovers that Ava has not removed her wedding ring, and violence erupts. Ava escapes through a window and uncovers Katie’s pregnant undead corpse in Riley’s bed, a shrine surrounding the scene.
Riley insists that he is still alive, and Ava’s escape becomes a tense chase through the house. In the shed, she discovers many chained undead, each labeled with notes Riley has written about their behavior and unfinished business. Riley explains that those who return might be the ones with unresolved issues, and he admits that he hasn’t forgiven Ava for not wearing Katie’s ring. The confrontation ends with Ava killing Riley and driving away in his car, only to glimpse that Katie has begun to wake.
Ava makes her way to Woodbridge and rests in a camper van, taking care to bury the corpses left outside a family’s car. That night, the undead father rises from the grave and, with a shovel, digs a proper grave for himself and the other three corpses as the undead driver watches calmly, then resumes his grave-digging. Ava helps bury them and finally kills the driver with the shovel before continuing her escape.
Through a series of flashbacks, the strain on Ava and Mitch’s marriage becomes clearer: infertility had created tension, driving Ava to have an affair that Mitch discovered just before he left on his trip. Ava eventually reaches the resort where Mitch was staying, only to learn that Mitch did not wake up from death and had cheated on her with a coworker before he died. Clay later finds Ava at the hotel, and the two form a bond as they face the fallout of a world shattered by catastrophe. Clay explains that his own wife and daughter want nothing to do with him, and that joining the effort was his way of proving he’s not selfish.
After spending the night together, Ava and Mitch place Mitch’s body in a motorboat and set it on fire, sending it out to sea as a final, ember-like gesture of closure. Retracing their steps northward, they encounter Katie, who has somehow given birth. Katie turns away from Ava, Clay, and the sound of a crying baby, leaving them to follow the newborn into nearby stone ruins. To their astonishment, the infant is alive and perfectly healthy, seemingly free of the undead’s corruption. Ava cradles the baby, tears of joy glistening as she realizes a new life has somehow begun amid the ruin.

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