
At Alpine University's competitive film program, three students—Amy, Travis, and Graham—vie for the chance to produce a perfect thesis film. As they grapple with intense rivalry and the strain of academic expectations, a dark and mysterious force targets the competition. One by one, the students face danger, and the race for success turns into a desperate fight for survival where only one can emerge as the ultimate winner.
Does Urban Legend have end credit scenes?
Yes!
Urban Legend does have end credit scenes. Stay until the very end!
Explore the complete cast of Urban Legend, including both lead and supporting actors. Learn who plays each character, discover their past roles and achievements, and find out what makes this ensemble cast stand out in the world of film and television.
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35
Metascore
6.2
User Score
%
TOMATOMETER
0%
User Score
57
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User Score
Challenge your knowledge of Urban Legend with this fun and interactive movie quiz. Test yourself on key plot points, iconic characters, hidden details, and memorable moments to see how well you really know the film.
What is the name of the main character who is attacked in the opening scene?
Michelle Mancini
Natalie Simon
Brenda Bates
Sasha Thomas
Show hint
Read the complete plot summary of Urban Legend, including all major events, twists, and the full ending explained in detail. Explore key characters, themes, hidden meanings, and everything you need to understand the story from beginning to end.
On a stormy and dismal night, a young woman named Michelle Mancini finds herself behind the wheel of her pickup truck, listening attentively to a college radio DJ. Shortly after a dangerous near-miss with another vehicle, she realizes her gas tank is nearly empty. As a result, she pulls into a desolate gas station that looks as if it’s seen better days. The strange-looking attendant, clearly unordinary and somewhat unsettling, offers to fill her tank. Concerned about her dwindling cash options, Michelle attempts to pay by credit card. After a short while, the attendant insists her card has declined and urges her to step into his office to resolve the matter over the phone. As she picks up the receiver, she quickly figures out that there’s nobody on the other end. Panic begins to set in as she notices the attendant approaching her, stammering in excitement yet utterly incoherent. Fearing for her safety, Michelle sprays mace into his face and bolts back to her truck. Just as she thinks she’s escaping, he screams after her, claiming he’s only trying to help and warns her, “SOMEONE’S IN THE BACK SEAT!” Suddenly, dread overtakes her as she feels a presence in her vehicle—an unidentified figure springs up in the back seat and swings an axe at her.
That same night, over in the comfortable environment of a coffee shop lounge located at Pendleton University, we find college student Parker Riley regaling his friends with the spine-chilling urban legend known as the “Stanley Hall Massacre”—the horrific tale of a deranged professor who claimed the lives of a dozen students in a now-abandoned dormitory two and a half decades prior. Skateboarding by are Natalie Simon and her friend Brenda Bates as they listen skeptically. Amidst the chatter, Parker’s girlfriend, Sasha Thomas, who hosts a local call-in radio show, wraps up her broadcast. Paul Gardener, a somewhat obnoxious student reporter, scoffs at Parker’s story, though it draws Brenda’s interest keenly. The wariness increases when Natalie and Brenda present their plans to explore the abandoned Stanley Hall, jokingly suggesting they invoke the name “Bloody Mary.” Suddenly, Damon Brooks, a rebellious classmate, appears to mock their intentions, intensifying the thrilling atmosphere of their adventure.
After a day filled with attending classes—one of which is led by Professor William Wexler, portrayed by Robert Englund—the group of friends grapples with the events surrounding the murder that has shaken their campus. Damon, in his characteristic manner, perpetrates yet another mischief by attempting to recreate an urban legend but manages to irritate Professor Wexler instead. The tension mounts as Natalie connects herself to the recent victim through a shared history, realizing she once was a cheerleader alongside Michelle. After an eerie encounter in the woods, where the night takes a horrifying turn leading to death and despair, Natalie is thrust into a world where urban legends merge with the harsh realities of mortality.
When a tragic incident concerning her friend leads her down a rabbit hole of investigation, she uncovers hidden truths relating to Tosh, her Goth roommate, whose untimely end is chalked up to suicide, despite Natalie’s suspicions. As the grisly murders accumulate, Natalie’s desperate hunt for answers sees her and Paul pulling at the threads of the past, only to be thwarted by the interference of Dean Adams and the enigmatic janitor. The urgency escalates as they unravel Brenda’s shocking connection to the series of events, culminating in a nail-biting confrontation where deception transforms her from a sympathetic figure into a chilling antagonist, driven by revenge for past grievances.
In a surprising twist of fate, it is revealed that Brenda has been orchestrating this elaborate saga of terror as a means to dispense her own brand of justice, having laid the groundwork for an ultimate showdown in the abandoned dormitory. As the tension reaches its pinnacle, violence erupts. This results in a visceral climax while addressing issues of guilt, betrayal, and the catastrophic power of urban legends. Ultimately, as Natalie and Paul seek safety, they encounter Brenda once more, transformed into a terrifying figure meted out with vengeance.
In the end, as the smoke clears from the carnage unleashed upon the campus, a shocking twist awaits—a group of college students, eager for spine-tingling tales, gather to hear the true story of what transpired during the Pendleton Massacre, unaware of the chilling presence amongst them, leaving viewers questioning the very nature of horror and its legacy. The film takes the audience on a rollercoaster journey through fear.
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